A Redeeming Sacrifice by Lucy Maud
The dance at Byron Lyall's was in full swing. Toff Leclerc, the best
fiddler in three counties, was enthroned on the kitchen table and from
the glossy brown violin, which his grandfather brought from Grand Pré,
was conjuring music which made even stiff old Aunt Phemy want to show
her steps. Around the kitchen sat a row of young men and women, and
the open sitting-room doorway was crowded with the faces of
non-dancing guests who wanted to watch the sets.
An eight-hand reel had just been danced and the girls, giddy from the
much swinging of the final figure, had been led back to their seats.
Mattie Lyall came out with a dipper of water and sprinkled the floor,
from which a fine dust was rising. Toff's violin purred under his
hands as he waited for the next set to form. The dancers were slow
about it. There was not the rush for the floor that there had been
earlier in the evening, for the supper table was now spread in the
dining-room and most of the guests were hungry.
"Fill up dere, boys," shouted the fiddler impatiently. "Bring out your
gals for de nex' set."
After a moment Paul King led out Joan Shelley from the shadowy corner
where they had been sitting. They had already danced several sets
together; Joan had not danced with anybody else that evening. As they
stood together under the light from the lamp on the shelf above them,
many curious and disapproving eyes watched them. Connor Mitchell, who
had been standing in the open outer doorway with the moonlight behind
him, turned abruptly on his heel and went out.
Paul King leaned his head against the wall and watched the watchers
with a smiling, defiant face as they waited for the set to form. He
was a handsome fellow, with the easy, winning ways that women love.
His hair curled in bronze masses about his head; his dark eyes were
long and drowsy and laughing; there was a swarthy bloom on his round
cheeks; and his lips were as red and beguiling as a girl's. A bad egg
was Paul King, with a bad past and a bad future. He was shiftless and
drunken; ugly tales were told of him. Not a man in Lyall's house that
night but grudged him the privilege of standing up with Joan Shelley.
Joan was a slight, blossom-like girl in white, looking much like the
pale, sweet-scented house rose she wore in her dark hair. Her face was
colourless and young, very pure and softly curved. She had wonderfully
sweet, dark blue eyes, generally dropped down, with notably long black
lashes. There were many showier girls in the groups around her, but
none half so lovely. She made all the rosy-cheeked beauties seem
coarse and over-blown.
She left in Paul's clasp the hand by which he had led her out on the
floor. Now and then he shifted his gaze from the faces before him to
hers. When he did, she always looked up and they exchanged glances as
if they had been utterly alone. Three other couples gradually took the
floor and the reel began. Joan drifted through the figures with the
grace of a wind-blown leaf. Paul danced with rollicking abandon,
seldom taking his eyes from Joan's face. When the last mad whirl was
over, Joan's brother came up and told her in an angry tone to go into
the next room and dance no more, since she would dance with only one
man. Joan looked at Paul. That look meant that she would do as he, and
none other, told her. Paul nodded easily—he did not want any fuss
just then—and the girl went obediently into the room. As she turned
from him, Paul coolly reached out his hand and took the rose from her
hair; then, with a triumphant glance around the room, he went out.
The autumn night was very clear and chill, with a faint, moaning wind
blowing up from the northwest over the sea that lay shimmering before
the door. Out beyond the cove the boats were nodding and curtsying on
the swell, and over the shore fields the great red star of the
lighthouse flared out against the silvery sky. Paul, with a whistle,
sauntered down the sandy lane, thinking of Joan. How mightily he loved
her—he, Paul King, who had made a mock of so many women and had never
loved before! Ah, and she loved him. She had never said so in words,
but eyes and tones had said it—she, Joan Shelley, the pick and pride
of the Harbour girls, whom so many men had wooed, winning their
trouble for their pains. He had won her; she was his and his only, for
the asking. His heart was seething with pride and triumph and passion
as he strode down to the shore and flung himself on the cold sand in
the black shadow of Michael Brown's beached boat.
Byron Lyall, a grizzled, elderly man, half farmer, half fisherman, and
Maxwell Holmes, the Prospect schoolteacher, came up to the boat
presently. Paul lay softly and listened to what they were saying. He
was not troubled by any sense of dishonour. Honour was something Paul
King could not lose since it was something he had never possessed.
They were talking of him and Joan.
"What a shame that a girl like Joan Shelley should throw herself away
on a man like that," Holmes said.
Byron Lyall removed the pipe he was smoking and spat reflectively at
"Darned shame," he agreed. "That girl's life will be ruined if she
marries him, plum' ruined, and marry him she will. He's bewitched
her—darned if I can understand it. A dozen better men have wanted
her—Connor Mitchell for one. And he's a honest, steady fellow with a
good home to offer her. If King had left her alone, she'd have taken
Connor. She used to like him well enough. But that's all over. She's
infatuated with King, the worthless scamp. She'll marry him and be
sorry for it to her last day. He's bad clear through and always will
be. Why, look you, Teacher, most men pull up a bit when they're
courting a girl, no matter how wild they've been and will be again.
Paul hasn't. It hasn't made any difference. He was dead drunk night
afore last at the Harbour head, and he hasn't done a stroke of work
for a month. And yet Joan Shelley'll take him."
"What are her people thinking of to let her go with him?" asked
"She hasn't any but her brother. He's against Paul, of course, but it
won't matter. The girl's fancy's caught and she'll go her own gait to
ruin. Ruin, I tell ye. If she marries that handsome ne'er-do-well,
she'll be a wretched woman all her days and none to pity her."
The two moved away then, and Paul lay motionless, face downward on the
sand, his lips pressed against Joan's sweet, crushed rose. He felt no
anger over Byron Lyall's unsparing condemnation. He knew it was true,
every word of it. He was a worthless scamp and always would be. He
knew that perfectly well. It was in his blood. None of his race had
ever been respectable and he was worse than them all. He had no
intention of trying to reform because he could not and because he did
not even want to. He was not fit to touch Joan's hand. Yet he had
meant to marry her!
But to spoil her life! Would it do that? Yes, it surely would. And if
he were out of the way, taking his baleful charm out of her life,
Connor Mitchell might and doubtless would win her yet and give her all
he could not.
The man suddenly felt his eyes wet with tears. He had never shed a
tear in his daredevil life before, but they came hot and stinging now.
Something he had never known or thought of before entered into his
passion and purified it. He loved Joan. Did he love her well enough to
stand aside and let another take the sweetness and grace that was now
his own? Did he love her well enough to save her from the
poverty-stricken, shamed life she must lead with him? Did he love her
better than himself?
"I ain't fit to think of her," he groaned. "I never did a decent thing
in my life, as they say. But how can I give her up—God, how can I?"
He lay still a long time after that, until the moonlight crept around
the boat and drove away the shadow. Then he got up and went slowly
down to the water's edge with Joan's rose, all wet with his
unaccustomed tears, in his hands. Slowly and reverently he plucked off
the petals and scattered them on the ripples, where they drifted
lightly off like fairy shallops on moonshine. When the last one had
fluttered from his fingers, he went back to the house and hunted up
Captain Alec Matheson, who was smoking his pipe in a corner of the
verandah and watching the young folks dancing through the open door.
The two men talked together for some time.
When the dance broke up and the guests straggled homeward, Paul sought
Joan. Rob Shelley had his own girl to see home and relinquished the
guardianship of his sister with a scowl. Paul strode out of the
kitchen and down the steps at the side of Joan, smiling with his usual
daredeviltry. He whistled noisily all the way up the lane.
"Great little dance," he said. "My last in Prospect for a spell, I
"Why?" asked Joan wonderingly.
"Oh, I'm going to take a run down to South America in Matheson's
schooner. Lord knows when I'll come back. This old place has got too
deadly dull to suit me. I'm going to look for something livelier."
Joan's lips turned ashen under the fringes of her white fascinator.
She trembled violently and put one of her small brown hands up to her
throat. "You—you are not coming back?" she said faintly.
"Not likely. I'm pretty well tired of Prospect and I haven't got
anything to hold me here. Things'll be livelier down south."
Joan said nothing more. They walked along the spruce-fringed roads
where the moonbeams laughed down through the thick, softly swaying
boughs. Paul whistled one rollicking tune after another. The girl bit
her lips and clenched her hands. He cared nothing for her—he had been
making a mock of her as of others. Hurt pride and wounded love fought
each other in her soul. Pride conquered. She would not let him, or
anyone, see that she cared. She would not care!
At her gate Paul held out his hand.
"Well, good-bye, Joan. I'm sailing tomorrow so I won't see you
again—not for years likely. You will be some sober old married woman
when I come back to Prospect, if I ever do."
"Good-bye," said Joan steadily. She gave him her cold hand and looked
calmly into his face without quailing. She had loved him with all her
heart, but now a fatal scorn of him was already mingling with her
love. He was what they said he was, a scamp without principle or
Paul whistled himself out of the Shelley lane and over the hill. Then
he flung himself down under the spruces, crushed his face into the
spicy frosted ferns, and had his black hour alone.
But when Captain Alec's schooner sailed out of the harbour the next
day, Paul King was on board of her, the wildest and most hilarious of
a wild and hilarious crew. Prospect people nodded their satisfaction.
"Good riddance," they said. "Paul King is black to the core. He never
did a decent thing in his life."