by Ada Leverson
Originally published 1911 by Grant Richards Ltd. Reissued 1950 by
arrangement with the Richards Press Ltd.
Printed by Brüder Rosenbaum, Vienna, Austria Cat. No. 5085/4
TO ROBERT ROSS
CHAPTER III. VAN
CHAPTER IV. THE
CHAPTER V. ROMER
CHAPTER VIII. IN
CHAPTER IX. A
CHAPTER XI. THE
CHAPTER XII. A
CHAPTER XIV. A
CHAPTER XV. MISS
AT THE CARLTON
CHAPTER XIX. AT
CHAPTER XX. A
THE GREEN GATE
CHAPTER XXV. A
CHAPTER XXVI. IN
THE ROSE GARDEN
SEEING THE SUN
CHAPTER XXX. THE
CHAPTER XXXI. AT
CHAPTER I. VALENTIA
Romer, are you listening?
Valentia, do I ever do anything else?
I've almost decided and absolutely made up my mind that it will
look ever so much better if you don't go with me to Harry's dinner
Yes. We twoyou and Ialways seem to make such an enormous
family party! Of course, I know we have to go about in these huge
batches sometimesto your mother, and that sort of thing, but in this
case it will look better not.
Valentia made this rather ungracious suggestion, looking so pretty,
so serious, and yet with such a conciliating smile that it would have
been almost impossible for even the most touchy person to have been
The tall, significant-looking husband stopped in his stroll across
It was a charming room, with pale grey walls and a pale green
carpet, and very little in it except, let in as a panel, a delicate
low-toned portrait of the mistress of the house, vaguely appearing
through vaporous curtains, holding pale flowers, and painted with a
rather mysterious effect by that talented young amateur, her cousin,
Harry de Freyne. It had been his sole success in art, and had been
exhibited at the Grafton Galleries under the name of The Gilded Lily.
No one had ever known or was ever likely to know whether the title
referred to the decorative, if botanically impossible, blossom in her
hand, or to the golden hair of the seductive sitter.
Romer Wyburn paused a momenthe always paused before speakingand
then said very slowly
Oh! Really? You think it will look better if I don't go with you?
He invariably spoke with the greatest deliberation, and with no
Oh yes, dear, I'm sure it would, she repeated coaxingly.
Do you mean if you go without me?
What else can I mean?
It'll look better, you think; eh? Is that the idea?
He sat down opposite the portrait, lighted a cigarette, and thought.
Then he said with ruminating interest
I don't see why. Why will it look so much better for me not to go
Oh, Romer dear, really! It's one of those things that are almost
impossible to explain. Oh, if you'd only do just what I adviseif
you'd only go by me, and not want these long tedious
explanations, how much better it would be! You see, Harry is giving
this dinner on purpose so that Daphne shall meet Van Buren by
accident. You know all about Van Buren, the Van Burenthe
millionaire, who turns out to be a dear creature and quite charming!
and has taken the greatest fancy to Harry, and clings on to him,
and keeps on and on asking him to ask him to meet people. You must own
it would be rather jolly for Daphne, because, of course, you can't
think how he's run afterI mean Van Burenand he isn't an
ordinary American snob, and it really and truly isn't only his
millionairishness, but he's a real person, and good-looking and nice as
well; and though, Heaven knows, I'm as romantic as anybodyfor
myselfI wouldn't be so selfish as to be romantic for her too, and I
can't help feeling it's our duty, being in the place of parents to her,
to give the angel a sporting chance! Of course, the point is, Van Buren
has told Harry he only likes nice English girls very well brought up,
and he wants to settle down in England, and he thinks that any relation
of Harry's must be perfect; and, naturally, I'm pleased. I feel exactly
like a mother to Daphne, although she's only six years younger.
Well, that's all right. I see all that.
Romer seemed rather bored, as men naturally are at a long catalogue
of another man's advantages. Now, look here. Why would it look better
for me not to go?
There was some excuse for his insistence on this point, for in a
superficial way Romer was very effective, fair and good-looking,
well-made and distinguished; but the entire absence of all expression
from his empty, regular face, and of all animation from his dry,
colourless voice and manner, soon counteracted the effectiveness.
Valentia often said that Romer should never do more than walk through a
room or look in for a few minutes where there were other peopleeven
at a cluband then go away immediately, when he would leave a striking
impression. If he stayed longer he became alarming. His personality was
so extraordinarily nil that it was quite oppressive. Obviously
kind and not in the least pompous, yet his silence made him formidable,
especially to most of his wife's friends who, though they could hardly
be reproached with want of pluck as a general rule, had one great fear
in lifethe fear of being bored. It was on this ground that they were
all terrified of Romer.
Don't you think, Romer, if we both go it will look too marked?
Almost as if we were vulgarly trying to get Daphne married? A horrid
idea! Besides, if you don't turn up Harry can ask some one amusing in
your place. You see, he's promised to show Van Buren interesting
people.... No, darling, I don't mean it in that way. I'm sure you're
interesting enough, but I mean queer people, and celebrities and
things. That's what Van Buren wants, and that's what he must have. And
that's one reason why he's so delighted with Harry, because Harry can
get them all, through being a sort of artist, you see. What a good
thing, after all, that he didn't drift into diplomacy! As he's an
American you can't expect Van Buren to be really modern, and he has all
the old-fashioned ideas about what he calls culture. He wants to
go in for being intellectual and artistic and knowing what he calls
people with brains who really count. I mean he wants to meet people
like Seymour Hicks and Waller, and Thomas Hardy, and so on, and not
only celebrities and people who have made their name, but even people
with a future, and, in fact, any peculiar, well-educated
creaturesanything out of the way.
Romer looked rather dazed.
Really? Then will Hicks or Hardy be asked in my place?
Valentia laughed. Don't be so absurdly literal and hopelessly
idiotic, darling! No, of course not. But I dare say Harry will
getwellperhaps Rathbone, the tattooed man, his Oxford friend.
Really! And will this chap's being tattooed make the party go off
Oh yes, Romer dear; in a sort of way, because it makes him
interesting, although you can't see it. When he was quite young he was
always having lifelong passions for people, and being tattooed in their
honour. He has blue chain bracelets with initials on his left wrist,
and a heart and an anchor with other initials on his right arm, and a
flight of swallowsoh, and goodness knows what! In fact, when you come
to think of it Mr. Rathbone is really a kind of serial storywith
illustrations. I wonder Lord Northcliffe doesn't bring him out in
monthly parts! She laughed again. Harry might even get Hereford
Vaughan, the man who has written all the plays that are going on now.
Harry knows him quite well, and Van Buren would be so pleased.
Does Daphne want to many this American chap?
Good gracious, no! The idea! Why, she doesn't even know him!...
Yes, of course she does, naturally.
Romer, though he never by any chance smiled at his wife's careless
irresponsible chatter, nor laughed at her trivial jests, took the
deepest interest in them, and would listen, as if under a charm, by the
hour, to subtleties and frivolities that one would never have imagined
he would enjoy. Sometimes the faint shadow of a smile would illuminate
his face like a cold ray of wintry moonlight, but that was when she had
ceased speaking. The smile was the effect of having watched the sparkle
of her grey eyes, the expression of her pretty mouth, and her
brilliant, sunshiny grace.
It's very sweet of Harry, she said thoughtfully, to do all this
for me. It's all for me, or rather it's all for Daphne; he's so fond of
Really? Why doesn't he marry her himself?
She looked surprised and blushed slightly.
Harry? Why, he never marries!
He doesn't as a rule, I know, Romer admitted.
Then, why should he make an exception for Daphne? He's fond of
herof usin fact, devotedjust like a brother. Not that I ever saw
a devoted brother. Besides, Harry's made to be a bachelor, and he isn't
well off enough to marry.
Really? Hard up? Poor chap! Never saw any sign of it.
Hard up? No; how like you! Of course, he has plenty of money, for
him, but he spends it all, poor boy. Anyhow, of course, he's not
really rich like Van Buren. It's on a totally different scalea
different sort of thing altogether. But, of course, Van Buren may not
care for Daphne; people have such funny tastes; and not only that, but
if he adores and worships the ground she treads on I shan't let her
dream of marrying him unless she absolutely returns itat least,
unless she likes him fairly well.
All this seemed to absorb Romer, and after a pause he said
I suppose you'll get Daphne a new dress for Harry's beano?
Valentia smiled pityingly.
Yes, of course, you would think that. No! Why, that would be
l'enfance de l'art! First of all, Daphne looks ever so much better
when she's dressed really simply, not the latest fashion; on the very
verge of dowdiness! It suits hershows her off. It would be silly to
dress her up like a doll or make her look endimanchée on
Thursday, or arranged and got up expensively, on purpose for Van Buren.
I wouldn't, for instance, for anything, let her wear her new tulle
dress from Armand! He'd see through it. Besides, I want her to contrast
with me as if I'd taken any amount of trouble about my own appearance
and none about hers. It'll make him pity her a little, and think how
well she'd look in the sort of clothes he could give her. Besides, I
myself am not going to be very smartjust tidy.
How clever of you to guess! Well, now I must go and see Harry and
hear all about the dinner, and tell him how sorry you are you can't
come. And you're going to lunch at the Club, aren't you? And won't you
go and dine with your mother on that evening?
I may as well.
Do, Romer dear! I can't bear you to neglect her, although I
never think it's safe to let you dine with her without me. She always
takes advantage of my absence to be horrid about me, and then you
will defend me, although I've implored you not to heaps of times,
and then you quarrel. If, this time, she says I'm frivolous and worldly
and an utter fool and very deep, you must agree with every word. I'm so
fond of her, she's such a dear thing, it's too bad to worry her by
contradicting her, and she has such a vile temper! Telephone and invite
yourselfa pressing invitation, and give her my very best love.
Romer promised all she asked and then went out to the Club.
Valentia watched him through the window as he went. She thought he
looked very well through a window, and ought by rights always to be
seen in that wayas it were, under glass. She felt quite proud of him,
of his smart appearance. In his way, he was an elaborate dandy, and
spent years at his tailor's, slowly choosing the right thing. She
remembered she had married him chiefly because of his fine presence and
mysterious silence. She had thought at the time there must be so much
at the back of it all, so much in him. He was in love with her and
seemed difficult to understand. What could be more attractive? And
nowwell, he was ideally kind and good-natured. And she certainly felt
sometimes that she couldn't even yet quite make him out. Then she gave
a slight sigh, went to the door and called Daphne.
Daphne came in, trimming a hat. She had lived with the Wyburns ever
since their marriage five years ago, and Valentia, having no children
and a most passionately tender dispositionfar too much natural
affection to expend on Romer alonelavished devotion on her sister.
And Daphne was so nice and so pretty, almost as pretty as herself, in a
satisfactorily different way. Valentia with her short straight
features, grey eyes under dark brows, low forehead almost hidden by
wavy fair hair, and a mouth curved and curled into subtle and
complicated lines, was the type loved by Rossetti and Burne-Jones. She
had a wonderful fair complexion, against which her long eyelashes
showed, when she looked down, dark and effective, and though she was
rather tall, slim and very modishly dressed, she never looked like a
fashion-plate and had no air of being a mere mannequin for clothes, but
seemed essentially real, with a suggestion in her personality of a
beauty at once pagan and spiritualthe pagan predominating. Her
pictorial appearance had no doubt made easier the artist's task, and
the pale exquisite portrait had truly been described as a whispering
Daphne, who was not quite eighteen, was a good deal taller, and more
slender. She had dark brown eyes, smooth dark hair, parted in the
middle, a rather bright colour and features of the classic type. Her
chin was rather long, and she had a brilliant, sudden smile, and all
the attractive freshness and slight abruptness of her age, with an
occasionally subdued air, caused by the shadow that had fallen on their
youth by the death of their beautiful mother. Her gentle grace and
touch of premeditated naïveté made her charming. Beyond question
she would be a great success.
Romer can't go on Thursday, Valentia said, taking the needle and
hat out of her sister's hand and beginning to sew. I must go and see
Harry and tell him to get some one else. Really, Daphne, you go too
far! It's all very well to be clever with your needle, but you needn't
tear a Lewis hat to pieces and turn it inside out without asking my
Oh, I wasn't! I was only squashing in the brim and trying to make
the hat smaller. It seems to have got larger since I put it away.
Don't be perfectly absurd, darling. It's because you've been seeing
smaller hats lately.
Oh yes, I see. Who's going instead of Romer?
How should I know? We'll see.
It's just as you like, darling, said Daphne in her level voice;
but in case the American hates me, and I hate him, and Harry's talking
to you all the time, and I'm frightened of the celebrities, isn't
anything going to be done for me?
Of course not. What do you want? That Foster boy again? Don't look
down and blush, it makes me sick. All right, perhaps, if there's room.
He's a nice, decorative boy, but remember they don't dance at dinner,
and that's the only thing he can do.
Indeed it isn't! cried Daphne.
I'm very sorry to hear it. Suppose Foster's engaged, or at
He won't be. It's too sweet of Romer not going. Did you marry him
because you knew he would do whatever you told him?
I don't think it was that so much, said Valentia, thoughtfully,
trying on the hat in front of the glass. I thought he was a strong
silent man, a man with an orange up his sleeve, as it were. But I've
never seen the orange.
How funny of you! I should hate a mysterious person. You don't want
your husband to be a kind of conjurer.
Yes, I do, as long as he doesn't wear a conjurer's evening dress. I
like being surprised. Now let's go and surprise Harry at his studio; we
must be quick, he's expecting us.
CHAPTER II. HARRY
Harry de Freyne stood in his usual position, smoking a cigarette,
and leaning a little forward, with his back to the mirror as if to
resist the temptation of looking into it. The family good looks were
acutely accentuated in this young man. He had the smooth, glossy dark
hair, white teeth, and speaking dark grey eyes that women like;
clearly-cut features, and the rather prominent chin, generally and
mistakenly supposed to show strength of character. His pleasant,
clean-shaven, slightly sunburnt face bore an expression of animation
with a certain humorous anxiety natural in a man who was generally a
good deal in debt and always a little in love. Further he had the
advantage of a tall, strong yet supple figure, with a natural grace of
movement and much personal charm. Harry knew he was good-looking and
did not undervalue the fact, but regarded it solely as an asset, not as
a private satisfaction. He regarded everything as an asset. He was no
fop, although he wore a single eye-glass rather as a concession to some
ideal of dandyism than as a help to clear vision. He could see
remarkably well, with or without it.
The long Empire mirror was placed above a delightful early English
large open fireplace, in which burnt a Parisian-looking wood fire.
Harry was the possessor of a fineindeed, a magnificent studio, full
of good old things, chiefly other people's, and bad new things,
principally his own. The theory that all bad art is the result of
sincere feeling was certainly not exemplified in his case. The portrait
of his cousin that had been regarded as so full of promise was, as he
always, said, the only decent piece of work he had ever done. He had
been educated for diplomacy, and learnt eight languages, some of which
he spoke fluently, and in all of which he could look with expression.
The room was no mere exhibition of bric-à-brac, but was a cosy,
shadowy, miscellaneous place, not without an ecclesiastical touch here
and there. One felt every subject could be gone into there, from
stockbroking to love, and that everything could be done there, whether
it was praying, eating, singing, or flirtingeverything except perhaps
When the servant announced Mrs. Wyburn and Miss de Freyne one might
have fancied Harry looked slightly disappointed, but he greeted the
pretty creatures with suitable effusion and high spirits.
They both sat down rather carefully in the corner seats by the fire.
Romer can't come, he's dining with his mother, announced Valentia.
He ought to, you know, now and then.
I don't like her, said Daphne, she abuses every one.
I know she does, but she's really not so bad, dear, all the same;
there are many worse. She's rather spiteful, but warmheartedawfully
kind if you break your leg, said Valentia.
But you don't break your leg, said Harry.
Oh, sometimes you do. At any rate you might. Don't encourage Daphne
to argue, Harry. Who did you say you'd ask instead if we couldn't get
Rathbone's just written to accept in his place, said Harry, taking
out a letter. Butdon't you think we could persuade Romer if we tried
hard? However, you know best.
He took out a list. Hereford Vaughan, Van Buren, Rathbone and
methat's four; you two, Lady Walmer, and Miss Luscombe, the actress.
I think that'll do.
Lady Walmer? repeated Valentia. Why?
And a real actress! murmured Daphne.
Not a real actress. She's walked on at all the principal theatres
in London, and somebody's always going to take a theatre for her, but
there's no danger. I told Van Buren that on the stage they think she's
in society, and in society they believe she's on the stage. And he
thinks it's real cute, and an extraordinary English type.
How are you getting on with him?
Beautifully,if he weren't so beastly intelligent and inquisitive.
He always wants to know all the news and all the latest gossip. What do
you think he asked me last night? Why Big Ben was called Big Ben! How
on earth should I know!
Not big anybody;the place, the thing;the clock. He said no
doubt I must think him dreadfully ignorant for not knowing, but he felt
he must ask.
Smiling at the recollection, Harry lighted another cigarette.
What did you say? Daphne asked.
If it had been the afternoon I think I'd have taken the risk and
told him I didn't know, but as it was the eveninghe always gets
rather excited in the evening after dinner and so much Perrier
water,walking back to the Ritz in the moonlight, and talking about
London, I invented a long story.No, he won't repeat it, don't be
frightened; it was really rather awful; and when Van Buren gives you
his word of honour not to tell a thing ...
You're all right! That must be a great help, said Valentia
It shows he has a nice loyal nature, Daphne remarked. I admire
that sort of thing very much.
A nice loyal nature! I should think he has! He hates spreading
scandal, and he wouldn't say a single word now to take away the
character of Big Benif it was
Oh, if it was ever so! You ought to make Daphne wear one of those
thin tulle veils to match her hat. They're jollyyou can get them at
that shop close to me.
Oh, she needn't, she's going to be manicured, and she's coming back
here for me in a quarter of an hour.
Good-bye, darling, said Daphne, standing up, and she made a kind
of face, which Valentia understood to mean the word Foster.
What is the child playing at? said Harry. If you two have a code
it would be as well to learn it.
All right, said Valentia to Daphne.
Harry walked with her to the door and she ran out, saying, I won't
She wants Foster, the baby Guardsman, explained Valentia.
Oh, why didn't you say so at first? Of course I suppose they've
arranged it. At any rate it's as good as done. Then there must be one
more woman. But never mind now.
Harry sat down beside her and said, in a different voicehe had a
very good voice, especially when he spoke caressingly
How interesting you are! One of your eyebrows is a little thicker
than the other.
How are we all going to get home that evening?
What do you think? she asked.
Well, it's like this, as you may say. We'll all meet at the Ritz
and dine there. Good. Then we drive in separate vehicles to here, and
have some music. Then I see you both home, andwell, I think that's
all. It's not much.
I don't quite like the way Lady Walmer looks at you, Harry.
Oh, Valentia! If it comes to that, how do you fondly imagine I
shall like the way Rathbone is sure to look at you?
Oh, Harry! Why, he's tattooed!
You see, went on Harry seriously, I really am making a dash for
it about Daphne. She'll really be happy with Van Buren, and I
shall be ever so much happier,with Van Buren and everyone
else,because, through Daphne being always with you, I never see you
alone for one single second.
Oh, you exaggerate, Harry!
I know I do. I don't see you for half a second.
Romer has been so nice lately, she answered gently.
Very amusing, I suppose?
ButI often think how very nice he really is.
Oh, don't say that, even in fun. I'm coming to stay with you in the
summerat the Green Gateunless you'd rather ask Rathbone instead.
Or unless you'd rather go yachting with the Walmers, she remarked.
They have a daughter, haven't they?
Oh, Valentia, be anything but blasphemous!...
Really?... Oh, Harry!
Do you mean to say you need my saying it?
Then, I will. Valentia, I
She got up and opened the door so that Daphne should not have to
ring when she returned.
When the two sisters left a few minutes later, Harry sat down again
as if in deep thought and lighted a cigarette. His servant came in.
Please, sir, Mr. Van Buren is at the telephone.
Oh well, tell him ... Oh no, all rightI'll go.
CHAPTER III. VAN BUREN
It's extremely kind of you, Harry, to let me come around like this
in the morning. I dare say you want to be working sometimes. I'm really
afraid of being in the way, but I was rather at a loose end this
morning and I wanted to have a talk with you, said Van Buren
Rot. Awfully glad to see you, old chap. Have a cigarette?
Thanks, Harry, no. I find I'm very much better if I don't smoke
till after tea.... We're intimate friends now, and yet you never call
me anything but my surname, or 'old chap'. That reminds me, there's a
little request I'd like to make of you, Harry.
Call me Matthewno, call me plain Mat. It would give me real
Harry smiled rather loudly
My dear fellow, I couldn't call you plain Mat. It wouldn't be
suitable! You're too good-looking!
Van Buren smiled and shook his head. In its way it was a handsome
head in the fair, clean-shaven American style, with shining blond hair.
He had very broad shoulders, and a very thin waist, and that naïve
worldliness of air so captivating in many of his countrymen.
Except that he wore a buttonhole of Parma violets, he was dressed in
every particular exactly like Harry. But no one would have believed
ithe looked so much better dressed.
That's your chaff, Harry. I'm not a Gibson man, and I don't pretend
He looked at his hands, which were small and white, the finger-tips
brilliantly polished, and said meditatively
I'm very much looking forward to meeting your cousin, Harry. I
expect she's the ideal of a young English lady. Dark, did you say?
Rather dark, and very pretty.
It's a curious thing, Harry, that to me a broonette has always more
fascination than a blonde. It seemsI may be wrongas though there's
more piquancy, more character.
I quite agree with you, said Harry. Now the sisterthe married
oneis very fair.
And she's quite what you call a professional beauty, isn't she?
asked Van Buren with great relish.
My dear fellow, I don't call anyone a professional beauty, and you
mustn't either. There's no such thing. I can't think how in America you
get hold of these prehistoric phrases! The expression must have been
dead long before either of us was born!... Still, she is a beauty all
Is that so? Mind you, Harry, there's something very attractive
about a blonde, too. To me golden hair and blue eyes suggest gentleness
and womanliness.... What is Mrs. Wyburn like?
Well, she's rather like an angel on a Christmas card, with her hair
downI mean she was, as a little girl, said Harry quickly. Now she's
considered like 'Love among the Roses' by Burne-Jones.
Do you really mean that, Harry? Why, she must be more beautiful
than Miss de Freyne!
I wouldn't worry about her, if I were you, Harry said.
Why not, Harry?
Well, you see she's got a husband, said Harry, looking at the
ceiling as he puffed his cigarette.
And a cousin, replied Van Buren with unexpected quickness. He then
burst out laughing.
What do you mean? asked Harry, not laughing.
Harry, I do beg of you to forgive my indiscretion. I'm afraid
you'll think it shows great want of delicacy on my part. It was only
meant for English chaff. Don't be angry, Harry. Van Buren was quite
That's all right, old chap.
You see, I know you painted her portrait, and if you had
felt a little sentiment for her, who could blame you? Of course, I'm
well aware that you're far too much a man of high principle to come any
way between a woman and her husband, or even to let her know if you had
a fancy in that direction.... I thoroughly do you justice there,
I regard them as sisters, answered Harry.
Van Buren went to the window and stood looking out for a few
Well, they are sisters.... What a wonderful place your London is!
he said. Now there's the sort of thing I never can understand, which
has just happened. A lady called a taxicab. Just as it came up a
manat least I suppose he calls himself a manopened the door. I
thought he meant to help her in. No! He got in himself and drove
away.Now, Harry, how do you account for that?
I suppose he could walk quicker, said Harry.
It's the one fault I have to find with you Englishmen, Harrythe
single fault. You're not gallant enough to the ladies. Nor is there, in
my opinion, quite enough respect shown to them. I am always astonished,
I admit, that they don't resent it. Why, in New York.
My dear fellow, they complain bitterly that there's too much
respect shown to them already, said Harry. A little more, and they'd
do without us altogether!
Van Buren laughed cheerily, and clapped Harry on the shoulder.
What a fellow you are for chaff! Now, will you come around and have
lunch with me?
When? Now? Thanks, old chap.
That's real good, Harry, said Van Buren, his eyes sparkling with
joy, and we'll walk down Piccadilly together. I must say ...
I shan't feel we're real pals till you call me Mat!
Harry shivered ostentatiously.
They went out, both laughing with great cordiality.
At the corner Van Buren stopped to throw away his buttonhole. He saw
they were not being worn.
CHAPTER IV. THE ELDER MRS. WYBURN
Romer's mother usually received him with a sarcastic remark, such as
Oh, so you remember that I'm not dead yet? or I wonder you find time
to come at all, or something of the same nature, calculated to cast a
gloom over any visit.
The widow of a rich brewer, Mrs. Wyburn lived in a bad-tempered
looking old house in Curzon Street, with a harassed footman, a
domineering maid, a cross cook, and other servants that were
continually changing. She was one of those excellent housekeepers who
spend most of their time giving notice and taking up characters.
She nearly always wore a hard-looking black silk dress. She had parted
black hair, long earrings, and a knot of rare old imitation lace at her
throat. Eagerness, impatience, love of teasing and sharp wit were
visible in her face to one who could read between the lines. But,
notwithstanding this, as she had a soft heart and plenty of hard cash,
she was not altogether unpopular. People enjoyed going to hear the
nasty things she said about their friends. She had a real succès de
scandale on her Wednesdays, notwithstanding the fact that a more
highly respectable lady had never existed in the world.
She adored Romer, although his slow speech and long pauses often
drove her to the very verge of violence.
Thought I'd look in, he remarked, rather heavily taking a seat in
the dark drawing-room, and he proceeded by slow stages to tell her that
he was coming to dinner on Thursday because Valentia was going out.
She gave him a quick look, combined of motherly pride and annoyance.
Delighted, of course, dear. Who did you say was Valentia's
She's going with Daphne. Harry's dinner. At some restaurant.
Oh, indeed!... Well, if you approve of these Bohemian arrangements
it's not my business. I have my own opinion of Harry de Freyne;
I always have hadand I shall keep it.
Do, said Romer, unconsciously epigrammatic.
She waited a minute and then said
I don't wish to worry you, my dear ...
... But I, personally, if I were a man ... perhaps I oughtn't to
say itif I saw my wife so much in the society of a person like Harry
de Freyneupon my word, I should begin to ask myself what were their
Cousins, said Romer.
He began to tap his foot slowly against the rail of the chair, but
remembered Valentia's constant advice, and decided he would not
Well, you know your affairs best, dear. I'm only an interfering
disagreeable old woman, who knows very little of modern customs and
He nodded sympathetically, without answering.
I love and admire Valentiain many ways. She's so pretty, but not
a mere doll! And we womeneven the happiest of ushave to go through
so much! Does she go through the housekeeping books herself, dear?
Mrs. Wyburn inquired, with dangerous sweetness.
Shouldn't think so.
Ah! that seems rather a pity. Still, I'm just to every one, and I
will say that she's not extravagantbut has so much cleverness that
she could manage very well on half the allowance you give her!
Is that newthat china bird? Romer asked, getting up to look at a
strange, shiny, abnormal-looking parrot on a twig that adorned the
Do you like it? she asked.
It seems all right. Rather jolly.
Oh! Well, it's funny you haven't noticed it before. Considering
it's been there all your life, and you used to play with it when you
were four, it's odd it's escaped your notice. You played with it when
you were four! she repeated, growing rather heated.
Did I though?
But things do escape your noticethat's just the point. I
sometimes wish I didn't see so much myself.
So do I, he answered. May I smoke, mother?
Of course you may, dear. You may do anything on earth you like.
Have some tea? I never have anything but China tea, so it won't
do you any harm.
I hate China tea, he answered reflectively, after what seemed to
his mother about half an hour's deep thought.
... But what I always have said about Valentia is that though we
all admit, dear, that she has charming manners, is bright and amusing
and very sweet
Outwardly, is there anything behind it all? Has she any
depth? She quickly answered her own question, I think she has;
a great deal. I believe Valentia is extremely clever in her own way;
she turns you round her little finger. But that wouldn't matter
so muchanything's better than quarrelling and snapping and finding
fault continuallywhich is a thing I hate. But, really, there's one
point I'm quite anxious aboutin fact, I often lie awake the whole
nightthe entire nightand wake up in the morning utterly worn out
through thinking about it, Romer dear. There's nothing like a mother's
heartand this does make me anxious, I own.
Why, that she should ever be talked about! That she should be
considered a flirtand that sort of thing! I couldn't bear the idea of
my son's wife having her name coupled with that of any young manor
any nonsense of that sort. It would be most painful to me. I'm sure I
ask every one who knows her if anything of that kind is ever said.
Romer threw away the cigarette and stood up.
What infernal rot! he said, with a heightened colour.
Her eyes brightened with pleasure. She was delighted to have
irritated him at last out of his calmness.
Well, well, perhaps I'm a little over-anxious. It's all love, all
devotion to you, dear. Of course, people do talk. There's no doubt
about that; but good gracious! we all know there's nothing in it. Don't
we? Don't be cross with your poor old mother, Romer.
That's all right. I must be off. Eight on Thursday, eh?
She kissed him affectionately, walked with him to the landing, where
she kept him for about ten minutes complaining of the awful worry she
had had about the under-housemaid, and of the sickening impossibility
of getting a piano-tuner to attend to the instrument properly without
making any sound.
For I'm a mass of nerves, my dear. Give my best love to dear
CHAPTER V. ROMER
Romer walked back, trying to throw off the irritating effect of his
mother's pin-pricks. As was his usual custom when he was a little
depressed, he went home and sat down in front of his wife's portrait.
He often sat there for an hour when she was out, looking at it. Any one
watching him would have thought he was in a state of calm and stupid
content. In reality, he was worshipping. His passion for his wife was
his one romance, his one interest, his one thought. He had been married
five years, and had never yet expressed it in words. He was one of the
unfortunate people who are not gifted with the power of expression,
either in word or look. He was practically inarticulate.
As he gazed at the picturehe was feeling a little sadthe sadness
melted away. The frail figure, bright yet dim, vaguely appearing
through vaporous curtains, holding an impossible gold flower, had the
effect on him of a beautiful Madonna on a deeply devout Catholic. It
produced in him a form of religious ecstasy. He adored her with
passion, and with the selfishness and jealousy of passion, but
circumstances and his temperament caused it to take the outward form,
principally, of care for her happiness. When she was actually present,
she still dazzled him so much that he could show his feeling only by
listening to and agreeing with every word she said, by doing what she
asked him, and by trying to protect her, often without her knowledge,
from any kind of pain or trouble. She would have been amazed had she
realised the violence of his devotion to her. Apparently cool and
matter-of-fact, he was in reality a reticent fanatic. He neither
analysed nor showed his sentiment, nor did he himself know its extent.
He wondered why certain people, certain subjects gave him pain. He
trusted Valentia absolutely, nor could she in his eyes do wrong, and it
was only with the subconscious second sight of love that he sometimes
felt a curious and melancholy presentiment. He did not know himself
that this suffering was jealousy.
What nonsense his mother talked!...
Harry!... Harry was the best fellow in the worldalmost like a
brother, his greatest friend, though not exactly an intimate friend.
Romer was too shy to be intimate with any one. Harry was lively,
amusing, a brilliant talker; kind, good-natured, a capital chap. He
appreciated Valentia, or he could not have painted that portrait. Romer
was very grateful for the portrait; yet it sometimes hurt him to think
Harry had painted it. It showed how well Harry understood Valentia.
This thought Romer always suppressed. He thought it was mean, and he
could not be mean.
He looked out of the window. It was raininga chilly spring
showerbut there was a stir in the air, a rattle in the town, a sense
of something that was going to happen; summer was not far off, and in
the summer, at the end of the season, they would go down to the Green
Gate, the lovely country house with the dream garden as Valentia called
it, all built, planted, and arranged on purpose for her. Valentia was
more herself at the Green Gate than anywhere else. Leisure suited her,
Every year Romer silently counted the weeks until they went back
there. It was where he was happiest. Of course, they were not alone.
Dear little Daphne was always with them, dear little thing (she was
nearly six feet high)and other people, very often, and Harryalways
Harry. Perhaps Daphne would marry soon, but what about Harry?
Romer felt rather wearied when he remembered Valentia had said Harry
was made to be a bachelor. Was he tired of Harry? Not a bit! Harry was
a capital chap; besides, he didn't see so very much of him in London.
Heaps of people admired Valentia, and that did not annoy Romer at
all (though it did not please him particularly), but he knew, again
subconsciously, that Valentia cared less than nothing for any admirers,
but she certainly was awfully fond of Harry. And no wonder! Harry was
the best fellow in the worldlively, amusing, quite a brilliant
talker; kind, good natured, and he appreciated Valentia, or he could
not have painted that portrait....
Round and round the same thoughts passed through his brain.
It was raininga chilly spring shower. Had Valentia got her wrap
He got up, went into the hall, and saw her fur cloak hanging on a
She evidently didn't care for it. She was tired of itperhaps it
was out of fashion; if so, she would never wear it. She might catch
He was not a prompt man, but he went at once to the telephone and
gave orders to a shop in Bond Street that would result in a collection
of fur-lined cloaks being sent for her choice that evening. This would
please her; she would smile and try them on. Besides, it would prevent
her catching cold.
CHAPTER VI. HARRY'S ENTERTAINMENT
Van Buren, who was a business man, was an idealist; while Harry de
Freyne, the artistwas, emphatically, not.
Van Buren had been brought up on Thackeray and Dickens, above all on
old pictures from Punch; Du Maurier's drawings enjoyed at an
early age had made him romantic about everything connected with London.
As soon as he was able to leave his bank in New Yorkin fact, the
moment he had retired from businesshe had realised his dream and come
to live in London. And Harry seemed to him the incarnation of
everything delightfully, amusingly English. He had a real hero-worship
for Harry, who was so astonishingly clever as well. Van Buren was not a
snobbish Anglomaniac, at least his snobbishness was not of the common
quality nor about the obvious things; he was a little ashamed of his
money, but he did not worship rank and titles; it was Intellectbut
Intellect that had the stamp of fashionthat held a glamour for him.
So did everything that he supposed to be modern, previous, and
up-to-date. No one could ever, whether in New York or in London, have
been in life less modern than poor Van Buren, though he was eminently
contemporary and perhaps even in advance in matters connected with
business. For business he had genius, and yet, curiously, no passion;
he was unconsciously brilliant on the subject; it was hereditary. But
in his innermost heart he believed that it was vulgar to be an American
millionaire! And he had a childish horror of vulgarity, and an innocent
belief that an Englishman who had been to Eton and Oxford and who was
dans le mouvement, smart and good-looking, and had deserted
diplomacy for art, must of necessity be refined, superior, cultured,
everything that Van Buren wanted to be.
Of course he soon found out that Harry was frightfully hard up, and
in the most delicate manner imaginablea delicacy rather wasted on his
friendimplored, as a special favour, to be allowed to be his banker.
But Harry had refused, having vague ideas of much more important extent
than a mere loan with regard to making Van Buren useful. He had thus
gone up in his friend's estimation, at the same time placing him under
a great and deeply felt obligation by gratifying his fancy for knowing
clever people and celebrities.
At last the friendship had culminated in Harry's suggestion of a
marriage between his young cousin, Daphne, and Van Buren. Harry felt
that if he could compass this arrangement he would at one stroke give
fortune to Daphne, freedom to himselfthe child was very much in his
way in Valentia's houseand make Van Buren eternally grateful.
Harry really liked Van Buren and respected him; he regarded him as
touching, but also, at times, as a menace. A shadow sometimes came over
their friendship, the alarming shadow of the future bore. What was now
to his cynical mind screamingly funny about the Americanhis sensitive
delicate feelings, his high standard of morals with regard to what he
called the ladies, and illusions that one would rarely find in London
in a girl of seventeen, might some day develop into priggishness and
tediousness, andespeciallywould take up too much time. For since
Harry had been intimate with Van Buren he had discovered that the
tradition of American hustling was, like most traditions, a fiction.
Americans always have time; Englishmen never. The leisurely way in
which Van Buren talked was an example of thisit was the way he
thought; his brain worked slowly. Harry and his like have no time to
drawl; they have to keep appointments.
On the evening of the Ritz dinner-party Harry was not in a
particularly good temper, and thought to himself he was rather like a
Barnum as he introduced his guests one by one to the modest
millionaire, who said to them all, Pleased to meet you", and fixed his
admiring glance with a sentimental respect on Daphne, an undisguised
admiration on Valentia, and an almost morbid curiosity on Miss
Luscombe, the first actress he had ever met.
Miss Luscombe was a conventional, rather untidy-looking creature,
very handsome, with loose hair parted and waved over her ears, and with
apparently no design or general idea either in her dress or manner. She
varied from minute to minute from being what she thought theatrical to
appearing what she supposed to be social. She evidently hadn't settled
on her pose, always a disastrous moment for a natural woman who wishes
to be artificial. Practically she always wore evening dress except in
the evening, so while at her own flat in the afternoon she was
photographed in a décolletée tea-gown, this evening she was
dressed as if for Ascot, except for the hat, with an emaciated feather
boa and a tired embroidered crêpe de Chine scarf thrown over her
shoulders, also a fan, long gloves, and a rose in her hair by way of
hedging. To these ornaments she added a cold, of which she complained
as soon as she saw the other guests. But no one listened. No one ever
listened to Miss Luscombe, no one ever could, and yet in a way she was
populara kind of pet among a rather large circle of people. Women
never disliked her because she created no jealousy and always
unconsciously put herself at a disadvantage; men did not mind her
prattle and coquettish airs, being well aware that nothing was expected
of them. For Miss Luscombe, though vain, was a pessimist, and quite
good-natured. She was also a standing joke.
The other guests besides Valentia in yellow and Daphne in pinkboth
looking as fresh as daisies and as civilised as orchidsconsisted of
Lady Walmer, a smart, good-looking, commonplace woman, rather fatter
than she wished to be, but very straight-fronted, straightforward, and
sporting, with dark red hair and splendid jewels; a faded yet powerful
beauty who had been admired in the eighties, but had only had real
success since she turned forty-six.
With her was her daughter, a girl who at the first glance looked
eight feet high, but who really was not very much above the average
length. She was a splendid athlete, and her talk was principally of
hockey. She wore a very smart white dress and had a dark brown neck,
pretty fair hair, and an entirely unaffected bonhomie that quite
carried off the harshness of her want of style or charmin fact it had
a charm of its own. Besides, it was well known that her grandmother had
left her an estate in the country and £ 7000 a year, and that Lady
Walmer was anxious to get her married. Hence Miss Walmer never wanted
for partners at balls nor for attention anywhere, butit was always
for le bon motif. As Valentia said, she was the sort of girl
(poor girl!) that one could only marry.
Hereford Vaughan, who was an object of considerable curiosity to
several of the guests on account of his phenomenal success in having
eleven plays at the same time being performed in London, New York,
Berlin, Paris, and every other European city, was, to those who did not
know him before, an agreeable surprise. Heaven knows what exactly
people expected of him; perhaps the men feared 'side' and the women
that he would be overpowering after so many triumphs, but he was merely
a rather pale, dark, and rather handsome young man. He behaved like
anybody else, except that perhaps his manner was a little quieter than
the average. Unless one was very observant (which one isn't), or unless
one listened to what he said, he did not at first appear too alarmingly
clever. He had one or two characteristics which must have at times led
to misunderstandings. One was that whatever or whoever he looked at,
his dark opaque eyes were so full of vivid expression that women often
mistook for admiration what was often merely observation. For instance,
when he glanced at Lady Walmer she at once became quite confused, and
intensely flattered, nearly blushed and asked him to dinner. While, if
she had but known, behind that dark glance was merely the thought, So
that's the woman that Royalty ... What extraordinary taste!
Hereford Vaughan, who was himself thirty-four, did not share in the
modern taste for the battered as a charm in itself, though he could
forgive itor, indeed, anything elseif he were amused.
Knowing that Miss Luscombe, hoping for a part, would be painfully
nice to Vaughan, Harry had good-naturedly placed them as far apart as
possible. Nevertheless she leaned across the table and said
How do you think of all these clever things, Mr. Vaughan? I
can't think how you do it!
Yes, indeed, we'd all like to know that, said Captain Foster, the
baby Guardsman, as Valentia called him. He spoke enviously. He was a
perfectly beautiful blond, delightfully stupid, and had been longing
for enough money to marry somebody ever since he was seventeen.
I'm sure I'd jolly soon write a play if I only knew how.
It's perfectly easy, really, said Vaughan; it's just a knack.
Is it though?
How do you get the things taken?
Oh, that's a mere flukea bit of luck, said Vaughan.
Every one who heard this sighed with relief to think that was how he
Vaughan always used this exaggerated modesty as an armour against
envy, for envy, as a rule, is of success rather than of merit. No one
would have objected to his talent deserving recognitiononly to his
Now what do you think of Miss Luscombe? Valentia asked the
I don't think of her. I never regard people on the stage as real
people, Vaughan answered.
Don't you, really? Well, you ought to know. You have made a sort of
corner in 'leading ladies'. What curious clothes she wears!
Doesn't she? On the stage she dresses like an actress, and off the
stage she doesn't dress like a lady. She's so extraordinarily vague,
Yes; and yet I've heard that, though she's so dreamy and romantic,
she's quite wonderfully practical, really. She never accepts an
engagement unless she gets a large salaryand all that sort of thing.
I see. She lives in the clouds, but she insists on their having a
silver lining, said Vaughan. Who's the pink young man she's confiding
It's Mr. Rathbone. He likes theatresat least he collects
programmes and posters, I think. Besides, he's tattooed.
Oh, yes. That must be a great help in listening to Miss Luscombe.
He's been trained to suffer.
Miss Luscombe was talking rather loudly and most confidentially to
Rathbone, who had an expression of willingbut agonisedmartyrdom on
his fair pink, clean-shaven features.
I told dear George Alexander that I would have been only
too pleased to understudy Irene in the new piecein fact, it would
have just suited me, Mr. Rathbone, and left me plenty of time for my
social engagements too. Besides, if I once got a chance of a part like
that I feel I should have made a hit. Oh, it was a cruel
disappointment! After being too charming to meor, at any rate, I was
charming to him at the Cashmores' reception, you knowI remember he
was standing in the refreshment-room with Mrs. Cashmore, and I went
straight up to him and said, 'Don't you remember me, Mr.
Alexander?'and after all this he only promised meand that
conditionallya horrid, silly little part in the curtain-raiser in No.
2 B Company on tour. On tour! Of course I refused thatone must keep
up one's prestige, Mr. Rathbone. There's a great deal of injustice in
the profession. Talent counts for nothingit's all influence. But I've
always had a great ambition ever since I was a little girl. Miss
Luscombe put her head on one side and talked as she had to the
interviewer of The Perfect Lady. It was always my dreamdo you
know?to marry a great actoror, at any rate, to be his great
friendlike Irving and Ellen Terrythat sort of thinga great,
lifelong friendship! And as a child I was madly in love with the elder
George Grossmith, but I don't think he ever knew it. Too bad!
She pouted childishly, gave her arch musical laugh with its three
soprano notes and upward inflection, and then accepted a quail with a
When I was a boy, said Rathbone in a low concentrated voice of
reminiscencehe spoke rather quickly, for he had been trying in vain
during the whole of dinner to get a word in edgeways and feared to lose
his chance nowwhen I was a boy I was in love, too, with some one on
the stage. Between ourselvesyou won't mention it, will you, Miss
You can trust me, she said earnestly, with a look of Julia
Good! Well, I was in love, and I've got her initialsC.
L.tattooed on me now!
Impossible! How exciting! Who is C. L.?
He looked round the table and murmured in a low voice, Cissie
Loftus. Isn't it odd? I wrote and told her about it, but I never
received an answer to my letter.
Poor, poor boy! I call that really touching! Will you show me the
initials some day?
Oh no. Impossible. He was stern, adamantine. She hastily went on.
So you're very keeninterested in the stage, Mr. Rathbone?
Well, in the stage door. I collect programmes, and I haven't missed
a first night since I was twenty!
Fancy! Then I ought to remember your face, at all the theatres!
I mean at the Gaiety, he said, only the Gaiety.
Oh, the Gaiety! she turned her shoulder to him.
* * * * *
Yes, Miss Daphne, if you would come out to New York you'd have a
real good time. You'd turn all the young fellow's heads. I'm afraid
you'd do a terrible amount of damage there. I should like to show you
and Mrs. Wyburn Newport in the season, too. You ladies have it all your
own way over the other side ofmay I say, the herringpond?
Oh, please do; yes, do say the herringpond!
Daphne leant forward and said to Harry:
Do you know who is that very distinguished-looking man who has just
come inrather weary and a little grey on the temples? He bowed and
kissed the woman's hand so charminglyat the next table to us. Looks
like a great diplomatist.
Then he must be a stockbroker, said Valentia decidedly. Every one
with the grand manner always is.
Really! I can't say; I don't know any stockbrokers, said Miss
How distinguished that sounds! murmured Vaughan.
It's very clever of you, Miss Luscombe, said Lady Walmer; I don't
see how you can help it! I know nobody else. I always tell Alec she'll
have to marry one, and when she says she doesn't want to, 'My dear
child,' I say, 'you can't marry people you don't see!' And almost the
only people she ever sees at our house are stockbrokersexcept
a few soldiers who never have a penny.
Alec was the daughter, named after her distinguished godmother.
It's quite gone out to be snobbish now, Lady Walmer continued in a
lower voice to Harry. We're all only too glad to take all we can get
in exchange for anything we give!
And you don't call that snobbish? said Harry.
My dear, no!of course, we give as little as possible. I talk like
this and yet I married for loveand you know the result! Walmer's
always gambling, always running aftergoodness knows whatand leaves
menot quite in the gutter, but certainly on the kerb!
Don't you want Alec to marry for love?
I'm afraid she'll have to, my dearshe's not very attractive. It's
a blessing she's an heiress. But if she's allowed to play hockey, and
skate, and fence, and dance, and the husband is fairly kind to her, I'm
sure she'll be happyI mean, I have no idea of her marrying a duke,
Harry. I shall be satisfied if he's a charming man, and not too
selfish. She lowered her voice still more to addYou know she likes
you, poor child, don't you?
You're making fun of me, dear Lady Walmer.
No, I'm not.... Walmer's taken 'Flying Fish' again, and after Cowes
we're going for a long cruise. You must come with us. Her father will
be all right. He lets me have my own way about her. Well, aren't you
You're too frightfully kind, Lady Walmer, of course. But
My dear boy, of course you're going to the Green Gate, but I wish
you'd listen to a woman of the world. That, she gave Valentia a
piercing glance, can't go on for ever! You will find Romer making a
row some day, and that will be a bore for you. He's just the sort of
man who would.
Valentia, noticing their confidential tone and feeling instinctively
that some treachery was in the air, looked once angrily at Harry and
then became apparently absorbed in the conversation of Vaughan.
Every one was talking volubly and gaily. Only Daphne and Captain
Foster were silent as they sat side by side looking at their plates.
But they were the only people who had found the dinner a real success.
Harry, who with all his usage du monde was peculiarly subject
to sudden obscure impulses as of the primitive man, became pale with a
strange and painful sensation as he looked at Valentia.
She was flirting with Vaughan, or so every one present must be
thinking. Of course it was only from pique, and he would soon put a
stop to it.
And Vaughan, with his ironical glance and quiet manner, why did he
look into her eyes all the time?
What was he saying?
Harry asked them all to come back to the studio for some music, but
even as he made the arrangement to drive Valentia, he remembered that,
à la fin des fins, he would have to leave her at her husband's
house. Would Romer be sitting up? What an ass he was! What rot the
whole dinner was! It was all through Van Buren. Van Buren was a fool.
Harry was jealous.
CHAPTER VII. DAPHNE
More flowers from Van Buren? Let me look at them. A spray of lilies
of the valley; how touching! He expects you to wear them at the opera.
I think it's such a mistake to wear real flowers on an evening
dress. They have a damp, chilly look, like fresh vegetables, at first,
and when they begin to fade they make you look faded, too. Never mind,
Daphne; I think perhaps you'd better wear them just to-night, said
Yesterday, said Daphne, he sent me that basket of American Beauty
roses. The day before he sent me Ella Wheeler Wilcox's poems.
Valentia smiled. Poor darling!I mean Van Buren's a poor darling,
not you. You see, he's got the nice sort of Boston idea that a man
ought only to send a girl flowers or books, or music. He thinks it's
respectful. But, anyway, it's a very good sign.
A good sign? But I thought there was so much of that sort of
thingI mean fuss and attention, to girls in America. I thought that
didn't mean anything. I mean anything particular.
Daphne, dear, don't blind yourself; don't shut your eyes to obvious
facts. It isn't a matter of what you think or what I think, or of
speculation at all. I happen to know that Van Buren is
going to propose to you. He'll probably do it at Henley or at Sandown,
or in the Park. He's certain to want it to be on a typically English
background; but you can take it from me, for a dead cert, that it's
bound to come.
Daphne sat down and looked serious.
Valentia, it's no good. Don't let him do it. It will be so
frightfully uncomfortable meeting him afterwards.
Frightfully uncomfortable meeting the man to whom you're engaged?
Because I shan't be engaged to him.
I shall never marry, Valentia.
Valentia stared at her in silence.
What is your idea, darling? Why, you won't be eighteen till June.
You can't be sure you'll never want to marry!
Well, I don't care for Van Buren.
I thought you liked him so much?
Well, he seems all right at first. But I simply couldn't stand him
Couldn't you? Poor pet! But he mightn't be always about.
Well, I couldn't stand his marked attention. Valentia, I hate
Do you, really? Who'd have thought it?
Welland he'd always be so considerate and so thoughtful and so
That mightn't last when you were married, said Valentia
Perhaps he might not be so bad after we were once married.... But I
shouldn't like to risk it. And the engagement! Oh! I couldn't simply
stand the engagement! Just think of the ring, and the sentiment,
and the fuss, and the letters! Oh, he'd enjoy it all so much! Oh, it
would make me simply sick to see how pleased he'd be!
I know that feeling, said Valentia sympathetically, nodding her
Oh, and don't you see how he'd think he was engaged to a
well-brought-up, nice English girl who was a relation of Harry's, and
knew all the right people, and all that sort of thing? And he'd take a
big househe's hinted this to me alreadymost likely in Park
Laneanyhow, something just like a millionaire in a book. It's all so
dull, and cut-and-dried.
Some of these cut-and-dried obvious things turn out quite jolly
afterwards. It's the uncomfortable, romantic things that are more often
failures. And you know, Daphne, you do like pretty things and clothes,
and going everywhere, andnot only that, he's really such a dear, and
a good sort, and so good-looking! And you'd put me into a very awkward
position with Harry if you refuse him. But, of course, darling, you
must do as you like.
Well, then, Valentia, don't let me refuse him. I don't want
to. Don't let it come to that. I'm sure I should loathe to hear him
It would make me sick.
What can I tell Harry really as your reason for not being able to
I'm sure I don't know!
He bores you, announced Valentia. That's what's the matter. He
doesn't amuse you.
It isn't that, it isn't that! cried Daphne vehemently. I don't
want to be amused. Do you think I like a man because he's clever,
or funny, and always making jokes? That bores me frightfully. Harry's
way of being lively and clever bores me to death! I don't want
to marry a professional entertainer! No, Valentia, that's more the sort
of thing you'd like. You're quite sorry Romer's not like that.
I don't suggest that it would be ideal to marry Harry Lauder,
Daphne dear. But wouldn't you really like someone fairly intelligent?
No. Why should I? Do you think I want to marry a man so horribly
clever that he wouldn't understand a word I said?
Let's have it out, dear. What do you think you want? Valentia
answered herself; It's Foster, of course! That dull, empty-headed,
commonplace, hard-up, handsome boy. You can't marry him. He's just
twenty-two, and has only a miserable allowance, and is in an expensive
regiment, and you, darling, will only have three hundred a year. I
should love to see you happy in your own way and having your wish, but
don't you think it's a childish fancy? You're both children. Of course
he hasn't suggested marriage, yet, has he? He knows perfectly well it's
out of the question.
Valentia! Darling! Why, he proposed to me the day we were
introducedat Prince's, and he's been doing it ever since.
Oh, how utterly absurd of him! Well, anyhow, you must wait and see.
Even if he could afford it, I don't think it would be a success. Why,
there's nothing in the boy! What do you see in him?
I like the way he laughs, said Daphne, after a pause.
Do you mind telling me one thing straight out? I'm being very nice
to you about this, dear. I ought to scold you. But, at any rate, you
must treat me with complete confidence.
Of course, of course, dear.
Tell me, he hasn't ever kissed you, has he?
I beg your pardon, darling. I felt sure he hadn't.
Of course he has.
How do you mean, where? Oh! at every dance where we've ever met. He
always does, whenever he can. Is it so dreadful? He's such a boy!
Fancy your liking him enough for that! said Valentia, stupefied.
Oh, he's a darling; and the only person I ever could possibly
It's rather serious, said Valentia; and poor Van who is so
He isn't, really, said Daphne decidedly.
Don't you think so? Why?
Oh, the whole thing's an ideathe sort of thing he wants
to do. It's not genuine.
I should have thought the feelings of a man of thirty-four who
could marry any one he chose would be more real than the fancy of a
mere boy! Boys like anybody.
Van isn't genuine like Cyril, said Daphne.
Who on earth's Cyril?
Valentia walked round the room and then said
And you really suppose you're going to adore him all your life?
I suppose so. I really don't know. I know about now. Oh,
Valentia, be a darling and let him come to the fancy ball with us. She
kissed her. And, oh, do tell Harry to explain to Van that it can't go
on, that he must put it out of his head. Do, darling Valentia. Any
well-brought-up young girl will do for him just as well!
And wouldn't any well-brought-up young girl do for Cyril?
I don't know. But only Cyril will do for me. Oh! the jolly way he
has of saying 'Righto' and 'You're all right,' and calling me 'little
girl!' Oh, he is a dear!
Oh, well, if he says such brilliant things as that!
It isn't what he says
Oh, hush, Daphne, here is Romer. I shan't tell him a word about it.
Well, I'll think it over. She called Daphne back and said in a
I suppose it wouldn't do just to sort of please Harry by marrying
Van, and then seeing that silly boy now and then. You'd so soon get
tired of himbut, no! that wouldn't be right. Forget that I said itI
don't mean it.
I couldn't stand Van at all, said Daphne definitely, whether I
saw Cyril or not.
Then you shan't be bothered with him. But can't you give up Cyril?
I know I'm right about it. It isn't only the hard-upness and the
impossibilityof course, I know he's got relations and all thatbut,
it's he himself. You'll get bored with him, too, in a different way.
I like him so much now, pleaded Daphne.
Romer came in and Valentia merely told him at great length every
word of the foregoing conversation with lavish comments by herself.
Secretly Romer was bitterly disappointed when he realised that the
possibility of his being left alone with his wife was more remote, but
of course he agreed with Valentia, as she changed her mind a dozen
times on the subject, and as usual the conversation ended in a
telephone message to Harry to come round at once.
CHAPTER VIII. IN FANCY DRESS
Van Buren had had many pleasures, many gratifications since he had
been in London; his dreamsthe dreams inspired by Du Maurier's
drawings when he was a little boyhad been very nearly realised.
Perhaps the greatest triumph that he had had yet was the evening of the
Artists' Fancy Ball.
He had succeeded in making up a party to go in costume. He was
always making up parties, and he had for many years been obsessed by a
longing to dress up.
Harry, in mockery of his passion for everything English, had advised
him to go as an Ancient Briton, with a coat of blue paint. Scorning
such ribald chaff, he had ordered a magnificent costume of chain
armour. Greatly to his satisfaction he had persuaded Hereford Vaughan
to go as Shakespeare, Valentia and Daphne respectively as Portia in
scarlet and Rosalind in green.
A large party were to dine at Van Buren's rooms before the ball.
Fancy dress has the effect of bringing out odd, unexpected little
characteristics in people. For example, Harry, good-looking and a
dandy, quite a romantic type, hated dressing up, and cared nothing
whatever about his costume; while Romer, the sober and serious, enjoyed
it immensely, and appeared to think his appearance of the utmost
importancealmost a matter of life and death.
The women were far less self-conscious in costume than the men, and
cared far less how they looked, probably because women are always more
or less in fancy dress, and it was not so much of a novelty to them.
Valentia had pointed out that Shakespeare, to be quite correct,
should wear ear-rings; so Vaughan called at her house on the way to Van
Buren's, as she had promised to lend him some.
He won't know how to put them on, said Daphne, drawing on her long
boots. Probably he hasn't had his ears pierced; you must go and screw
them on for him.
Valentia ran down. Just as she was screwing the long coral and pearl
ear-rings with rather painful energy on to the unfortunate young man's
ears, the servant, with a slight expression of terror that could not be
The situation was really rather comic. Romer's mother, who was going
to a dinner-party in the same street, could not forgo the pleasure of
calling unexpectedly on them at half-past seven, vaguely hoping that it
might be inconvenient to them, and that she would catch them in
something they didn't want her to knowa true mother's instinct. But
not in her wildest dreams had she expected what she saw when she
entered the drawing-roomher daughter-in-law in her red mortar-board,
red cloak and bands, with, apparently, her arms round the neck of a
young man in purple silk stockings and jewelled embroidered gloves with
rings outside them.
Mrs. Wyburn literally sank into a chair.
Valentia was perfectly equal to the occasion. She thoroughly enjoyed
the baffling of Mrs. Wyburn.
I can't think why Romer didn't tell you, she repeated several
times, that Van Buren is giving a dinner for the fancy ball! and she
rang and gave orders that her husband and sister were to come down
Romer had been four hours dressing; Daphne about ten minutes.
I do think you ought to have a little make-up. Will you? said
Valentia to Vaughan.
I should love to, he answered, to Mrs. Wyburn's disgust and
horror, looking in the glass and taking very little notice of the
indignant old lady.
He does need just a touch of lip-salve and a little black
under the eyes, don't you think so? Valentia asked, caressingly,
pretending to consult Mrs. Wyburn.
I can't say, I'm sure. I've no idea what he wants, said Mrs.
Wyburn with a snap.
But don't you think it would improve him, darling? Valentia went
on, holding her head on one side and holding up her hand as if she were
looking at a picture.
Not at all, said Mrs. Wyburn.
Then do you think his lips are red enough already? asked Valentia.
Vaughan hastily interrupted the absurd discussion.
The human lip is never red enough, he said decidedly; they ought
to be bright, light scarlet.
That's just what I think. I've got some lovely scarlet stuffthe
colour of sealing-wax. Shall I fetch it for you?
Yes, do, he said.
But won't it look rather
No; merely decent, said the young man decidedly.
And what does Romer say to all this? said Mrs. Wyburn with
a forced smile and a voice trembling with uncontrollable rage.
Oh, he likes it, darling. He loves it. No one's been so keen about
their dress as Romer. I'll go and fetch him, and my roll of
parchmentI had forgotten my roll of parchment.
She ran upstairs and came down saying
Romer won't be a minute, dear; he's awfully anxious for you to see
his dress. He's just darkening his eyelashes. That's all. He's Louis
XIX or something, you know.
She then deliberately and openly drew Vaughan to the window where
there was still bright June daylight and painted his lips a brilliant
scarlet to their mutual satisfaction and Mrs. Wyburn's unspeakable
Mad, murmured Mrs. Wyburn, half to herself, quite mad! I shall be
quite upset for the Trott-Hellyers' dinner-party. It's Dr.
Trott-Hellyers' birthday. He only lives three doors from you
(she said this rather reproachfully), and I dine with him every
year on his birthday! And to think I only came in to see my son for a
minute or two, because I couldn't bear to pass his door ... his very
Sweet of you, said Valentia.
... And then to think I should find She screamed suddenly.
Daphne had come in, in her green cloak, doublet and hose, and little
green cap, Romer in paint and powder, patches and lace ruffles, sword
and snuffbox. There was a lavish amount of rouge on his cheeks and his
eyes were blacked almost to the temples.
Hearing that his mother was there he had finished the left eye
rather hurriedly, the result being that he looked as if he had been
While the poor lady was trying to adjust herself to this sight, and
explaining for the sixth time why she was there, and making bitter
remarks about a young girl going to a ball in what she (Mrs. Wyburn)
called trousers, and while Daphne kept on wrapping herself in the folds
of her cloak and then undoing them again to show her nice high boots,
she was still more distressed at the arrival of her bête noire
and mortal enemy, Harry de Freyne.
Van Buren had sent his motor for them, containing Harry.
Had his name not been announced by the servant, Mrs. Wyburn would
certainly not have recognised Harry. He was a pierrot in white satin,
with a violet tulle ruffle round his neck and a black velvet mask. One
would know him solely by his single eye-glass, his pleasant voice, and
Pretending to be a clown he jumped in, bowed low to Mrs. Wyburn, and
kissed first Daphne and then Valentia.
With a last-straw expression Mrs. Wyburn drew herself up to her full
Give me my cloak, Romer. I must go. No, don't come to the carriage
with me. Suppose the Trott-Hellyers were to see youthey'd never get
Why, it's all right, mother, Romer answered. I'm all right. I'm a
courtierof the tenth centuryyou know. I'm all right.
And you approve of your young sister-in-law going to a public ball
dressed up as a man?
Rosalind wasn't a man, mother. You forget; you must read the
Midsummer Night's Dream again. You've forgotten it.
I shan't find Rosalind there. But that's not the point. When I came
in I found Valentia with that manthe man who writes in purple
No, he doesn'the never writes in purple knickerbockers.
Is this meant to be witty? she asked with a freezing glare.
What? No, I shouldn't think so.
I found your wife, she said in a low hissing voice, as they
passed through the hall where there was a large looking-glassRomer's
attention wanderedwithin an inch of that young man's face, putting
ear-rings in his ears!
Well, she couldn't put them in a mile off, said Romer absently.
He was now frankly turning his back on his mother, and staring at
his face in the glass.
Hang it all! I don't look so bad, do I?
You look a gentleman, she answered coldly; any son of mine must
look a gentleman. Of course, you look ridiculousand, as far as that
goes, you are ridiculous; but that doesn't matter quite so much
as long as you look a gentleman.
Romer was trying to move a patch from one corner of his eye to the
But as to Harry de Freyne?... And shall you allow your wife to
dance with him in that costume?
Of coursewhy not? Anddoesn't Valentia lookjolly?
I think the scarlet with her golden hair is rather toostriking,
she answered spitefully.
Oh, she's all right!
I think you're all mad! she answered as she reached the door.
The servant opened it.
Oh, we're all right. Good night, mother. You'll be late for the
Drawing her cloak over her narrow shoulders, Mrs. Wyburn stepped
angrily into the brougham.
Although it was only three doors from her son's house, she would not
for the world have walked.
When she arrived there, still in a very bad temper at all she had
seen, she nevertheless boasted to her neighbour about how remarkably
distinguished and handsome her son and daughter-in-law had looked in
costume, and of their success, charm, perfect domestic happiness, and
importance and perfection generally.
She succeeded in depressing the fossils on both sides of her, but
they smiled at each other, indulgent to the feminine weakness of so
amiable and devoted a mother.
CHAPTER IX. A CELEBRITY AT HOME
Miss Luscombe lived with her mother in a species of tank, or rather
in a flat that gave that impression because it was in the basement. It
was dark, and such glimpses as they had of people passing on the
pavement were extremely odd; it seemed a procession of legs and skirts,
like something in a pantomime or a cinematograph.
The Luscombes lived, as it were, beneath the surface; but that did
not prevent their being very much dans le mouvement, and coming
up with great frequency to the surface to breathe. And when one had
once walked down the steps and found one's way into the tank, it was an
extremely pleasant one, and quite artistic. It seemed original, too.
There was something almost freakish in being answered by the
parlourmaid (who was suitably like a fish in manner and profile), Miss
Luscombe is at home, and will you please step downstairs? when one had
rung the bell on the ground floor. And Miss Luscombe's ringing laugh
with its three soprano notes and upward cadence always greeted one
charmingly and cordially, and one always liked her; one couldn't help
it. Her great fault was that she was never alone. She existed in an
atmosphere of teaparties and 'afternoons'; like the Lotus-Eaters, she
lived in 'that land where it was always afternoon'.
For an obscure person she led a singularly public life. In her
existence there seemed no secrets, no shadows, no contrasts, and no
domesticity. One could never imagine her except in what she regarded as
full dress, nor without, by her side, a perpetual bamboo table with
three little shelves in it, in which were distributed small cut pieces
of very yellow cake with very black currants, sandwiches, made of
rather warm thin bread and butter, pink and white cocoanut biscuits,
and constant relays of strong dark tea made in a drab china teapot. On
crowded afternoonsin fact, every other Thursdaylittle coffee cups
containing lumpy iced coffee were also handed round. When they had
music there were lemonade, mustard and cress sandwiches, and a buffet.
Even when Miss Luscombe was entirely alone she did not seem so. She
had got into the habit of talking always as if she were surrounded by
crowds, and said so much about the celebrities who ought to have turned
up that one felt almost as depressed as if they had really been there.
Sometimes they came, for there was no one like Miss Luscombe for
firmness. Also, she was never offended and was hospitality itself, and
she had a way of greeting one that was a reward for all one's
troubleit seemed much more trouble than it really was, somehow, just
to step down into the tank. And she was so charming no one could help
being flattered till the next visitor arrived, when she was even more
After the Fancy Ball she had got hold of Valentia, who came to see
her on one of those Thursdays that she had pointed out as peculiarly
her ownone of my Thursdays. She really believed that for any
one else to receive on that day was a kind of infringement of
Miss Luscombe was wearing on this occasion a drab taffeta silk dress
with transparent sleeves and a low neck. She wore a rose in her hair, a
necklace, and long gloves, because she said she wouldn't have time to
dress again before going out to dinner.
About a dozen people were therevague shamefaced young men with
nothing to say, and confident, satirical, fluent young men with a great
deal to laugh at. Most of the older women seemed a shade patronising in
tone, and looked as if they had never been there before. On the faces
of the young women and the girls could be read the resolution never to
go there again.
Mrs. Luscombe, the mother, was so refined that there was scarcely
anything of her; her presence was barely perceptible. She had learnt
the art of self-effacement to the point of showing no trace of being
there at all. To add to the effect of not being noticeable, she wore a
dress exactly the same colour as the sofa on which she satlike those
insects who, when hiding from their foes, become the colour of the
leaves on which they live. She was practically invisible.
On the other hand, Miss Luscombe herself was very much therevery
much en évidence. Smiling, greeting, archly laughing, sweetly
pouting; coquetting, eating, playing, singing, actingalmost
dancingan ideal and delightful hostess.
She said to every one as they arrived how sweet it was of them to
come so early, or how naughty it was of them to come so late, or how
horrid it was of them not to come last time, or how dear it would be of
them if they came next. She always introduced people to each other who
were not on speaking terms, and had intentionally cut each other for
years. She had a real genius for making people accidentally meet who
had just broken off their engagement, or had some other awkward reason
for not wishing to see each otherand then pushing them together so
that they could not get away. At heart she was intensely a peacemaker,
but people who had met there rarely made up their quarrels.
When the favourite actor arrived she introduced him to every one
till he was ready to drop, and when the great singer telegraphed he
couldn't come, she showed the wire to everybody. Most of the guests
preferred his not coming. Very few could have endured her triumph had
he really arrived. On the other hand, they would themselves have far
preferred to receive a telegram of refusal rather than not to hear from
him at all.
When these entertainments were over and the mother and daughter were
left alone, the daughter became far more thoroughly artificial than she
was when surrounded by her friends. There was no throwing off the mask;
on the contrary, it was fixed more firmly on, and Miss Luscombe gave
free vent to her sham passion for imitation comedy.
On this particular Thursday, as soon as Flora Luscombe had laughed
her last visitor archly to the door, she knelt by her mother's side,
put her arms round her, and said
Dear, dear Mummy, how sweet it is to be alone!
Mrs. Luscombe shrank back a little. This pet name, only too
appropriate, always got a little on her nerves, but she felt bound to
play up in an amateurish sort of way to a certain extent.
Hadn't you better go and take off that beautiful dress? she said.
You're not really dining out, are you?
No, dearest, I managed to get out of it, but alas! I've got to go
to the Receptionyou knowthat horrid Royal Institution of Water
Coloursafterwards. It isn't worth while to change again. Oh, how
weary one does get of the continual round! And then to-morrow! She
What is it to-morrow?
To-morrow! Don't talk of it! There's Mrs. Morris's At Home in Maida
Hill, and then right at the other end of London the Hyslop-Dunn's in
Victoria Grove. Oh, dear! And yet one feels one must be seen at
all these places, darling, or else it's remarked at once.
You live too much for the world, replied her mother, tidying up
some half-finished watercress sandwiches with a sharp knife. She
wondered if, thus repaired, they would do for next Thursday.
You know, Mummy dear, that's the worst of our terrible profession.
We must keep before the public, or else we drop out and are forgotten.
What a sweet creature Valentia Wyburn is! I thought she was quite,
quite dear. And the husband and the cousin are darlings too. Of course
they wouldn't come; I couldn't get them to an afternoon.
She got up and looked in the glass.
What a crowd there was to-day! Three people came up to the front
door at the same time. I think they enjoyed themselves, don't you?
Though I feel I can't pay every one proper attention when there's such
a crush, but I do my little best.... Mr. Simpson came up to me and told
me I looked quite wonderful. But he's a silly thing. She pouted and
put her head on one side. Did I look too hideous, darling?
Beautiful, of course. The only thing is ...
Miss Luscombe clapped her hands and laughed.
Did its little girlie really look as nice as all that? Oh, Mummy,
Charming, dear, I only wish that ...
It's too proud of its little daughter, that's what it is, said
Miss Luscombe, sitting on the arm of her mother's chair. It's a silly,
vain, conceited mother, that it is. It can't see any fault in its pet.
She tried to pat her mother's cheek. Mrs. Luscombe moved aside with
Don't do that, Flora! Yes, dear, of course, I think you're
wonderful, and looked sweet to-day; but I do wish ...
No, no, it doesn't want anything, said Flora.
I should be so pleasedif you'd put on just a little less
lip-salve and not quite so much of that bluish powder.
Having succeeded in completing her sentence, her mother got up and
faded quickly out of the room and shut the door, leaving Flora looking
quite surprised and rather upset with being found fault with.
Indeed, she did not quite recover her equanimity until she had
looked over the cards in the hall and put on a great deal more powder
and lip-salve, after which she told her mother perhaps she was right,
and in any case she, Flora, would always do what she asked, and would
always follow her dear, dear Mummy's advice.
She was so charming and amiable that Mrs. Luscombe pretended to
believe her, and said it was sweet of her to take it all off and
go out that evening without any adventitious aids to beauty; and this
she said in spite of the obvious fact that Flora had evidently put on
considerably more than usual.
CHAPTER X. MISCHIEF
The elder Mrs. Wyburn was seated at the gloomy window of her
sulky-looking house in Curzon Street one bright day in the season,
looking out with some anxiety.
Of course she's late; but if that woman doesn't come I'll never
forgive her. She's a silly fool, but at least she does hear what's
going on, she reflected.
At this moment an old-fashioned-looking victoria drove up, drawn by
two large grey horses. In it sat a rather fat and important-looking
lady, with greyish red hair, a straight decided mouth, and several firm
chins. Her most marked characteristic was her intense decision on
trivialities. She was always curiously definite on the vaguest of
subjects, and extraordinarily firm and sensible about nothing in
Miss Westbury was a rich unmarried woman, with a peculiarly matronly
appearance, a good-natured love of giving advice, and with views that
obviously datedone did not know exactly from when. If she had some of
the Victorian severities of the sixties, she had also many of the
sentimental vagaries of the eighties. The serious business of her life
was gossip. In her lighter moments she collected autographs. But her
gossip differed from that of the nervous, impatient Mrs. Wyburn in that
it was far more pompous and moral, and not nearly so spiteful and
Miss Westbury sailed inI need hardly say she was dressed in
heliotropeand sat down rather seriously in a largeand the only
My dear Millie, how extremely good of you to come! exclaimed Mrs.
Miss Westbury had been christened Maria, but Millie was the name
which she had chosen to be called by her friends.
I am very pleased to come, dear Isabella. To call on you on one of
your Wednesdays is, I know, quite hopeless if one has anything to say.
To call on any one on a day at home, except as a mere matter of form, I
do not consider sensible.
Quite so. Will you have some tea?
Mrs. Wyburn rang the bell rather fretfully. She did not care for
Millie's made conversation, and hated her way of gaining time.
I will have what I always have, dear Mrs. Wyburn, at five o'clock,
if I mayhot water with one teaspoonful of milk, and a saccharine
tablet which I bring with me. I am not a faddist, and I think all those
sort of fancies about what is and what is not good for one are
exceedingly foolish; but when I go in for a régime, dear, I give it a
fair chance. Otherwise there is no sense in it!
She settled herself still more sensibly and decidedly in her chair.
I wonder, said Mrs. Wyburn nervouslyone could see she was not
listening, and thought Miss Westbury was merely drivelling onwhether
you will come to the point at once? It would be a great comfort if you
would. I have been feeling quite anxious about your visit. I rather
foolishly took some coffee after lunch, and it kept me awake the whole
afternooneither that, or my anxiety.
If you take coffee after lunch, replied Miss Westbury, you should
take it made as I do. Two teaspoonfuls of coffee in a large
breakfast-cup full of hot water, a saccharine tablet, and a teaspoonful
What was it you really heard, Millie dear, about my
daughter-in-law? interrupted Mrs. Wyburn sharply.
Here the footman brought in the tea. Miss Westbury frowned, and
ostentatiously changed the subject.
Have you been to the Grafton? I was persuaded to go. I think,
myself, there's a great deal too much fuss made about pictures
nowadays. When one thinks of the money that's wasted on them, when it
might be sent to a hospital, it makes one's blood boil! And some of
those that are made the most fuss aboutboth the Old Masters and the
very new onesthese post-men, or whatever they're calledseem to me
perfect nonsense. A daub and a splashno real trouble takenand then
you're expected to rave about it. There's one mansome one wants me to
buy a picture of hishe paints all his pictures in tiny squares of
different colours; when you're close you can't see anything, but it
seems that if you walk five feet away it forms into a kind of pattern.
It seems it's the tessellated school, and they tell me that in a few
years nothing else will count. And what I thought was a mountain in a
mist turns out to be 'A Nun with cows grazing.' Silly nonsense I call
Was the nun grazing, or the cows? asked Mrs. Wyburn.
Goodness knows, dear. Then there was that other one called Waning
Day, or something. Two people in a boat sailing on dry land! Then that
picture of a purple man with a green beard! Oh, my dear! The people who
took me there told me it was full ofsomething Frenchessayage, or mouvement, I think. The man who tried to make me buy it said
it was symbolical. But of course I refused. You know I never have
anything to do with nonsense. Well now, my dear Taking pity on
Mrs. Wyburn's extreme impatience, Miss Westbury came a little nearer.
What I heard was simply this. My cousin, Jane Totness, took her little
boy, who is in London for the holidays, to the British Museum. She
always likes to improve his mind as much as possible; besides, he had
been promised a treat after having a tooth out; the first week of the
holidays he always has a tooth out and a treat after. Jane is like
that; she's a sensible woman, and I must say I think she brings her
boys up very well. I myself might have been more inclined to take him
to Madame Tussaud's, or even to a matinée, or to have an ice at
Buzzard's; but I dare say I'm old-fashioned enough in some ways, and
Jane knows her own business best.
No doubt she does, said Mrs. Wyburn, quivering with impatience,
tapping her foot on the floor, and trying to restrain herself. And so
she took the little boyCharlie, isn't it?to the British Museum? Go
Not Charlie, Mrs. Wyburn. It was little Laurencelittle Laurence.
He was called Laurence after his grandfather, Lord Dorking. It's the
rule in the Totness family; the second son is always called after the
grandfather, the eldest son after his father, and the third sonI
mean, of course, if there is oneafter the mother's father. Don't you
think it's a very sensible plan, dear?
Mrs. Wyburn gave her friend first a sympathetic smile, and then a
Oh yes. Well, she was just pointing out something to little
Laurencehe's an intelligent boy, and I dare say he was enjoying it
very muchwhen, to her great surprise, who should she see but
Mrs. Romer Wyburn, talking away like anything on a seat withwho do
That young man Harry de Freyneher cousin, isn't it?
How extraordinary! exclaimed Mrs. Wyburn. Did they seem
uncomfortable when they saw Jane?
Oh dear, no, my dear. They seemed most comfortable. Jane bowed to
themof course rather coldly, she saysand they smiled and nodded,
and Valentia kissed her hand to Laurence. Of course, Jane was very much
pained and shocked about it all. I must say her first thought, dear,
was that I should tell you. Jane Totness is a thoroughly good womanso
Do you see anything so very peculiar about it? said Mrs. Wyburn.
You know, the young manI disapprove of him as strongly as any one
canbut he's an artist, and she is his cousin, and perhaps he wanted
to show her something in the British Museum?
My dear Mrs. Wyburn, far be it from me to look on the dark side of
things, but, as Jane said, who on earth would go to the British Museum,
unless they were dragged there by force, except to have a private
But if he wanted to speak to her alone, I don't see why he
shouldn't call on her.
That's just it. If it were a simple, innocent, harmless
conversation, that is what he would have done. But it was quite clear
that there was something clandestine about it, and you may be quite
sure Romer knew nothing of it. Besides, they are always together.
It does look odd, said Mrs. Wyburn. What would you advise me to
do? Shall I speak to my son or my daughter-in-law about it?
To neither, my dear. If you speak only to your son, he will tell
her, and she will get round him, and prove there's nothing in it. If
you speak to her she will get round you, and say that Romer knew all
about it. My advice is, if you really want to put a stop to this
flirtationI'm sure it's gossiped abouteven Jane, who is the last
person in the world to talk, speaks of it to every one. If I were you,
I would speak to the young man himself.
To Harry de Freyne? Yes, it's rather a good idea.
It struck Mrs. Wyburn that to do this would, perhaps, cause more
annoyance than anything else. She was now anxious to get rid of Miss
Westbury, who evidently had nothing more to impart. But that lady was
not so easy to dispose of. She broke into a long monologue on the
subject of régime, servants, and little dressmakers, occasionally
returning to the subject of the British Museum, and the shocking
Mrs. Wyburn was just thinking of having a violent toothache or some
other ill, when Miss Westbury suddenly made up her mind to depart.
As soon as she had gone Mrs. Wyburn flew to the Blue Book, looked up
Harry's address, and wrote him the following note:
Dear Mr. de Freyne,
Probably you hardly remember me, but I have met you on two or
three occasions at the house of my daughter-in-law, Mrs. Romer
Wyburn. There is something I want to say to you which I hardly
like to write. I should be glad if you would come and see me
to-morrow afternoon at four o'clock. I shall not keep you
You may think this a strange request, knowing you so slightly
I do, but when we meet, I am sure you will understand.
Having written this note, Mrs. Wyburn felt too impatient to send it
by post; she was simply longing to know that Harry was feeling
uncomfortable, as he was very certain to feel when he got the letter.
Although she had a great suspicion and general dislike of the Messenger
Boy Service, she relented for once in their favour so far as to make
use of them, and the letter was sent by hand.
She was rewarded for thus conquering her prejudice. Harry was at
home, and accepted her invitation with most respectful alacrity. His
mannersespecially on paperwere, with old and young ladies, always
equally perfectunless he was out of temper.
Mrs. Wyburn eagerly hoped Harry would see Valentia, or somehow
convey to her about the letter, because it would be sure to make her
* * * * *
The next day the young man was punctual to the moment. The old lady
left him alone for a few minutes in the dark, dismal drawing-room. She
thought it would have a salutary effect.
She found him, when she came in, stroking the china bird, and
looking at himself in the mirror above it.
He received her with such charming grace that she felt almost
disconcerted, and as if she ought to apologise.
You received my letter? she said, rather abruptly.
With great pleasure. That is why I am here.
He was still standing, smiling delightfully.
Sit down, she said, with cold graciousness. I hope you are not in
a great hurry?
All my day belongs to you, he replied with a low bow, taking the
seat she had indicated. He looked at her with soft deference under his
She found what she had to say more difficult than she had expected.
She spoke quietly, in a low yet rasping voice, with a sharp dignity.
I will come straight to the point. To put it plainly, a report has
reached my ears, Mr. de Freyne, which has caused me very great pain and
anxietyI mean, as a mother. And I wondered whether you
As a mother? Surely, Mrs. Wyburn, nothing against Romer? I'm sure
I, as one of his oldest friends....
Against Romer! She drew herself up stiffly. Most certainly not!
There's never been a word breathed otherwise than in dear Romer's
favour since he was a little boy.
Harry appeared much relieved.
It's a great comfort to hear you say that. It's only what I was
going to assure you.
Besides, do you suppose for one moment that if I had any fault to
find with my son I should send for you?
She already had an annoying fancy that he was defeating her,
laughing at her, and turning the tables.
It seemed certainly rather strange, Harry said.
No, indeed! When I say I was troubled as a mother, I meant it in a
very different sense. What I'm afraid of is that dear Romer might be
worried if he heard the report to which I refer.
And that is?...
She looked at him spitefully, yet with a reluctant admiration.
He was irritatingly good-looking, good-humoured, and at his ease,
and particularly well-dressed, without appearing in the least conscious
of it. She wished immensely that he had been plain, or awkward, or even
out at elbows, or absurdly dandified, or looked nouveau riche,
or something! She felt jealous of him for Romer, and, at the back of
her brain, she grudgingly and perversely sympathised a little with her
daughter-in-law. Harry radiated a peculiar charm for women of all ages.
He did not study them nor try very much to please them; the fascination
was involuntary; he simply used it.
And that is, that you and my daughter-in-law, Valentia, were seen
alone she paused a moment, showing a latent instinct for
He smiled a little more, and bent his head forward with every sign
of intelligent interest.
She spoke with emphasis.
Alonethe other morningat the British Museum!
Somehow she felt the shot had missed fire. It had fallen flat. It
was less effective than she had hoped. It did not sound so very
shocking after all.
He continued to smile with the air of waiting for the climax. She
gathered herself together and went on
I heard it from Miss Westbury, so it is a fact!
Harry thought of saying that he preferred an old wives' tale any day
to an old maid's fact, but he only smiled on.
Of course, if this is untrue, Mr. de Freyneif it is a mistake, or
a false report, you have merely to deny it. Assure me it is
incorrecton your word of honourand I will then contradict it in the
He decided on his line. My dear lady, pray don't contradict it. As
a report it is a gemit is unique. Not merely because it's absolutely
truefor, as a matter of fact, I think most reports arebut because
of its utter unimportance! It seems to me so trivialso dullso
wanting in interest to the general public.
You think reports are usually true, Mr. de Freyne?
I am convinced they are. I believe firmly in the
no-smoke-without-fire theory. Oh, do you know, I think it is so
true!... This certainly is trueit's a solemn fact.
You admit it?
I do indeed! Surely I could hardly refuse to go when I was asked?
Oh, you were asked?
Certainly. And Romer is really such a very old friend of mine, I
could hardly refuse his request. I may be wrong, but I think one should
always be ready to take a little trouble for an old friend.
No doubt you have very strict ideas on the duties and obligations
of friendship! At his requestmy son's?
Yes; your son asked me to go and escort Valentia.
It is very peculiar; you must see that your explanation sounds
Not at all odd, he answered softly, if you will allow me to
contradict you. He thought a moment. Then he went on: You may have
heard, perhaps, about the dance that little American, Mrs. Newhaven, is
getting up at the Grafton Galleries for Deaf and Dumb Dogs and Cats. No? Well, every one is going, and they're arranging to have, by way of
novelty, Quadrilles of different nationalities. Romer and his wife are
to dance in the Egyptian Quadrille, and he asked me to take her to the
British Museum to look round and see if we could find some inspiration
for Egyptian costumes that wouldn't be too impossible. But when we got
there, we suddenly remembered the awful story about one of the mummies
being unlucky, so we went into the Print Room and remained there.
De Freyne paused.
Of course, if that is allif my son knows of your going, and even
asked you to go, there's nothing more to be said ... though I think it
very foolish, and I don't approve of any of that sort of thing at all.
What, not of Egyptian quadrilles, Mrs. Wyburn? asked Harry, with
surprised innocence and in a coaxing voice. Why, I'm sure it will be
frightfully harmlessin fact, very invigorating to the mind. It's not
as though the dresses were becoming! We saw the most hideous things at
the Museum. We met Lady Totness, who was dragging a wretched little boy
aboutI suppose as a punishment for something.
Mrs. Wyburn smiled slightly. She began to feel rather inclined to
relent at the implication that Lady Totness was hideous.
There you really are wrong, Mr. de Freyne. The boy was taken there
as a treat.
A treat! For whom? For him? What a strange ideaI mean, to
think it could be a treat to go anywhere with her, Mrs. Wyburn.
It is, rather, she acknowledged.
Well, then, if that is really all that was troubling you, I do hope
you're happy now?
He said this with one of his subtle, insinuating changes of tone
that were always so effective. Musicians will understand when I say it
was like a change from the common chord in the minor to the dominant in
the major. It was partly from force of habit, partly because he really
wished to win Mrs. Wyburn over.
Of course, now you've given the explanation it's, so far,
all right. You'll have a cup of tea with me, won't you?
I should enjoy it particularly. Let me ring. After a minute or two
But perhaps I might venture to suggest it might be bettermore
prudentif you were to go about a little less with Valentia?... Of
course, I quite see now that you're so devoted to Romer, and like a
brother and so forth, but I can't help considering what people say.
Don't call Lady Totness people, Mrs. Wyburn! Think what a
disagreeable, insincere woman she isnot a bit femme du monde,
and so exceptionally stupid and spiteful!
Harry stayed with her for an hour, having tea, chatting, telling her
stories against every one she didn't like, and speaking with a kind of
tender and admiring familiarity of both Valentia and Romer, in a way
that at once reassured and flattered her.
Finally, she actually found herself begging Harry to use his
influence with the young couple to be less frivolous and mondains, and
not to be always going out, which he promised to do. She even confided
to him her great wish that they had two or three children, which would
steady them down, and he warmly agreed with her, but said that he felt
that on that subject it was, perhaps, hardly for him to interfere.
Of course he confided in her, in his turn, how frightfully hard up
one was, with no one buying pictures, and outsiders winning all the big
races after having no earthly chance on any form they had shown that
season. Mrs. Wyburn positively tried to talk racing with him for a
minute or tworather patheticallybut soon got out of her depth and
fell back on Art. She said she thought, candidly, that Harry's portrait
of his cousin was a pity.
They parted excellent friends, she even asking him as a favour not
to tell Romer the reason of his visit. To Valentia he might mention it,
as Mrs. Wyburn thought it might be a lesson to her.
Harry professed, at first, some little scruple on the point. He
scarcely liked, he said, the idea of concealing it from Romer. They
always told each other everything. But Mrs. Wyburn was afraid of her
son's angerwhich she could not endure, unless she was in the
rightand of appearing ridiculously meddling. Harry owned that her
conduct might seem rather malicious and absurd. At last he
consented, and it was agreed that neither of them should ever say
anything about it to Romer at all.
It is scarcely necessary to say that Harry kept his promise of
silence to the letter. Had he not done so the story would at least have
had the interest of novelty, for Romer had never yet heard anything
about the expedition to the British Museum, and he never did.
A week or two later, when Mrs. Newhaven's ball at the Grafton
Galleries was described in the paper, Mrs. Wyburn, who read the
account, observed that there was no reference whatever to quadrilles of
various nationalitiesEgyptian or otherwise; and she rather wondered
at the omission. But it did not occur to her to suppose that this
portion of the entertainment had been entirely imaginarya lurid
figment of Harry's vivid fancy and fertile invention.
He left, it must be said, on the old lady a lasting impressionby
no means an unfavourable one. Even when she had reason to grow
seriously anxious again on the same subject, she never could bring
herself in her own mind to blame Harryshe could not at heart think
ill of him. She was only extremely angry with Romer and Valentia.
CHAPTER XI. THE FRIENDS
Harry had baffled Mrs. Wyburn for the time. He always dealt with his
difficulties one by one as they cropped up, not en masse, and
invariably in a manner that relieved the tension for a short time
onlyhe rarely did anything radical.
His financial position was, however, growing rather serious, and
occasionally the thought of Miss Walmer flitted through his mind.
To marry Miss Walmer would be far the quickest and simplest way out
of his difficulties, and she would really be very little trouble, as
little trouble, perhaps, as any wife could be. Besides, Harry had, with
reason, great confidence in his own powers of dealing with
womengetting whatever it was that he wanted from them, and afterwards
preventing their being a nuisance. But he did not much like the idea of
this mercenary marriage, because he was not in the least tired of his
romance with Valentia, and saw great difficulties in the way of keeping
it up later on. He had worrying doubts as to her consenting to revive
it afterwards if he married.
Her grey eyes and soft fair hair with its dense waves held a lasting
fascination for him. It has been well said that for each individual
there exists in some other being some detail which he or she could find
only in this particular person. It might be the merest trifle. Harry
knew what it was in Val that had a specially compelling charm to
himit was the way her hair grew on her forehead. And there was
something childlike in her expression that made a peculiar appeal to
him. The power her face had over him was undiminishedit had begun
seriously when he painted her portrait, and had grown gradually since
then. And she was the only woman he had ever met whose affection for
him did not cool his own enthusiasm. On the contrary, it was one of the
things which held him to her most.
In a sense he was even loyal to her. Harry was not one of those
extravagant Don Juans who made conquests solely for the gratification
of their vanity by adding to their collection. Essentially cool and
calculating, he used his attractiveness only when he thought it would
be of some genuine value to him, or some real satisfaction. As a
Lovelace he was economical.
Though a great connoisseur of feminine charm and beauty, and
superficially susceptible and excitable, with all this, as many women
knew, Harry was as hard as nails.
Valentia was the only woman for whom he had ever felt, besides the
physical attraction, a kind of indulgent tenderness. This was partly,
no doubt, because they had been fond of each other as children, and
because of a racial sympathy, a sentiment de famille due to
their relationship. But it was not really to be depended on.
No one could be a more charmingly devoted lover than Harry. There
was no one like him for little attentions and inattentions, charming
little thoughts, caressing words, and the little jealous scenes that
women value. It was not the mere mechanically experienced love-making
that women see through and to which they often prefer a clumsy
sincerity. It was natural, spontaneous. He had, in fact, a genius for
love-making, but he had not, like Romer, a genius for love. Harry had
all the gift of expressionpoor Romer had only the gift of feeling.
But notwithstanding Harry's magnetism, a woman once disillusioned by
him was disillusioned for ever. Women never forgave him. His romances
generally ended suddenly, and always irrevocably.
* * * * *
Harry had no great love of truth in the abstract, but, at least, he
never deceived himself. He saw through his own unscrupulousness, and
rather despised it just as he despised his own work as a painter. He
had grown really fond of Van Buren for the simple, sincere qualities in
which Harry knew himself to be deficient; and the American's
whole-hearted admirationalmost infatuationfor him gave Harry the
pleasure one feels in the frank devotion of a child. It touched him,
even while he intended to make use of it, because it was his nature to
make use of everything. It is an infallible sign of the second-rate in
nature and intellect to make use of everything and every one. The
genius is incapable of making use of people. It is for the second-rate
clever people to make use of him.
One morning Harry had heard unexpectedly that he had sold a
picturea thing that rarely happenedand was looking at the cheque he
had received, when Van Buren came into the studio. Harry told the news.
Well, Harry, I do congratulate you, with all my heart! What are you
going to do with that?
Frame it, said Harry. It's the only one I've had for three years.
It's a curiosity.
The American laughed.
Harry, I guess what you're really going to doyou're going to give
yourself the humble joy of paying some of the more pressing
liabilities. I know you!
My dear fellow, that would be mad extravagance! Oh no. You see,
this cheque isjust enough to be no earthly use.
Van Buren sat down.
Harry, if you'd only let me.... But I know that vexes you, so I
won't talk of it. You're Quixotic, that's what's the matter with you.
He smiled, pleased with the word. Yes, Quixotic! I want to speak to
you about your cousinI mean Miss Daphne, the beauteous broo-nette.
Well, how do you think you're getting on? asked Harry, who already
knew from Valentia that it was hopeless.
Not as well as I should like, Harry. I can't say I feel I'm making
any very great progress. She's a dream, but I'm afraid she regards me
as a heavy-weight. She's only a child, really, I know. She would prefer
a little boy of her own age who would make her laugh. Maybe she thinks
I'm too old. What do you say?
You must give her time.
I pay her every little attention that I can, said Van Buren
Perhaps you're too attentive.
I'd give her anything in the world she wanted, Harry, if she'd let
Well, give her a miss for safety.
Whythis evening you're going to meet her at a dance, aren't
youat the Walmers'?
Yes; I'm looking forward to that.
Well, don't godon't turn up. Then she'll miss you. Say,
to-morrow, you were prevented.
Van Buren began to smile.
I see what you mean. It's an idea. You do hand me some good advice!
Is it what you would do yourself, Harry?
It's what I'm always doing.
But then I don't like the idea of being rude. One always wants to
give the impression of being well-bred, no matter what the facts
It won't be rude. She'll be thinking about you much more than if
you were there, wondering why you're not.
You mean it will keep her guessing, Harry?
That's the idea. I shan't say you're not coming. I'll pretend to be
expecting you too.
Well, perhaps I'll try that. I know I've only got an outside
chance. She counts me as one of the also-rans.
Are you really very devoted, old chap? Would you break your heart
if it didn't come off?
Van Buren thought a moment, then said with his scrupulous
Well, no: I can hardly say that, Harry. I'm not so far gone as all
that. But I think she's a very beautiful, charming, well-brought-up
young ladya typical English girla June rose, a real peach. She's
the ideal of the sort of girl I'd like to marry. But if she's out of my
reachwell, I should resign myself.
Would you try for some one else? There are probably about a million
girls just like that, you know, who would be only too delighted.
Van Buren shook his head.
She's the only girl I should care about marrying. If it doesn't
come off I shall go back to New York. And I do wish you'd come with me.
A fellow with your talents would do splendidly there. Why, I'd find you
a place in the Bank in New York. I'd see you made your fortune pretty
quick. But you'd never leave London.
I'm not so sure. Anyway, we'll give it a chance till the autumn.
Yes, I must see it to a finish.
If you don't settle down here, then, would you marry an American
No. In that case I shan't marry at all. I shall settle down to the
life of a lonely bachelorchoose the broad and easy path that leads to
single misery, Harry. He laughed.
Instead of the straight and narrow road that leads to married
unhappiness, said Harry. So you are very keen on Daphne?
Not exactly that, perhaps. But it must be her or no one for a
life-partner. She's the only girl who ever made any appeal to me from
the point of view of domestic life. When I think of a happy home and a
fireside with her, it makes me curl like an autumn leaf.
What a curious chap you are, said Harry, smiling.
See here, said Van Buren, taking a letter out of his pocket. I've
got a letter from a ladyit's signed Flora Luscombebut I don't seem
to remember anything about her.
Harry took the letter. It was written on mauve paper in a somewhat
straggling hand, and was dated from Dimsdale Mansions, St. Stephen's
Road, North Kensington. It was a pathetic, yet cheery invitation to
It's Miss Luscombe, of the Tank, as we call it, said Harry.
Oh, the actress? Well, I think I shall go, Harry. I've never had
the opportunity of mixing much in dramatic circles. It's real kind of
her to have asked me, I must say. I didn't even remember her.
No one ever remembers her. But it's amusing and absurd. You'll meet
some of the people you like. Flora will show you roundpoint out all
the obscurities there, and so forth. Oh, she's a good soulold Flora.
Is she old, Harry?
About twenty-three, or thirty-three. I like her, though she's
rather a snob.
Ah, they say all Americans are snobs, Harry, but I feel sure I'm
not. Still, if I really liked a man I can't say I should turn against
him even if he had a title.
And if I really hated a person I should never get to like him, even
if he had a bad reputation.
Van Buren looked surprised and impressed, also delighted.
Is that a paradox, or an epigram, Harry?
I can't think!
Won't you tell me what it is?
It's bosh, said Harry impressively, mere bosh!
Tell me what you really mean by it.
How should I know? I haven't the very slightest idea, Harry said,
Van Buren looked thoughtfully out of the window.
How do you suppose our ro-mances will end?
As badly as possible; romances always do, said Harry. We ought to
be only too thankful that they end at all.
Why, I'm afraid you're a pessimist! How do you define a pessimist,
What a mania you have for definition, old chap! I think I agree
with the little girl who said that an optimist is the man who looks
after your eyes, and the pessimist the person who looks after your
Why, that's very subtle. I quite see what she means. There's a lot
in that idea, Harry. He thought gravely.
Is there? Well, come out to lunch.
CHAPTER XII. A HOME CHAT
Yes, Romer, on the whole I don't think our season's been a success.
With any amount of struggle, worry, bother, clothes, motoring, and
making up parties, we've just succeeded in not getting Daphne married
to Van Buren, and putting your mother in a perpetual, constant, lasting
Have we? said Romer.
He was sitting in an arm-chair listening, as usual, while Valentia
talked. He did not always understand what she was saying, nor did he
even always know the subject she was discussing, but he loved to hear
her voice, that was like an incantation in his ears. He said a few
words occasionally, desiring that the musical sound should continue.
All our old friends seem to have grown dull and sensible except
Harry, and he's been rather jerky and unsatisfactoryand all the new
ones have turned out complete failures. When I say they're complete
failures, of course I mean they've bored me. But, of course, it may not
have been their object in life to do anything else.
Look at Mr. Rathbonea man like that, tattooed, and collecting old
programmes of theatres. Well, he's as dull as ditchwater, perfectly
stupid and always saying the right thing to the wrong people. Then
Captain Foster, who seemed perfectly harmless and only decorative,
turns out to be really dangerous, and to count. He's in love with
Daphne, and he has got his mother, who is very weak and foolish and
sentimental, round on his side, and Daphne's always going to tea or to
lunch there, and they've utterly spoilt herat least, her taste in
hats has gone all wrong, and she told me that Mrs. Foster had pink
paper shavings in her drawing-room fireplace, and asked me why I didn't
have them too!
Yes. And though she's very good, I know it'll end in our having to
give in, and a pretty wedding, and a tiny flat, and utter wretchedness!
And Daphne will get to like old Mrs. Foster better than me, and they'll
have five hundred a year at the most; and even if they aren't really
miserable she'll have to gradually grow suburban, and come up to the
theatre and have to rush off so as to catch the last train back to
Boshan or Doddington or somewhere! I mean if they take a little house
out of townnear Mrs. Foster. However, I'm not going to give in just
yet.... I could understand a slight sacrificeor even a big one if I
were in love with Captain Foster, but I'm not. I suppose you'll say
that I needn't be, but that isn't the point. The utter absurdity is
that all Daphne wants of him she could see now. No one minds her seeing
him. But why should she break up her life and spoil her future for it?
Of course, that part is his idea. He is so selfish that
he isn't satisfied with the harmless fun they have now, but wants her
to live all her life in a sort of workman's cottage or tenement
building just for the sake of the joy, privilege, and honour of having
every meal with him!
What a brute! said Romer mildly.
Isn't he? And suppose a war broke out, and that darling, handsome
boy perhaps put an end to suddenly by a bullet, or mentioned in
despatches, or something, and promotedoh, please don't talk to me
about it any more, Romer. I hate the life. But I suppose she'll have to
go her own way.
Valentia paused and looked pensively in the glass.
And dear Van Buren, he's been pretty badly treated, I think. I
suppose he knows it isn't my fault or Harry's. I try to make up for it
in lots of waysby getting him an introduction to the man who wants to
fly across the Atlantic. I really hoped he would say to Van Buren, 'Fly
with me!' but he didn't, and in the most roundabout way and by the most
fearful lot of troublechiefly through mehe was asked to dinner to
meet that other manI forget his name, the one who keeps on
discovering the North Pole. And it seems he is a dear, and awfully
good-looking. And then heVan, I meanhas met Bernard Shaw, and
Graham White, and Lloyd George, and Thomas Hardy, and Sargent, and Lord
Roberts, and Henry James, and even Gabrielle Ray, so he hasn't had such
a bad time in London. I don't see that he has anything to complain of,
do you, Romer?
Shouldn't think so.
That was what he wanted, you know, continued Valentia. But if we
couldn't get him a wife as well, it's not our fault. I'm sure we've
tried our best. He's such a dear, and very fond of England. He has been
most useful to Harry, I'm sure; andI think the new fashions are
simply frightful. The new way they're going to do the hair will be
revoltingly unbecoming, and the whole thing will make every one look
hopelessly dowdy. The smarter you are, the more of a frump you will
Oh, I say, Val!
Yes, you willI mean I will, but I won't.... Because I'm not going
to follow the fashion like a sheep. And if you're not very careful I
shall dress in a style of my own.
Like a sheep! Do sheep follow the fashion?
Of course they do. Didn't you know that? What one does all the rest
do. Of course it doesn't change so ofteneven in the best Southdown
circlesat least we don't notice the change. When a new kind of
'baa' comes in and they all echo it we don't see any difference, but I
don't suppose they see any difference in our fashions either. Oh, and
Romer, I've been worried because I feel I've got so frightfully
empty-headed and unintellectual through just living, never
reading or thinking, when we go down to the Green Gate I shall read a
lot of serious books. I'm going to read H. G. Wells, and Hichens, and
Aristotle, and some history, and all sorts of 'improving' things. When
are we going?
As soon as possible, said Romer, brightening up. Let's go next
Oh, I can't be ready quite as soon as that, Romer dear! Let's go on
Tuesday. I'll arrange it all.
Good! said Romer, beaming.
And I'll get Harry to come down with us.
Thought he was going yachting with the Walmers?
Oh no, he's not, after all.... He doesn't really care for the sea.
Harry, of course, is sorry for Van Buren, continued Valentia. And
yet he takes Daphne's part about Cyril Foster. He knows it's spoiling
her, but he thinks she ought to be spoilt; he's so fond of Daphne.
Why doesn't he marry her himself? asked Romer.
Harry? She looked at him in surprise. Why, Romer, what a harpist
you are. If I've told you once, I've told you a hundred times, he never
marries! Harry has a great many bad habits, goodness knows. But
marrying isn't one of them.
Do you think he's keen on some one else? asked Romer after a
rather long pause.
She seemed annoyed at the question, then smiled again.
I don't know! The other day I called at the studio unexpectedly to
ask for something I'd forgotten, and found Harry improvising at the
pianoyou know that way he has of improvising from memoryan
inaccurate memoryof some well-known composer. I've never known him do
it except when he wanted toplease some woman. Well, Lady Walmer was
there, leaning over the piano and listening. Should you think from that
he's keen, as you call it, on her?
Lady Walmer! At her age!
Why, Romer, she's no older than anybody else! It doesn't matter
nowadays in the very slightest degree whether one is twenty-eight, or
thirty-eight, or even forty-eight. To a modern man it's all exactly the
same. Of course, if a flapper is what is required, well then,
naturally, he must be shown to another department. But apart from
thatwhy, Lady Walmer would be quite as dangerous a rival for me as a
woman ten years or twenty years younger. And I'm not twenty-five yet.
Rival to you? What do you mean?
Romer stared at her, a spark of his fanatic admiration showing in
She laughed and hurried on.
Nothing. I never mean anything. I know what you think, Harry is not
a marrying man, but he might become one. But a girl like Alec Walmer!
With the figure of a suffragette and the mind of a canary who plays
cricket, or a goose who goes in for golf
Heaps of cash.
Yes, I know. But Harry's an artisthe needs sympathy.
He's got his head screwed on the right way.
But his heart's in the right place.
What is the right place?
Don't be irritating, Romer. We'll go to the Green Gate on Monday
then. And now I must go out and order a short tweed skirt, and a garden
roller, and a few other things that we shall need in the country. Leave
it all to me! No, I never forget anything; even your mother says I'm
practical. And oh, do let's try and put her in a good temper before we
go away. You'd better go and see her and say good-bye to-day, early in
the afternoon, alone. And then I'll go in late and take away the
impression of anything you've said wrong. Do you see, darling? Dear
She went out of the room like a sunbeam in a hurry.
Romer followed her with a wondering expression. To him her
movements, her hair, her eyes seemed to suggest some fascinating
language he had not yet learnt. She seemed to him almost a magic
As usual, he showed his sensations simply by obeying. He went to say
good-bye to his mother.
CHAPTER XIII. VALENTIA'S VISIT
Romer's mother, looking intensely crossit was her form of deep
thoughtwas re-embroidering, with extra little stitches, and
unnecessary little French knots, and elaborate little buttonholes that
would never see a button, a large and fine piece of embroidery on which
she had been working for many months. She had that decadent love of
minute finish in the unessential so often seen in persons of a nervous
yet persistent temperament.
She was expecting her daughter-in-law. Romer had said, Val will
look in this afternoon.
* * * * *
Valentia arrived, delightfully dressed, and, to the casual observer,
looking just as usual, but in her costume there was just that nuance of
differencewhat was it?extra sobriety, a more subdued looksome
trifle that she had worn last year to suggest to the seeing eye a hint
of praiseworthy economy?at any rate, a shade that other young married
women would recognise at once as the right note when calling on one's
Mrs. Wyburn greeted her with real pleasure, and with far more warmth
than she ever showed to her son (her affection for him being
authentic). The sight of Valentia, however, always genuinely raised her
spirits. She was fascinated by her, and had an obscure desire to gain
Valentia's liking, and even admirationby force, if necessary! At the
same time she felt jealousy, disapproval, an odd pride in the girl's
charming appearance, and a venomous desire to give her slight pain.
Romer has been here, I seeI mean, I guess he has by the
cigarette. He's the only person who's allowed to smoke here. Yes, Mrs.
Wyburn, we're off on Wednesday. Won't you miss us awfully? But I shall
be very glad to go. I've really had enough of the season. Val spoke
with a shade of weariness.
No wonder! I suppose you've hardly had one quiet evening at home
the last three weeks?
Very likely not one. Even when we're quite alone Harry comes round,
and often his American friend too.
This was a challenge.
Valentia was sitting opposite the light, dressed in blue, in a black
hat of moderate size, looking straight at the elder lady with a smile,
and stirring her cup of tea.
Mrs. Wyburn admired her pluck and the fit of her dress.
Yes, exactlyjust what I should have thought. You know what a
horror I have of displaying anything in the shape or form of
interference, dear Valentia. But, since you've mentioned it
yourself, may I just say, doesn't it seem almost a pity that you should
never be alone with your husband?
Valentia began to laugh.
Oh, really, Mrs. Wyburn, why do you assume that? But of course
we're longing for a quiet time. That is why we're going away so early.
What delicious China tea! Yours is the only house where one gets
it quite like this.
She put down her cup, which was more than half full, with a slight
Romer hates China tea too, said Mrs. Wyburn. It would be really
better for your nerves if you'd drink it, my dear.
And when do you go to Bournemouth?
The first week in August. So I shall be able to come down one
dayas Romer asked mebefore I go, and just have a peep at what
you're all doing at the Green Gate.
She smiled with grotesque playfulness.
Oh, that will be nice, said Valentia. It must be looking lovely
now. Did Romer say anything else of any importance?
He never says much, as you know, important or not! He's very like
his poor father, who really used to sit opposite to me for hours at a
time without opening his lips.
A strong, silent man, murmured Val sympathetically. I know so
well what you mean.
Indeed you don't, snapped Mrs. Wyburn. He was the weakest
creaturemorally, I mean, poor dearthat ever breathed. He was
a very tall, fine man, but yet any pretty woman could turn him round
her little finger! It was his most marked characteristic.
Fancy! Devoted to you, of course. Romer's often told me.
I'm sure he hasn't. What can Romer know of my domestic troubles, as
he was just four when he lost his poor father? But however that may be,
I do hope, Valentia, you will wear warm, sensible clothes for
the garden. I never quite like the idea of your sitting out on that
little terrace late in the evening with practically nothing on your
shoulders. People should be so careful of the night air.
How thoughtful of you, Mrs. Wyburn! But I have a wrapI never sit
out without a wrap.
Pink chiffon, I suppose?
Now how did you know? You seem to have second sight!
Yes; I guessed as much. Very candidly, dear Valentia, I don't
approve of pink chiffon. But we women of an elder generation are never
listened to, though our advice is worth hearing, I can tell you.
Oh no, Mrs. Wyburn, don't say that. What would you advise instead
thena red crochet woollen shawl? I'll get one, of course. How lovely
that embroidery is getting that you're doing! I remember last February
thinking that it was as beautiful as it could be, and now it is more
wonderful still. Let me look.
She bent down her pretty head to admire it.
Is it my fancy, or the light, or hasn't your hair grown a little
brighter in colour lately, Valentia dear?
Oh, do you really think so? I'm so glad. I was afraid it was just
the samejust as it was in Harry's portrait of me, you know.
It does look very like the portrait. But, very franklyyou won't
mind my saying so?I think that if it were not quite so fair it would
be an improvement.
Oh, naughty Mrs. Wyburn! Fancy your wanting me to touch up my
hairmake it dark at the roots, I suppose, as so many people seem to
do! Oh! I wouldn't! What would Romer say? He likes it like this.
Before the elder lady had quite recovered from the blow, Valentia
went on carelessly
Daphne sent her love to you. She mayn't have time to come and see
you before we leave.
Has she been going to any more fancy balls as Rosalind? asked Mrs.
No, oh no. There haven't been any more.
I heard a reportoh, only a reportthat Mr. Van Buren is a great
admirer of your sister's; indeed, it was even said that they were going
to be engaged.
This was really a sore subject to Valentia. Her temper began to
waver slightly. It had been a very pet scheme of hers, and only Daphne
herself had defeated it by refusing the millionaire. But of course she
knew better than to tell Mrs. Wyburn that.
Oh yes, you heard that. I believe he does admire her very much. But
I hope I'm not going to lose Daphne yet.
Something in her expression warned Mrs. Wyburn, who said
Well, there's plenty of time; she's so young. I don't
believe in girls marrying till they're sensible women and know
something of housekeeping, and are fitted to deal with their servants.
I hope you haven't been having any more trouble with yours lately?
Indeed I have! I had just sent for the housemaid to give her notice
because she never dusts the lustres properly, when she turned round and
gave itnotice, I meanto me!
What a blessing! It saved you the trouble.
On the contrary, if you knew anything of domestics, Valentia, you
would see that it put me in a most awkward positionmost awkward; and
now I shall have to live at Mrs. Hunt's!
To live at Mrs. Hunt's? repeated Val, as if stupefied. Why,
you're not going to leave your charming house? And who is Mrs.
Hunt?an old friend of yours?
Don't you really know who Mrs. Hunt is, Valentia? Mrs. Wyburn's
No; I haven't the faintest idea.
She's a Registry OffWell, may you never know! Certainly I'm not
going to leave my house. The idea of such a thing!
Oh, I'm so glad, said Val, getting up. I'm afraid I must
leave it, though. I have so many little things to do before I go. Now,
Mrs. Wyburn, take great care of yourself, and I do hope you'll
get a nice housemaid quite soon. That sort of thing is so worrying,
Mrs. Wyburn accompanied her to the door, and as usual stood on the
landing with her, complaining of various troubles, and finally parted
with caressing words and advice about going for country clothes to a
little dressmakerquite near herewho runs up one's blouses and
Does she? Fancy! She must be small! Good-bye!...
... What a woman! murmured Val as she got into the carriage.
What a wife for Romer! exclaimed Mrs. Wyburn as the door shut.
CHAPTER XIV. A SUGGESTION
Miss Luscombe, humming a tune, was wandering round her drawing-room,
arranging it. She always hummed a little tune when she was alone, if
possible some quaint old French air. Not that she was really alone now;
only her invisible mother was with her. To do her justice, Flora took
as much trouble to impress this almost imperceptible audience as if she
represented a large crowd.
There! she said. She dusted a little blue vase and put it further
back. Now you're nice and tidy. No, you go back there, you ugly
thing! pouting at a photograph, you're not wanted to-day! Come out
more in the light, Lady Charles! We want you to be seen. That's
From the depths of an arm-chair, where she was hidden, Mrs.
Luscombe, who was watching her with intense irritation, said sharply
Who do you expect to-day?
Oh! how you startled me, Mummy! I didn't know you were there....
Isn't it funny, when you wear that dark red dress, just the
colour of the armchair, one doesn't see you?
She went on humming in the low, sweet voice, La violette double,
doublela violette double-ra-ra.
Pray stop that, Flora. My nerves won't bear it. Who did you say you
Mr. Rathbone, darling, if you must know. Mr. John Ryland
Rathbone, to be exact. You know he's one of the Catford Rathbones,
don't you, Mummy?
What's a Catford Rathbone?
Dear mamma! she laughed. It's quite a good old family. One of the
I thought you told me his father was a farmer?
No, dearthat's a little mistake. I told you his father had
taken to farmingas a hobby. Besides, that's just what I meana
fine old yeoman stockthe backbone of the country.
Why are you praising up this Mr. Backboneor Rathboneso much? Is
he in love with you?
Flora laughed coquettishly, putting on her Russian Princess manner.
It was voluble, disdainful, and condescending. She often changed, quite
suddenly, from an ingénue to a grande dame, and then to
an adventuress and back again before you knew where you were.
Of course he's in love with me. What of that? Poor boy, he must
take his chance like the others! 'La violette double, double
' Oh, I forgot, dear. I beg your pardon.
What's he coming here for? pursued the relentless mother.
Miss Luscombe now became a soubrette of a somewhat hooligan type,
and pretended to throw a little feather duster she was holding into the
depths of the arm-chair.
That remains to be seen. But I'm a girl who knows how to take care
of herself. I shall keep him in his place, old dear. Don't you worry.
There was a ring at the door. Flora blushed genuinely, and put some
powder on. She became sweet and tactful again, and refined, the amiable
woman of the world. She helped her mother out of the arm-chair, quite
unnecessarily, but perhaps to hurry her departure.
You'd better leave us alone now, darling, she said, and girlie
will tell you all about it afterwards.
Mrs. Luscombe ran like a hare through a side door.
The servant announced, throwing open the folding doors, Mr.
In two seconds the feather-duster was behind a screen, and Flora,
looking really very handsomeshe was, as usual in the daytime, in
semi-evening dresswas reading a little book covered in old vellum,
and kept for the purpose of her being found reading it. She put it down
and welcomed her guest charmingly.
Rathbone, looking very fair and pink and rather determined, had
brought with him a kind of case containing his collection of old
theatre programmes, so that he gave the impression of being a diplomat
of high importance with a portfolio.
She helped him prettily to show her the programmes, and was pleased
to see that there was something else on his mind.
She gave him a cigarette and they had tea. He told her the ancient
story of his writing to Cissie Loftus, and how he had never received an
answer. She welcomed the anecdote as though it combined the brilliance
of a jewel with the freshness of a daisy.
Then he spoke in a somewhat thick voice and with that rather gruff
manner that she associated with sincerity.
Miss Luscombe, I ...he sighed deeply. To tell you the truth,
there's somethingfor a long time I've wanted to ask you.
He fixed on her intently his blue eyes, in which there was an ardent
Really, Mr. Rathbone? What can I do for you?
A great deal. The question is, what would you do for me?
Oh, that depends, she said, smiling, looking down, and enjoying
Not to put too fine a point upon it, Miss Luscombe; he stopped
Miss Luscombe sounds so formal, she murmured.
You wouldn't allow me to call you Flora, would you?
He smiled, but she thought he looked disappointed. Perhaps he was a
man who needed difficultiesopposition.
Well ... I ... it depends, she said.
Look here, Flora, you're a very charming woman. I have a great
admiration for you. What is more, I believe you to be a thoroughly
good he hesitated again; was he going to say 'woman,'
'actress?'he decided on 'sort.'
Now I'll reveal to you the dream of my life, which I wouldn't tell
to anybody else.
I wonder if I can guess it? she said, wishing he would hurry up.
Lady Charles was coming at half-past five to get the address of that
fur place Flora knew of, where you got things practically for
nothingand they were worth it, too.
I know I'm not so very young, continued the young man.
Why, you're only about thirty-four, aren't you? I call that young.
Do youdo you really? Now I was afraid I was getting rather too
old to begin, as it were, a fresh life. Well nowhe came a little
nearer and touched her hand, which lay on the table; it was a pretty
hand, thin and bony, with pink polished nails and a garnet ringwill
you do it for me? will you help me? will you not think me foolishtoo
Yes. I see you've guessed. Yes. I want to go on the stage.
CHAPTER XV. MISS WALMER
And so you see, don't you, Lady Walmer, that I really simply
couldn't do itI mean I must do it. They're expecting me there for the
whole summer. How could I throw them over at the last minute?
Harry spoke in his most convincing voice. He was calling on Lady
Walmer, and they were both sitting in her little yellow boudoir. She
had just come in from a bazaar, and was wearing a rather angry-looking
hat, very much turned up on one side, with enormous purple feathers.
She was looking very far from pleased. Her handsome chin appeared
squarer than usual. There was a look in her eyes that more than one man
besides Harry would have been by no means anxious to meet.
She drew off her gloves, stroked one over the other thoughtfully,
Why did you promise to come on the yacht? The whole summer's spoilt
I hoped I couldI thought I could manage it. Surely you
But it's got to come to that sooner or later, Harry. You can't make
an omelette without breaking eggs. If you want to be a respectable,
dull married man, you'll have to dissolve your romance, you know. I
should have thought you were the last person to be weak about anybody
else's feelings!No, it's your own, my dear boy.
Harry's colour rose a little.
My dear Lady Walmer! I'm going to tellmy cousin Valentiaall
about itI mean about my hopes. I'm certain that she will be charming
about itonly too glad, for my sake.
Oh! And yet I thought she was human! Oris there some one else?
Certainly there's some one elsethere's Romer. She's very devoted
Harry, my boy, we should get on so very much better if you wouldn't
tell so many unnecessary fibs, remarked the lady.
She stood up and drew the hatpins out of her hat.
He said, I'm quite frank with you. I don't think I've been anything
else. And, after all, I only ask to do it in my own wayat my own
time. To choose my moment. Really, one can't behave like an
Oh, can't one? Well, perhaps not.
She took the hat off and put it on a table, giving the impression
suddenly, without it, of being smooth, a little bald, and very
Then you'll forgive me, Lady Walmeryou'll understand? I should
think that in about three or four weeks I shall be able to join you
somewhere. But, about fixing the datethat's impossible. Can't I see
She smiled graciously.
Certainly you may; I want you to. You must cheer her up and say
nice things to her. Poor child, I wish she weren't so ridiculously
pleased with you. You don't care two straws for her.
I give you my word of honour that I will make her happy.
I suppose you'll make her as happy as any one would. It's always
something to get one's wish, even if the wish is a failure.
Now, why do you say that? It won't be a failure.
All right. I'll send her to you. Now be a good boy, Harry. I'm
jealousfor Alecof the Green Gate. She smiled in her attractive
way. Will there be an absolute rupture between you and your ...
cousins, do you think?
Oh, good heavens, Lady Walmer, no! said Harry rather irritably.
We shall all be perfect friends, of course ... what impossible things
I expect only what is certain.
She went away.
Vanity was as elemental in Harry as in any other good-looking young
man. With him, though, it was not a mere useless pursuitan
art-for-art's-sake joybut invariably calculated and used as a means
to an end.
He looked in the glass earnestly, then started as Alec came in.
He was always surprised and even a little gêné each time he
saw her, by her immense apparent height. It seemed so much greater than
it was because of the somewhat monotonous lines of her figure and her
rather bird-like face.
Harry watched her, listened to her as she chattered away her
hurried, inexpressive unmeaning slang, and looked at him with her
bright, small, beadlike eyes.
He did not appreciate her. He did not know that behind the jerky
manner and inexpressive face there was a Soul.
She had not been trained to talk sentiment, and she could not
express her ideas; so, though she adored Harry, she only said to her
mother in confidence, when in a serious mood, that he was all right;
and when in a more playful frame of mind to her girl-friends, that he
was a little bit of all right.
Alec, he said, making her sit down in the lowest chair (he could
not bear her towering over him), isn't it a bore that I can't come on
Pretty useless, she answered.
He took her hand.
You won't forget me while I'm away, will you, Alec?
What do you think? she answered in a trembling voice, and
then gave a loud laugh.
I don't thinkI don't know.
Oh, shut up!
Will you be just as nice when I see you again? continued Harry, in
a carefully-modulated voice.
Why do you ask me all this rot? she said, with another uneasy
laugh. Of course I shall.
Harry couldn't think of anything else to say. Then he remembered....
When I join you again I'm going to bring you a ring. What's your
Rubies and diamonds, she answered without a moment's hesitation.
I say, how sporting of you! That'll be ripping!
He tried to feel touched by her artless joy. He knew he was not an
ideally ardent suitor.
Well, we'll have a good time later on, eh? he said in her own
Don't be a silly ass! replied the girl, her eyes full of tears and
tenderness, and her heart of the most sincere joy and affection.
Tell me, Alec, is your mother a soothing companion? Is she a nice
woman to live with?
Oh! she's all right. A bit off colour sometimes. At
leastwell, she is all right, if you understandand yet she's
notif you know what I mean.
Ah! that is a dark saying. You are pleased to be
You are a rotter, Harry!
How subtle you are, Alec. How elusive is the lightning-play of your
The random poppy of paradox grows too often in the golden cornfield
of your conversation, Harry went on, taking her hand.
Oh, rats! exclaimed the artless girl. Can't make out what you're
driving at half the time, when you go on like that. Don't believe you
Don't I? Really now, you know, we're almostwellprivately
engaged. May I kiss you, Alec?
She blushed crimson, turned her face away, and said, Please
Unable to help laughing, he kissed the top of her head, told her to
write to him, and left the house, feeling like an entirely new and
recently-discovered kind of bounder.
He hated the double game. It didn't amuse him a bit. But now he felt
he was free for a month's holiday, during which he had, however, the
unpleasant holiday task of breaking the news to Valentia.
He was driving home, but changed his mind and called out to the
cabman to drive to Valentia's house.
He found her trying on fursfurs in mid-summer!
She greeted the arrival of his exquisite discrimination and taste
with clapped hands, soft, beaming eyes, and her smileValentia's
smile. Miss Walmer couldn't smile at allshe didn't know how. She
could only laugh.
CHAPTER XVI. MRS. FOSTER
Daphne had come to say good-bye to Mrs. Foster.
This lady lived in a kind of model cottage in a garden in Ham
Common. It was not at all like the ideal, 'quaint' model cottages that
one sees advertised by well-known firms of furnishers, though it might
have been. Mrs. Foster was rebellious to Waring, and sincerely disliked
The little drawing-room, and indeed every other room in the house,
was principally furnished by photographs and groups of her son
CyrilCyril as a very plain boy, in a skirt, with hardly any eyes or
hair, and a pout; Cyril as a 'perfect pet' of a sailor, at six. Then
Cyril in cricketing groups (how he stood out against the other ordinary
boys!)in Etons (looking neat and supercilious), and then in his
uniform, in which he looked simply lovely.
Daphne had an intense and growing desire to please his mother. In
fact, curiously, she was more anxious to gain her approbation than that
of Cyril himself. To this end she usually remade her hats, when
possible, in the train on her way to Ham Common, and her pocket when
she arrived there was usually filled with artificial flowers, feathers,
or other ornaments that she had taken off her hat, so as to look
simple. Also she turned it down all the way round to make it look as if
it were merely a protection from the sunnot a hat.
To-day she wore a pink-spotted muslin dress and a straw hat, with
pink ribbon. She certainly looked extremely pretty, and not at all what
she had such a dread of before Mrs. Foster, smart. Mrs. Foster had a
horror of smartness in the jeune fille.
Daphne delighted her. She was a very sentimental woman, with a
strong theoretical bias for the practical. She was by way of teaching
Daphne housekeeping and how to manage on a small income (of which art
she knew very little herself, but was supposed to know a great deal
because she wore a kind of cap). She had a pretty, delicate, kind face,
and was wearing large wash-leather gloves, in case she should wish to
do a little gardening later on.
Daphne had still much of the child in her, and there was nothing she
enjoyed quite so much as gardening with Mrs. Foster, and occasionally
stopping to eat a gingerbread-nut, and hear something about Cyril and
the brilliant remarks he had made as a child.
Mrs. Foster had a chiffonnier of a kind Daphne had never seen
before, which fascinated her because such queer delightful things came
out of it in the middle of the morningslices of seed cake, apples,
and the gingerbread-nuts. There were pink shavings in the fireplace,
and wherever there was not a photograph of Cyril there was one of the
Prince Imperial. Evidently he had been the passion of Mrs. Foster's
earlier life. She loved to tell the story of how she had seen him at
Chislehurst, and how she thought he had looked at her.
There were other nice things in the cottage: there were two rather
large vases of pink china on which were reproduced photographs of
Cyril's great-uncle and great-auntone in whiskers, the other in
parted but raised hair with an Alexandra curl on the left shoulder. In
these vases folded slips of paper called spills were kept. A modern
note was struck by the presence of a baby Granda jolly, clumsy,
disproportioned youthful piano, rather like a colt, on which Daphne
played Chopin to Mrs. Foster, and sometimes The Chocolate Soldier to
Cyril; and Mrs. Foster, at twilight, sometimes played and even sang,
I cannot sing the old songs, they are too dear to me, which her
mother used to sing, or, coming a little nearer to the present, Ask
nothing more, nothing more, all I can give thee, I give, a
passionate song of the early eighties.
No one, except Daphne, ever did ask any more.
The whole thing was, to Daphne, a treat. Something in the atmosphere
of Ladysmith Cottagethat was its namefascinated and amused her.
Mrs. Foster was a widow. Her husband had been a distinguished
soldier. Almost the whole of her extremely small income had been
devoted to Cyril's education, and with the assistance of an uncle who
took interest in him, he had been got into the Guards, where he existed
happily with a comparatively small allowance.
Mrs. Foster had not been at all surprised or annoyed at his wishing
to marry at twenty-two. She thought it extremely natural. It seemed to
her very sensible of Daphne to accept him, and that she was the most
fortunate girl in existence.
I hope your sister doesn't mind my taking you away from the gay,
fashionable world for a day? she archly asked.
Oh no, of course not. We're going in the country next week, so I
wanted to see you.
Cyril's at Aldershot. I don't think he'll be able to come down this
afternoon. He can't get away this week, I'm afraid.
I shall see him before I go, said Daphne.
Do you have a letter from him every day, darling?
Oh yes, a few lines.
He is a noble boy! said Mrs. Foster enthusiastically. How he
always hated writing letters! I remember how I guided his little hand
to write his first letter to his uncle, General Rayner. Just as we got
to the end of the letter Cyril suddenly jumped up and threw over the
table. The letter was simply drenched in ink. Dear boy! I've got it
still.... Oh, you must come into the garden, Daphne. I've something new
to show you. A friend of mine has just let her house. She didn't know
what to do with her dovecotnobody wanted itso she's given it to me.
Come and see the dear little creaturesthey are so pretty.
They went out into the garden and stood looking at a sort of
Mrs. Foster made strange noises, which she thought suitable to
attract the inmates, and Daphne saw two doves who struck her as if they
had married in haste and were repenting at leisure.
Why don't you let them go free? suggested the girl. Just think
how happy and delighted they'd be.
I doubt it. I don't think they'd know what to do with their
freedom. They're not used to my garden yet, that's what's the matter. I
do wish they would coo; perhaps they will a little later on. (This was
a favourite expression of Mrs. Foster's.) I want to see one perched on
your shoulder, Daphne. It would make such a pretty picture.
I'd rather give them something to eat, said Daphne.
Mrs. Foster started.
Oh yes, of course. I fed them all yesterday afternoon, but I forgot
about them this morning. Henry! Henry!
The smallest boy appeared that had ever been called by that name.
Henry, feed the doves.
Then bring the watering-can. We're going to water the flowers.
Henry, who seemed of a morose nature, went to obey.
I'm obliged to have a boy for the knives, and he acts as a gardener
when I'm busy, explained Mrs. Foster. There isn't much of a kitchen
garden, only a few gooseberries and apples, as you know, dear, but it's
nice to think they grow there, isn't it?
Of course, I can't make much show with them. Henry always eats them
before they're ripe, which is rather hard. But he's a good,
honest boy. One of his sisters has gone in for making blousesin the
village, you know. She's a brave girl, and I feel sure will get on.
She must be! Have you ever ...?
Oh no. Of course not. I couldn't. When a woman
reaches a certain age, my dear, a certain style is necessary. I don't
mean great expense, but simple little things that would suit you,
darling, wouldn't do for me. Now that little pink thing that you're
wearingI should look nothing in it, and yet I dare say Henry's
sister.... Where did you get it, dear?
Well, it came from Paquin's, said Daphne. It's not new.
Oh! Well, we mustn't be always talking of chiffons together, that's
very frivolous. You're fond of poetry, aren't you?
Not so very, said Daphne truthfully.
But you would like to hear mine; I know you would, dear, said Mrs.
Foster, nodding, and patting her hand. Dear girl, you shall. I've got
a tiny little volume, all in manuscript. It's quite a secret, darling.
Hardly any onenowknows that I was poetical. But I can tell you
anythingyou're so sympathetic. I had at one time a great wish to be a
sort ofnot exactly Elizabeth Barrett Browning, or Christina
Rossettiyou know who I mean, don't you?
But a singer of songssongs of feeling. Well, let us go into the
garden. I will show it to you later.
They sprinkled a few dead flowers, picked a few weeds, and then Mrs.
Foster became thoughtful, took off her gloves, and went to her room and
remained there for some time. She came down with a manuscript book in
her hand. It had a shiny cover, and in the right-hand corner a piece of
the cover was cut out. On the paper, showing through, was written in
Mrs. Foster's delicate handwriting, Fireflies of Fancy.
This, she said, patting it, is my little book, and after lunch
I'll read you some of the poems, dear Daphne, though I'm not at all
sure that all of them are quite suitable for you to hear.
Oh, Mrs. Foster! Daphne found difficulty in believing it.
You see, continued the delicate-looking old lady, in her sweet,
refined voice, I was very much under the influence of the Passionate
SchoolSwinburne, Rossetti, Ella Wheeler Wilcox, and so onat the
time that I wrote. My husband never wished me to publish them. He
didn't like themhe didn't understand them. I don't mind admitting to
you, dear, that since I lost him I have sent one or two of the
lesswellshall we say strongly coloured?poems to the magazines at
times, of course under a nom de plume. But they were all
returned. I think they were considered toowell, tooHowever, I've
given up the idea of making a name as a poetess now, and very rarely
show them to anybody; very rarely.
Daphne answered, with absolute sincerity, that she was dying to see
After lunch, when they retired to the little drawing-room, Mrs.
Foster sat down with her back to the light, and a slight flush on her
cheek, and took up the book.
Daphne sat in a low little crimson arm-chair exactly opposite her,
clasping her knees, her brown eyes fixed with the greatest interest as
Mrs. Foster turned and turned the pages as if unable to select a
Then she began to read, in her soft, yet rather high voice, which
seemed suited only to gentle greetings and adieux, or quavering orders
He glanced as he passed,
And I hope, and I quiver,
I howl and I shudder with pains;
And like a she-tiger
Or overcharged river,
My blood rushes on through my veins.
She stopped suddenly.
No, no, dear. I won't read this. Wait a minute. I remember now that
was the one that was returned because it was tooerI'll find you
Oh, do finish that one, said Daphne, please! Isn't the light too
much for your eyes?
She jumped up quickly and pulled down the blind an inch or two, and
then came back, having controlled herself.
Mrs. Foster looked at her rather sharply, and took no notice of what
she supposed was emotion.
Ah, here is something more suited to you, darling.
A QUESTION, AND AN ANSWER
Will all the year be summer-time,
And each night have a moon?
Ah no, the Spring will quickly go,
And winter cometh soon.
And will your clasp warm mine like wine?
And will you love me true?
Ah no, the autumn leaves arrive,
And we must bid adieu.
That's a rather pretty thing, in its way, isn't it? she said.
Here's one more.
Seems it well to see
A wild honey bee
Gold in the sun,
Ere day is done,
Sitting on a rose,
As the summer time grows.
Ah, the bold, brave days,
Ere the glass of Time
'Neath the sun's rays,
Like a flame of fire,
And the ...
She stopped again.
No, I don't think this is quite
Do, do go on!
Mrs. Foster looked at her.
You have a great deal of sensibility, Daphne. I believe you have
tears in your eyes.
No, I haven't really. She turned away her head, nearly choking.
A loud knock was heard at the front door.
Mrs. Foster looked out of the window.
It's Cyril! she exclaimed. He's got away after all. Quick!
Quick! She threw the book under a cushion and sat on it. With
trembling fingers she took up some needlework out of a basket.
Not a wordnot a word! Go and meet him in the hall, dear. He's
come to give us a surprise. I'll wait.
Blushing and laughing Daphne ran downstairs.
CHAPTER XVII. ENGAGED
Daphne and Cyril sat in the garden together. The conditions seemed
ideal. It was a lovely afternoon; the sun was hot, but a gay
irresponsible little west wind stirred the trees; bees hummed
industriously, butterflies darted casually about among the few flowers,
and even the reticent doves cooed from time to time, condescendingly.
Peeping through the blind Mrs. Foster thought the two young people made
a perfect picture, and was reminded of the Golden Age. Indeed, they had
very much the charming, almost improbable air of the figures in a
Summer Number of an illustrated paper. Perhaps the conditions were too
perfect: the lovers had, of course, nothing to sit on but a rustic
seatMrs. Foster would have thought it a crime to have anything else
in a garden, and rustic seats are, no doubt, picturesque, but they are
very uncomfortable; they seem to consist of nothing but points and
knobs, gnarls and corners.
When Daphne was alone with Cyril like this she felt contented and
peaceful at first, and then she began to wonder why she wasn't happier
stillwhy she didn't feel ecstatic. She was proud of Cyril; he looked
very handsome in flannels, his regular features, smooth fair hair,
small head and small feet all added to his resemblance to the hero in
the holiday number.
Dear little girl! and took her hand.
She laughed and answered
Dear old boy!
Then he said
By Jove! you do look ripping, Daphne.
Jolly being here like this, isn't it? said Cyril.
Isn't it? she answered.
Jolly day, too.
Wasn't it lucky I was able to get away?
It was a fearful rush.
It must have been.
Jove, it is hot!
There was a pause.
May I smoke a cigarette, dear?
He lit a cigarette, and then put his arm round her waist.
Why not? he asked, removing it.
Oh, I don't know. Henry or some one might see.
A sort of gardener boythe boy whose sort of sister makes kind of
blouses in the village.
Oh, does he matter?
Cyril was wondering if he could ask for a drink.
When they were left entirely alone, on purpose to be free, he always
felt rather shy and awkward, and intensely thirsty.
Daphne began to think about what time it was, and about her train
backsubjects that never occurred to her when she was alone with Mrs.
I'm afraid I shall soon have to be going, she said.
Oh, I say! What, the moment I've arrived?
He tried not to feel a little relieved. He wondered why he hadn't
more to say to her. He had been desperate to get consent to their
engagement, and was always extremely anxious and counting the minutes
till they met, and when they were together, alone after much elaborate
scheming, he felt a little embarrassed, and, like his fiancée, was
surprised he wasn't happier.
I say, Daphne!
You do look sweet.
Do you really think so?
Simply ripping! I say!
Won't it be jolly when we're married?
It will be all the time just like this, you seeonly nicer ... I
say! Isn't it hot?
They sat holding hands, he looking at her admiringly, she feeling
mildly pleased that such a dear, handsome boy should be so fond of her.
In the minds of both was another sensation, which they did not
recognise, or, at all events, would not admit to themselves. They both,
especially Cyril, counted the minutes to these tête-à-têtes, and
immediately afterwards looked back on them with regret, feeling they
had missed something. They wrote to each other frequent, short, but
intensely affectionate letters about the happiness these interviews had
given them. Yet, while they actually lasted, both Cyril and Daphne, had
they only known it, were really rather bored. The next day, or the same
evening, Cyril would write to her:
My own Darling,How jolly it was having you a little to myself
to-day! And to think that you really care for me! and so on.
And she would enjoy writing back:
Dearest,Didn't we have a heavenly time in the garden yesterday?
and so forth.
* * * * *
As a matter of fact, they had not had a heavenly time at all; when
he kissed her, which he sometimes did, she did not really like it,
though she knew she ought, and it gave her a sort of mental
gratification to think that he had given this manifestation of
love, as she knew it was considered the right thing.
He did not really regard her as a woman at all, but more as a lovely
doll, or sweet companion, and it pleased his vanity immensely to think
he should be allowed this privilege, which at the same time seemed to
him a little unnecessary, and even derogatory to her, though he enjoyed
it very much too, in a somewhat uncomfortable way.
The fact that their engagement was so indefinite, that they had
hardly any hope of being married for at least two years, perhaps added
a little to the gêne of these meetings. The instant they were
separated he began to long to see her alone again. Daphne felt sure she
must be really in love because she took comparatively little interest
in anything that was not more or less connected with the idea of Cyril.
Perhaps she enjoyed the things she associated with him more than his
actual presence. Talking about him to Valentia, or hearing about him
from his mother, seemed more amusing and exciting than sitting with him
alone and holding his hand. She would have liked best never to see him
except in evening dress at a party, only to hear about him or think
about him all day.
Cyril was sure that his feeling was real love, because he did not
care two straws how hard up they should be when they were married, and
because if he heard any one sing a sentimental song, however badly, he
immediately thought of her with the greatest tenderness. He believed he
missed her every moment of the day, and he took great trouble to see
her, especially when there was a chance of their being alone. But, as a
matter of fact, he was rather glad when Mrs. Foster came out into the
garden; and when he had seen Daphne off at the station, although it was
a pang to see her go away without him, it was perhaps also a slight
When Val came to meet her at the station, full of news about the
extraordinary number of exciting things that had happened in the day,
and they dashed back to dress for a dinner Harry was giving before
going to a dance, Daphne felt a tinge of sentiment and regret for the
idyllic happiness in the garden, and began to count the hours until
they should meet alone again. The glamour always returned an hour or so
after they had been separated.
CHAPTER XVIII. AT THE CARLTON
With characteristic amiability, combined with that courage which had
caused impatient people, who snubbed her in vain, to say she had the
hide of a rhinoceros, Miss Luscombe had accepted the blow of Rathbone's
proposalthe proposal which she had taken for an offer of marriage,
but which was really an offer to go on the stage. She set to work at
once making little efforts (most of which she knew to be futile) to
arrange the matter. After all, if she should succeed in getting him
some sort of a part, mightn't he, out of gratitude?... And she saw
visions. Again, he had evidently got it very badly, this mania for
acting and dressing up, and he had really quite enough money, if he
chose to devote it to this object only; why shouldn't he take a
theatremake himself the manager and jeune premier, or, for the
matter of that, vieux dernierit really didn't matterand let
her be the leading lady? That was if he failed in every other scheme.
She wrote letters to various people whom she knew on the stage,
mentioning Rathbone's enormous willingness to take anything, his
gentlemanly appearance, and, she felt sure, really some talent,
though no experience. Most people took no notice, but after a while she
received an offer for him to play one of the gentlemen in the chorus of
Our Miss Gibbs in a second-rate little touring company of the
smaller northern provincial towns.
It was an excuse for an interview, certainly; but this for a man who
wished to play Romeo! And if, in his enthusiasm, he should actually
accept it, it would take him away from her. However, hearing that she
had some news for him, he, in his delighted gratitude, asked her to tea
at the Carlton.
* * * * *
They were seated in the Palm Court eating their tea-cakes and
sandwiches to the sound of The Teddy Bear's Picnic, which made one
feel cheerful and reckless, followed by Simple Aveu, a thin,
sentimental solo on the violin that made one feel resigned and
melancholy. It was played by a man with a three-cornered face and a
very bald head, who gazed at the ceiling as if in a kind of swoona
swoon that might have been induced either by tender ecstasy or acute
All around them were noisy Americans, neatly dressed, and a good
many prim, self-conscious ladies on the stage who had come on from
their matinées and were accompanied mostly either by very young
and rather chinless adorers, or by fat, fatuous men with dark
moustaches, hair inclined to curl, and clothes a shade too gorgeous.
Here and there a simple, provincial-looking family were to be seen
who had come up for a few days and had been to an afternoon
performance, and were talking with great animation of the rights and
wrongs of the hero and heroine of the play. It was characteristic of
the provincials that they were really excited about the play itself,
hardly knowing who were performing, while the suburbanites took
interest only in the actors, all of whom they knew well by name and
reputation, even their private lifeat least, as much of it as got
into the Prattler, The Perfect Lady, and Home Chirps.
On the whole it was a very characteristic London crowd, in that it
consisted almost entirely of desirable aliens. Here and there, indeed,
one saw a thin, slim, pretty woman with a happy but bothered-looking
young man, both obviously English, who talked in low tones, and were
evidently at some stage or other of a rose-coloured romance; but they
were the exception.
Amidst this noisy and confused clientèle, with its showy clothes and
obvious feminine charms, Miss Luscombe looked a strange, stray, untidy
hothouse plant. She was odd and artificial, and dressed like nothing on
earth, in pale and faded colours; but she was not vulgar. She was
rather queer and delicate, and intensely amiable. Her
self-consciousness made no claim on one; she was not exactingalways
pleased and good-tempered. Rathbone recognised these qualities in her,
and liked her better to-day, amidst the scent of the tea-cakes and
cigarettes and the whine of the violin, than he had ever liked her
Pink, fair, calm, clean, and really hardly anything else, except
extremely correct, and always good form, without being too noticeably
so, no one would have dreamed that this quiet young man, who looked
like a shy subaltern, was simply dying to disport himself on the stage,
and that it was the dream of his life to make an utter ass of himself
as Hamlet, or a hopeless fool of himself as (say) the hero in Still
Waters Run Deepa play he had seen as a boy and had always longed
to act in.
She had broken the news to him.
Miss Luscombe, do you mean to say that is the very best you can do
She explained the difficulties.
He was only one of so many! Unless the name was known it was
frightfully difficulteven for geniusesto get on. Of course, he
might try, and go and see the various managers himself, but, frankly,
probably nothing would come of it.
He was deeply depressed. What should she suggest?
Might I ask if you care very, very much? she asked.
You might. I do. Yes. His heart was set on it.
Was it really? Well, if he simply hadn't the strength to go on
living another day without going on the stage, the only thing, clearly,
was just to hire a theatre and go on! A matinée, perhaps.
Why not Romeo?
And why not Juliet? said he, rather rashly.
Oh, that would be lovely!
Her attention wandered at this moment. A very pretty, fair woman was
rising from behind a palm where she had been seated with her back to
the room. She went out rather quickly, followed by a good-looking young
man with a single eye-glass.
They have been trying to hide! she exclaimed. What a joke! It's
that sweet Valentia Wyburn and Harry de Freyne. They must have been
here when we arrived, for we should have seen them come in. I wonder
what they came for?
To have tea, perhaps? suggested Rathbone, after deep thought,
Yes, yes, I know. But why hide like that?
Perhaps they didn't want to be seen, said Rathbone brilliantly.
Yes, of course, but why not? I hope it doesn't show....
Well, it shows there's nothing in it, or they wouldn't come here.
Does it? said Miss Luscombe, rather disappointed.
Well, where's the harm in being here? Ain't we here?
Oh yes, of course; but that's different. They're cousins, too, of
course; I had forgotten.
I don't see why you should worry if Romer doesn't, said Rathbone.
Before they left Rathbone had very nearly promised to see about
engaging a theatre, and either for a charity or as an invitation
matinée, rope, as he expressed it, all his friends in, lock the
door, and force them to see him play Romeo to Miss Luscombe's Juliet.
Flora was deliriously happy at the idea, but had too much experience
to rely on it, and was quite prepared to be thrown over for another
more professional actress, and asked to play one of the ladies at the
ball in the first act instead, probably in a mask. She went home and
read over her one good noticea great treasurethat had appeared in
an evening paper, and had spoken of her as a young actress with a
bright and winsome personality. That was in a very small part, ten
years ago. Would she ever get another real chance?
CHAPTER XIX. AT MISS WESTBURY'S
Mrs. Wyburn found Miss Westbury being sensible and decided and
holding forth about things in general to one or two friends over the
tea-cups. Something in the way the old lady sat down and unfastened her
mantle, so as to be sure to feel the benefit of it when she went out
again, made the other women present feel that they were not wanted, and
Miss Westbury did not attempt to detain them. For (though she would not
have put it like that) she knew that she would get more fun out of her
friend's méchanceté if they were alone. Scandal, gossip made
tedious by morality, is only really enjoyable en tête-à-tête.
I do so hope, Isabella, that you haven't had any more annoyance
about the silly things that are being said about your pretty
daughter-in-law, remarked Miss Westbury, leaning back with the
comfortable amiability of a fat woman who expects to be amused.
Mrs. Wyburn looked round the room.
Curious you never have your ceiling painted, she said. I've often
wondered why it is. It looksyou'll forgive me for saying so, Millie,
won't you?as if you left it in its present state from motives of, may
I say, economy? But, of course, I know it isn't thatI always say,
it's simply that you haven't noticed it. Thanks, nono tea.
Miss Westbury's serenity was slightly disturbed, as her friend
I certainly don't spend my whole time lying on my back looking at
the ceiling, she answered rather brusquely. I have far too much to
I never suggested that you should, quickly replied Mrs. Wyburn.
Such a thing never occurred to me for a single moment. And please
don't think I wish to interfere, or to make remarks about anything that
doesn't concern me. It merely struck me that if, at any time, you
thought by some curious chance of having the house done up, it might be
a pity to leave out the ceiling. But that was all. I do assure you,
Millie, I never dreamt of hurting your feelings.
Miss Westbury laughed with a rather cackling sounda sound Mrs.
Wyburn recognised with satisfaction. It showed just the degree of
slight annoyance she loved to cause in any one to whom she was
speaking. Miss Westbury, however, waived the question and became
Do let me persuade you to have a toasted bun. Our baker makes them
in a special way on purpose for me. There's nothing in the world more
sensible with one's tea than a small toasted currant bun. I was
speaking to Dr. Gribling about it only the other day, oddly enough, and
he quite agreed with me.
Why only the other day? and why oddly enough,
Millie?I dare say you speak to him constantly about it and about
other equally urgent matters. She spoke with what she meant to be a
slight sneer, in reply to which Miss Westbury behaved in a manner that
is sometimes described as bridling up. She gave a movement meant to be
a toss of the head and placed her lips firmly together.
I like Dr. Gribling, Isabella, because he's a thoroughly sensible
mana man you can say anything to.
Mrs. Wyburn thought that Miss Westbury would say anything to any
one, and she shrewdly suspected that Millie was probably the one gleam
of amusement in poor old Dr. Gribling's dreary round. However, she
waved the eminent physician aside and said
About Valentia. She and Romer have gone down to the country, you
Oh, indeed! Quite early to go. Very nice. Have they a large party
there, do you know? The Green Gate is such a charming placeso
Have you ever seen it? Mrs. Wyburn asked.
Only in the Daily MailI mean accounts of week-ends there,
and that sort of thing. But I believe it's quite charming. It seems
almost a pity though, doesn't it, at the end of the season to begin the
same frivolities and gaieties all over again. I wonder they don't take
a little rest.
I believe they are resting. Valentia wrote to me that no one was
staying there at all, except, of course, Daphne.
And Harry de Freyne?
Yes, and Mr. de Freyne.
Strange, said Miss Westbury comfortably. Curious that
extraordinary infatuation of yourson for this young man. But he's a
very charming man, isn't he? Most agreeable?
He's not absolutely unpleasant.
I suppose he brightens them upamuses them? Probably he has very
high spirits. Perhaps he has the jar de veev. Miss Westbury had
a private pronunciation of foreign expressions all her own. It is
unfortunate, but do you know one often sees that in unprincipled
He knows that he's not quite a gentleman, and is trying to laugh it
off, said Mrs. Wyburn.
Does he really? Dear, dearwhat a sad thing!and yet he certainly
ought to be a gentleman, you know. On his mother's side he is
connected with the
That's not the point, snapped Mrs. Wyburn. And of course I don't
mean to say thatoutwardlyhe's not. His manner and appearance are
distinguished. It's the soul that's vulgar.
Ah, I see! You mean you're afraid he isn't one of nature's
Nature? How do you mean? He has nothing to do with nature. He's a
man about town.
Oh, I beg your pardonI understood he was an artist. And
sometimes, you know, artists are extremely fond of nature; in fact, far
I believe all that painting is only done to throw dust in people's
eyesan excuse for idleness. Candidly, I don't like studios; I don't
think they're respectable.
I know what you mean; but still, after allMiss Westbury made a
feeble attempt at a good-natured defenceafter all, if they all like
itI mean to say, if they're all so happy, why should we
I doubt if my son is happy.
Oh, really, really? Do you think he's ever noticed anything?
Isn't he devoted to Harry de Freyne?
Of course he hates him like poison, replied the mother.
Miss Westbury started in delighted horror, and replied sharply, How
do you know that? Did he tell you?
Tell me! He would never tell me. Besides, he couldn't tell mehe
doesn't know it.
And how do you know it?
Mothers know everything, she replied.
After a minute's pause, Miss Westbury said
But if you feel sure that Romer isn't happy, and that he, almost
unconsciously perhaps, doesn't really like this young man being always
about, mightn't it some day end in some troublesome explosion?
It's quite possible.
Then I wonder what Romer would do?
I know what he would do.
Good heavens, Isabella, you don't mean to say that he would ever
It's really strange, said Mrs. Wyburn, that at your age you
should still be so silly. Will you never learn to understand anything
at all? Of course not. He would protect her.
Can't something be done? Why don't you speak to Valentia?
The advice of a relative-in-law in a case of this kind has never
yet been known to be of any real use, Millie. I can only hope the whole
thing may gradually wear itself out.
May it be so, my dear! echoed Miss Westbury, unctuously.
Mrs. Wyburn got up to go.
Miss Westbury helped her to fasten her mantle.
I'm so glad you loosened it, or else you might not feel the benefit
of it when you go out, Isabella, she observed, for she was not one to
miss an opportunity of making a remark of this kind. And do
look on the bright side. I always say that things of this sort may not
be true, and even if they are, everything may be for the best in the
Mrs. Wyburn liked to excite Millie's interest, and yet somehow
loathed her sympathy.
Yes; do you know, I really should have the ceiling painted,
if I were you, she said, as if it were a new idea. Otherwise your
house is looking so nicequite charming. I think it such an excellent
plan not to have flowers in the windows, only ever-greens.
So glad you think so. It is rather a good arrangement,
because, you see, they always look exactly the same all the year
That they certainly doand nevergreens would be a better name for
them, spitefully said Mrs. Wyburn to herself as she drove off.
What a tiresome mood Isabella was in to-day, said Miss Westbury to
herself. I must go and see Jane Totness and tell her what she said....
Ceiling, indeed! She was nasty!
CHAPTER XX. A PROPOSAL
Miss Luscombe was looking out of the window, looking up to the
street, waiting. At last she saw from her basement (the tank, as her
friends called it) a glimpse on the pavement of a pair of feet that she
knew. They were the feet of Mr. John Ryland Rathbone. She hastened to
prepare herself for his visit.
It is obvious that people who live in a basement must look at life
from a different point of view from all others. The proudest of women
in that position must necessarily see it de bas en haut. The
woman looking out of the drawing-room or higher for the person she is
expecting to see gets more or less of a bird's-eye view. She sees the
top of a hat first, and the person necessarily foreshortened. From the
dining-room or ground-floor window she sees the approaching visitor
through glass, but practically on a level, almost face to face, and
therefore is incapable of judging him on the whole or of taking a very
large view, since any object placed close to the eye deprives one of a
sense of proportionshuts out everything else. But from a basement
window things are very different. It is wonderful how much character
one learns to see in feet, and it is still more curious how, to the
accustomed eye, their expression can vary from time to time. Flora saw
at a glance by the obstinate stamp, the bad-tempered look of his boots,
by the nervous impatience of his stride, that Mr. Rathbone was coming
to see her in a state of agitation. One would hardly have believed
that, without having seen his face at all, she would be so prepared for
his behaviour when he arrived as to greet him anxiously from the door,
even before he came in, with Good heavens, what is the matter?
How do you know anything is the matter?
I guessed. I saw your steps.
Everything is going wrong about the play. The expenses get larger
every day. To sell even one ticket for a charity, they tell me,
is simply out of the question! I must invite everybody, and even then
most of them won't come. Just think, my dear Miss Luscombe, all this
trouble, worry, and expense for amateurs to play Romeo and Juliet
at an invitation performance to an absolutely empty house!
Why do you think it will be empty?... Your friends?
My friends? You're my only friend! Every chap at the Club I have
spoken to about it said they would be out of town that day. One or two
said they would come on afterwards and join me at supper. Supper! I
said it was a matinée; so then they suggested I should give a
dinner afterwards. And even women, they're quite as bad. I mentioned it
to Lady Walmer. She is always so keen on going everywhere, and makes a
hobby of odd charities and things. She said she was going yachting that
day, and also that she was going to a wedding.
What does it matter just about Lady Walmer?
Nothing, but it's an indication. Do we want to have no one in a
theatre but the dressmakers who made the costumes? Miss
LuscombeFlora! I am beginning to think we'd better chuck it.
Oh, Mr. Rathbone! The waste and the disappointment!
It would be a greater waste to make an utter fool of oneself in an
empty house than to postpone it. I'm nervous. I'm really frightened.
I'm beginning to see that I've been a fool. As to disappointment,
that, Flora, you could console me for if you chose.
Oh, Mr. Rathbone!
You really have been so sweet, so patient, it's my opinion that you
are an angel!
Oh, indeed I'm not!
Well, you have the patience of one. You never think about yourself.
You're all kindness and sweetness and thought for other people. To
speak perfectly frankly, you have only one tiny fault, Flora. And that
is, that you seem a little artificial. But it's my opinion that
such affectations as you have are natural to you and you can't help
them, and you would be an ideal wife.
Flora was actually silent with gratification. She did not even
Look here, Flora, we'd better chuck the performance altogether.
Let's give it up, and have a show instead at St. George's, Hanover
Are you making fun of me? she asked, in a trembling voice,
because that would not be right. It wouldn't be nice of youin fact,
it would be rather cruel.
You don't mean to say you care for me the least little bit? He
took both her hands and stared hard at her face. Is there something
real about you then? he continued.
Tears came to her eyes. She turned her head away.
This seems too good to be true, she murmured.
Let's be married, he cried, on the day we were going to have the
show. Let's go to Oberammergau for our honeymoon, and don't let us ever
go near the theatre again. Will you, dear? Or am I dreaming?
Of course. I always have, she answered ingenuously; but I hadn't
a scrap of hope, and I didn't know how much I cared for you.
Dear Flora, I shall give up the stage and devote all my time to
So will I, she said. I shall never want to act again.
Nor I, nevernever!
I shall rush home and countermand everything, he cried.
Oh, go not yet; it is not yet near day, she quoted in the tender
voice she used for recitation.
He burst into peals of laughter, and put his arms round her and
kissed her impetuously.
Oh, Flora, what a fool I have been all this time! And you knew
ityou knew it perfectly well. I thought when we were rehearsing that
once you said the words, 'O Romeo, wherefore art thou Romeo?'
with rather marked emphasis on the 'thou'....
Do you know that I never cared for any one but you in my life,
Oh, oh! Why is 'C. L.' tattooed on your wrist?
I'll have it taken out. I'll have Flora put on instead. I'll have
anything you like tattooed in your honoura hunting scene, a snap-shot
of the Coronationanything you like.
No, please not. I don't like it; I can't bear it. It's the only
thing I ever haven't liked about you. But we'll forget it now, won't
we? she said.
And I'll forget the stage. Oh, Flora, how I have worried you!
Forgive me. We won't think of anything but each other now.
They repeated this sentiment again and again in these and other
words for about an hour and a half, and forgot to turn up lights and
ring the bell.
* * * * *
The first real love scene Flora had ever acted in was a triumphant
CHAPTER XXI. HEREFORD VAUGHAN
To have eleven plays, all written out of one's own head, and all
being performed simultaneously in American, in Eskimo, and even in
Turkish, besides in every known European language; to have money
rolling in, and the strange world of agents and managers pursuing you
by every post and imploring for more contracts by every Marconigram;
and these triumphs to have come quite suddenly, was really enough to
have turned the head of any young man; yet Hereford Vaughan's (known by
his very few intimate friends as Gillie) had remained remarkably calm.
He was not even embittered by success.
To know his jokes were being got over the footlights of so many
lands was a curious sensation, and it often made him laugh suddenly to
reflect how wicked certain quips must sound in, say, Japanese. Perhaps
his friends were rather inclined to resent the way he retained his
balance after what was really an almost unheard-of hit. They would have
been readier to pardon it had he shown some sign of boring fatuity; or
perhaps they thought he might at least have had a temporary nervous
breakdown; taking the form (for choice) of losing all sense of the
value of money and wildly throwing bank-notes and gold at every one he
saw. But he remained quiet, reserved, and as apparently modest as ever.
Modesty is a valuable merit (as I think Schopenhauer has discovered)
in people who have no other, and the appearance of it is extremely
useful to those who have, but I am not suggesting that Vaughan was not
human, and there was, no doubt, many a moment when he smiled to
himself, and felt that he was a great man.
He was rather secretive and mysterious than blatant or dashing, and
this, of course, made him, on the whole, more interesting to women. The
fact that he had made a fortune and lived alone in a charming house
with nothing but housekeepers, secretaries, telephones, typewriters,
and cooks, of course made all the women of his acquaintance who had the
match-making instinct (and what woman has not?) desire to see him
married. As he showed no sign of doing so, they tried to console
themselves by pretending that he had some secret romance. Old ladies
hoped he had a broken heart for some fiancée who was lying under the
daisies, having died of decline in the classical middle-Victorian way.
Young ladies thought that he was probably fixed up in some way that
would be sure in time to dissolve, and that he would marry later on.
Far the most popular theory was that he didn't marry simply because he
was married, privately; and that he had, no doubt, hurriedly
espoused, before he was of age (and before the Registrar), some barmaid
or chorus-girl, or other dreadful person, who had turned out far too
respectable to divorce, and that he was thus a young man marred. They
had no grounds for the rumour except that clever and promising young
men often did these things, and he had always been a particularly
promising young man, and in this unfortunate case had probably kept his
Vaughan was sitting one morning reading his notices (never believe
the greatest men when they tell you that they don't do that!), when
Muir Howard came cheerily, almost boisterously, into the room. He was
an old school friend who had been devoted to Gillie long before his
arrival, and of whose faults, virtues, cheeriness, and admiration
Vaughan had made a confirmed habit.
Muir was a very good-looking barrister, with vague parliamentary
ambitions and a definite love of machinery. He always had pink cheeks,
and wore a pink carnation, and looked as flourishing, gay, and yet,
somehow, battered, as Vaughan looked pale, fresh, and sardonic. One of
the things that surprised the general public was that Vaughan could not
live without the continuous society of a person who certainly could not
understand a word he wrote or much that he said. They didn't realise
that Vaughan was so accustomed to not listening to Muir's long
confidences, to disputing every proposition he made, and contradicting
every word he said, that he always felt lost when his friend was away.
Muir regarded him as a combination of hero, genius, pet, and child, and
was always giving him advice and imploring him not to do too much. To
Vaughan he was, as I have said, a habit, and there is always something
agreeable in a habit of which one is a little tired.
He had arrived this morning on his bicycle, and came in bringing a
whiff of heartiness, self-complacency, and fresh air, saying, Hallo!
hallo! hallo! Priceless to find you in, Gillie! All he got for it was
that Vaughan looked up and said
You used to be only breezy. Now you're becoming a thorough draught.
Fold up and keep quiet, can't you?
Nervous, I suppose, said Muir, in a sympathetic voice. I wonder
you don't take that stuff that you see in the papers about what is good
Sudden pains in the back on washing-day, bending over the tub, and
so forth? The portraits of the people before taking the remedy and
after decided me. It seems, by the pictures, to make your hair grow
long and give you whiskers and a ghastly squint. Ruins your clothes,
too. Your collars get the wrong shape.
Oh well, leave it alone, then. Perhaps you're right.... You haven't
asked me about the Walmers' dance. I took Miss de Freyne to supper. The
American chap never turned up, and I was getting on with her simply
rippingly, when what do you think she said? Confided in me that
she was privately engaged to and frightfully keen on that boy you met
at Harry's. The baby Guardsman. Isn't it sickening?
What did Miss Walmer do? asked Vaughan.
She sort of hung about, waiting for Harry, who seemed to be getting
on all right with the two strings to his bow, or two stools, or two
bundles of hay, or whatever it is. What luck some people have!
Not in this case. He'll lose them both.
He's not a diplomatist, and he wants such a lot for himself. He
wants too much. No self-restraint.
Pretty useless for Mrs. Wyburn. I like her. She looked topping last
night, too. But I dare say it'll be all right. Romer's a good chap.
Most interesting. Are you going to stay here much longer, Muir?
Vaughan got up.
All right. Do. I'm going out.
Vaughan did not answer, but gave the heap of notices to his friend,
Just divide the sheep and goats for me, will you? That's just what
they are, the criticseither sheep or goats.
Of course I will. But, I sayI came here to have a talk.
I know you did. You have talked.
He went out. Muir smiled to himself, enjoying this treatment as an
eccentricity of genius.
Five minutes later Gillie came back.
CHAPTER XXII. GILLIE INTERFERES
He was not much surprised to find Muir proudly examining the
invitation cards on the mantelpiece. Muir started and turned round as
he came in.
Back again? Capital!
Well, of all the snobs! said Vaughan.
Hang it, Gillie, it's only for you. I'm pleased you're getting on,
No words can tell you how I despise your point of view. Just tell
me something I want to know. Wasn't there a sort of little scene at
this dance last night?
I didn't see anything, he answered.
You never do.
Oh, I remember now, I heard something. It appears that Romer left
his wife and Daphne at the dance and then came back in an hour to fetch
them, and she wasn't there.
Who wasn't where?
Val and Harry had gone for a little fresh air in a taxi for about a
quarter of an hour, that's all. They came back and explained it.
They would. Don't apologise.
But just the few minutes that Romer was looking for them
madewell, rather a fuss. It was perfectly all right afterwards. They
all had supper together. So there wasn't much talk about it, except, as
I say, while Romer was waiting for them. I never in my life saw any one
look so ghastly as that chap did.
Vaughan sat down and looked thoughtful.
Only you, Muir, would leave out the only thing of the slightest
importance that you had to tell me, which I hear the second I leave the
house from that round-faced tattooed idiot, Rathbone, at the corner of
But I tell you it's all right, old chap.
All right? Don't you see that this sort of thing constantly
happening will gradually undermine ...? I like Valentia. It's a great
Harry certainly isn't worth smashing up a happy home for, Muir
answered, if that's what you're afraid of. But ... when he marries
Miss Walmer it'll be all right. Val will forget about him, and settle
down with Romer again. I'm deeper than you think, Gillie ... ah, I
don't say much, but I can see as far through a brick wall as most
Just about as far, I should think, said Vaughan contemptuously.
What do you propose to do about it?
It's likely I'd tell you. Gillie sat down to his desk and rang a
I suppose I've got to go now, eh?
Almost time, I should think.
Ha, ha, ha! Capital! Well, so long! Be good.
Muir went away as heartily as he had arrived.
The bell was answered by the entrance of the housekeeper, Mrs.
Mills. She was a muddle-headed, elderly woman in black silk, whom
Vaughan kept because her extraordinary tactlessness amused him. She
invariably managed to do and say the wrong thing at the right time.
To-day it was a hot morning in July. She came in holding in her hand a
little card covered with frost and robins.
Mr. Vaughan, sir, I appened to be going through my things, and I
come across this, sir. I thought pre-aps you'd like it. It is pretty.
She insisted on his taking it.
Charming, Mrs. Mills, but I don't quite see
Oh, look at the words, sir! They're what I call so appropriate! Do
He read the beautiful words
Wishing you a blithe and gladsome Yule.
What on earth?
Well, sir, I only thought they was pretty, and pre-aps you'd like
to keep it, sir, or send it to one of your young ladies; but I'll take
it away if you don't like it. She put it back in her pocket.
Frankly, I don't. What a genius you have for the wrong thing! Are
you going to give me plum pudding and turkey on Midsummer Day?
I shouldn't dream of such a thing, sir.
Gillie had scribbled a letter.
Go and ring up a messenger boy, will you?
May I send Johnson, sir? I don't old with telephones. They buzz at
you or makes you jump. And the young person keeps on saying ave you got
them? before you've ad time to breathe, in a manner of speaking.
She took the note. Vaughan sat down on a sofa to wait for the
answer, glanced at the clock, and said, Confound Muir! He's made me
waste another morning.
When the answer came, Gillie went out and strolled towards Mount
He found Valentia at home, evidently flattered and fluttered at
How sweet of you to come! she said.
You'll stay to lunch, of course?
I'm afraid I can't.
Oh! lunching with a leading lady, I suppose?
With Romeike and Curtice.
Not really? What fun! What are they like?
Oh, Romeike is all right. I don't care so much about Curtice.
She gave him a cigarette.
I never in my life, said Vaughan, before to-day, attempted to
interfere in anybody else's affairs.
She stared at him.
But in this case itmay I really smoke?does seem such a pity! Of
course you know what I mean, don't you?
You see, I feel so certain that if you were, let's saymarried to
Harry and met Romer after, you'd be so wildly in love with Romer.
So I was, she said in a low voice. Tremendously! I thought he was
a strong silent man with a great deal in him.... Oh! I've told you.
Yes, but so he is. It's commonplace of you, really, Val, not to see
I'm awfully sorry.... I do love Romer, and I think I appreciate
him. But somehow it's a little dull. It's not exciting as I thought it
Well! if you must have fun, and amusement, and make a hero
of somebody, why just Harry? Why not a superior man? Me, for instance?
He was laughing.
I've been told that an adoration for you would be hopeless, utterly
hopeless. She smiled. And we're friends. I can't imagine
Nor I. Of course I know it's utterly absurd to come and give people
advice on these subjects, and one can't dispute about tastes and all
that. But my practical mind revolts to see any one so delightful as you
throwing away the substance for the shadow. You see, I'm a mass of
Shadows are very attractive sometimes.
But they go away too. And then where are you?
She was silent.
They do, really. I know what I'm talking about. He stood up.
Think over what I've said.
You're kind, but you're rather depressing, Gillie, said Val. She
looked a little frightened, but very pretty.
When do you go back to the country?
Oh, to-day. We're there now. We only came up for the dance. We're
motoring down to the Green Gate.... All of us.
Oh yes.... I'm afraid you must think me very impertinent.
Indeed I don't.
And when I've gone you will give orders that you're never at home
to me again. But, somehow, I couldn't help it. If it makes you hate me
to remember what I've said, forget it.
She laughed as he rose to go.
That's all right, Gillie; but what I want to know is, where you're
I'll tell you, exactly. I'm going home to lunch, because I've an
urgent appointment immediately afterwards.
More plays, I suppose? What sort this time?
A light comedy, with a very slight love interest, he answered,
all dialogue, no action.... At least, so far.
Oh, then it isn't finished yet?
Not quite. Good-bye. And if you ever want a change, remembera
They both laughed insincerely.
He left her looking thoughtfully out of the window.
CHAPTER XXIII. THE BALD-FACED STAG
Vaughan went home, and after lunching, chiefly on a newspaper and a
cup of coffee, he got into a taxicab and gave a direction.
The vehicle flew smoothly along down Park Lane, past the Marble Arch
into the Edgware Road, and on from there between houses and shops,
growing gradually uglier and uglier, to Maida Vale, up Shoot-up Hill,
and so on until there was a glimpse of suburban country, and gasworks,
and glaring posters of melodramas on hoardings, till it stopped
suddenly at a real little old roadside inn, straight out of
DickensThe Bald-faced Stag at Edgware. Edgware suggested John
Gilpin, Gillie's favourite poem.
Here he got out, and was positively welcomed, and heartily, by a
real roadside innkeeperalso out of Dickensresembling the elder
Wellera local magnate called Tom Brill, who looked a relic of the
coaching days, though really he never did anything but stand in front
of the inn in his shirt-sleeves and welcome people.
Vaughan, obviously an habitué, walked through the inn into a
perfectly adorable garden, which was so large, so quiet, and so full of
pinks, hollyhocks, and other old-fashioned flowers, so absolutely
peaceful and sleepy, that one could have imagined oneself miles away in
The garden belonged as much to the Dickens period as the inn itself.
It contained a great many wooden arbours in which one could imagine
ladies in crinolines archly accepting tea, or refusing sips of shrub
(whatever that may be) with whiskered gentlemen. There was a large cage
full of Persian pheasants with gorgeous Indian colouring, which always
suggested to Vaughanhe didn't know whythe Crimean War. There was a
parlour covered with coloured prints of racehorses and boxing matches,
and in which was a little round table painted as a draught-board, and
furnished with a set of Indian chessmen of red and white ivory. The
whole thing, though only twenty minutes' drive from Mayfair, was
unknown, unspoilt, and apparently had not altered in any particular
since about 1856. Its great charm was that it was utterly
unself-conscious; it had no idea that it was quaint.
Vaughan sat down on a rustic seat and plunged into the atmosphere of
the period that he loved, revelling in the soothing, delightful calm,
and in the fact that nobody there knew who he was (though they knew him
well by name), and that none of his friends and acquaintances would
have dreamt that he was there.
A large field beyond the garden contained cows, hay, and other
Presently Tom Brill came up to him, and he asked after Mrs. Brill,
whom her husband always described, with confidential pride, as Though
I say it that shouldn't say it, as fine a woman as you'll meet in a
Vaughan always assented to this proposition. As he had never himself
in his life been for a day's march, and probably never would, he
certainly would have had no right to contradict Mr. Brill on the
Is Miss Brill at home? he presently asked. May I see her?
Certainly, sir, of course you shall. She's helping her mother. I'll
call her. Don't move, sir, don't move.
Miss Brill, who had been helping her mother to look out of the
window, now came into the garden, which immediately became idyllic.
She was not in any way like the innkeeper's daughter of Comic Opera.
She was a schoolgirl of sixteen, with a long, fair plait, a short serge
skirt, and a seraphic oval face. She ought to have been called Fanny or
Clara. Unluckily her name was Gladys.
She said in a very sweet voice
You're quite a stranger, sir. And she amplified the assertion by
adding, You haven't been here not this ever so long.
I know I haven't, but I've been longing to come.
Not you! she said ironically.
She was standing opposite him, with her hands behind her back.
Without a hat, in the glaring afternoon sun, with the complexion, pale
pink and white, of a china doll that had never made up, she was a
refreshing sight after the theatrical world in London, not to speak of
society. Vaughan seemed to think so.
Well, how did you enjoy the play? he asked.
It was very kind of you to send us the tickets. Mother enjoyed it.
You didn't care much for the piece yourself?
I thought it was rather silly, she answered.
He had never had a criticism on his work that pleased him more.
I mean, she went on, I shouldn't have thoughtwell, nobody would
go on like that.
Go on how?
Why, go on so silly.
You wouldn't like to see another play, written by the same man,
I wouldn't mind another one. Wild horses wouldn't drag me to see
Wild horses are not likely to try, he observed. At which jest she
laughed loudly and charmingly, showing marvellous teeth. She had no
cockney accent, though she occasionally and fitfully dropped an H.
Oh, Gladys, do take me for a walk in the field.
Want to see the calf?
No; I can live without seeing the calf. I want to sit in the field
You are a caution! Come on then, but I can't stay long.
They climbed the gate, which she seemed to think a quicker mode of
entrance than sending for the key, and sat in the field, from which Mr.
Brill always declared you could see three counties. Perhaps you could;
if so, they all looked exactly alike.
It's quiet here, isn't it? I shan't have much more of it, she
Oh, Gladys! Don't say you're going away!
Of course I am. Don't you know I'm going to be a manicure in Bond
Bond Street? How revolting! Is that your ambition?
Why, I think it would be very nice. I must do something. Father's
settled about it. First I'm going to pay to learn it, and then I shall
earn quite a lot. It's a great hairdresser's.
I think it's horrible, Gladys. Perhaps you'll fall in love with a
German hairdresser, and be lost to me for ever.
I shan't fall in love with no foreigners, don't you fret.
I'm not fretting. Will you have your hair done up? he asked,
lifting the long plait.
Well, of course I shall, and waved, and that.
Gladys, they'll spoil you.
The conversation went on in this strain for some time. She
alternately repeated the exclamation, How you do go on! or accused
him of the mysterious crime of being a caution, but she never stopped
looking perfectly beautiful and seraphic.
When they went back to the garden a few other visitors had straggled
in. They all seemed to come in high dog-carts, and they always ordered
eggs, jam, and watercress with their tea, and were immensely impressed
by the Persian pheasants.
Vaughan went back to London feeling refreshed, and already,
strangely, counting the days till he could come back.
There was not a woman in the world he knew whom he would have taken
the slightest trouble to see except Gladys, the innkeeper's daughter.
She was an illiterate schoolgirl; and though she had a lovely face, she
was stupid, and probably not so angelic as she looked; but he always
felt a little disappointed as he drove back. He wished she were in love
And this ungratified wish was, in all his full life with its
brilliant success, perhaps his greatest real pleasure.
CHAPTER XXIV. THE GREEN GATE
When Harry came down to breakfast, a little late, he found Valentia
waiting to pour out his coffee, and some letters on his plate. She
watched him as he opened them. Most of them looked like bills. On the
envelope of one was a little blue flag. Harry put this letter in his
pocket, and went on eating.
It's a lovely morning, Harry. So fresh; just the sort of day not to
do anything at all.
Ah! that's what's so delightful about you all, he answered. You
never say, 'What shall we do?' and neither of you have ever said yet
that this is Liberty Hall, which means, as a rule, in a country house,
'Breakfast at eight o'clock sharp, you won't mind it being a little
cold if you're late, and then we are going for a motor drive at 9.30.'
Still, I think, perhaps, one ought to take a little exercise. I feel
almost equal to a game of croquet this afternoonlater onwhen I'm
stronger. Is any one coming down to-day?
No. And only Van Buren, and Vaughan and Muir Howard on Sunday. I
see you've heard from the Walmers. What do they say?
It's sure to be nothing of interest. How I love your hair parted on
one side! It makes you look like a boy.
Not a principal boy, I hope. Why not read the letter?
Harry got up and fetched himself something from the sideboard.
I don't feel quite strong enough yet. When I've had breakfast. I
should like to paint you as you're looking now, Val. I think I'll do a
sketch of you in the rose garden, all in black and white, like a
Beardsley, with the balustrades and steps and things behind you. Will
you sit to me?
That's all very well. But why don't you read your letter?
There's sure to be nothing in it.
How can you tell till you've opened it?
I know. I always feel what's in a letter without opening it. Don't
you? I absorb the essence, as it were, through the covers of the
envelope, as somebody or otherMacaulay, I thinkused to absorb all
the important things through the covers of a book. Or wasn't it
Macaulay? Anyhow, it doesn't matter. It was some tiresome person whom
one oughtn't to talk about on a morning like this.
Harry evidently was not quite at his ease.
But why not read it? She spoke playfully.
How persistent women are, just like children. To tease you I just
I shan't read it now at all, he went on. I can answer it without
It's only that I should like to know how the Walmers are enjoying
themselves on Flying Fish. Lady Walmer was a little afraid they
mightn't like it.
Here Romer came up to the window and called out
I say, Val, come here a minute. I want to ask you something.
Here I am, dear, and she vanished into the garden.
The second she had gone Harry opened the letter very carefully, and
You are a rotter never to write. I'm having such a
priceless, but very sick at not hearing from you. Algie Thynne
here. Do you know him? He's rather a nut. Wish you were here.
more to-day. Bye-bye, old son.
Your loving ALEC.
P.S.Do write. The moonlight nights are simply topping. Just
a picture. I think you'd like it; otherwise everything is
I love you more than ever.
He put the letter back in the untorn envelope and carefully fastened
it up again. He then placed it on the mantelpiece, and having finished
his breakfast, lit a cigarette.
He looked thoughtful.
Algie Thynne, indeed! he said to himself. How pathetic, trying to
make me jealous! Well, it's a pretty letter, and what's more, it must
Val came back.
Romer wants the lawn mown, she said. He's perfectly mad on the
subject of mowing the lawn. He seems to think it ought to be shaved
every day. It's the only thing he knows about the country. Well, have
you read your letter?
There it is, said Harry. You can read it if you like. He watched
her carefully as she took it from the mantelpiece.
I don't want to read it, she said, holding it.
Nor do I, said Harry.
Harry, tell me honestly, wouldn't you really mind if I tore it into
little bits and put it in the waste-paper basketjust as it is?
Not a straw, said Harry, shaking his head.
She clapped her hands, tore it into tiny pieces, and threw it in the
basket. Then she said, in a low voice of deep gratitude
Oh, Harry, you are sweet! Do forgive me.
I don't see that there's anything to forgive, said Harry.
Yes, there is; lots. I'm afraid I've been horrid. I'll never bother
you about any thing again.
She was simply beaming.
Good, answered Harry indifferently.
But as he followed her into the garden he looked rather perplexed.
He felt that this sort of thing was not leading up very well to what he
would have to tell her soon. However, why spoil a lovely day by
thinking of it?
Like a schoolboy with his holiday task before him, he put it off as
long as possible.
Though he didn't own it to himself, and was disdainfully amused at
Alec's letter, still the thought of Algie Thynne, moonlight nights on
the yacht, topping weather, and his own neglect, gave him some cause
for alarm. Algie Thynne was criblé with debts, and probably keen
on marrying for money. Contemptible young ass! Why didn't he work
? Harry despised him.
At the earliest opportunity (which, by the way, did not arise until
he had made an excuse to go into the village, where he wrote at the
post office) the answer was sent.
Even Harry found the beginning of the letter too difficult, so he
always began (as Valentia might have said) without a beginning, which
impressed Miss Walmer much more. Ever since he had reached the age of
discretion, which, in his case, was at his majority, Harry had been
thoroughly trained in the habit of writing letters that gratified the
recipient enormously without compromising the writer in the slightest
degree. The habitual dread of those bêtes noires of Don
Juanthe breach of promise case and the Divorce Courthad got him
into the way of writing the sort of letter that he would have had no
objection to hear read aloud in court. Perhaps that was why the
sentences were always polished, and the meaning a little vague.
... I don't speak your language, perhaps, but I understand
letter, reading between the lines. It came like a whiff of
sea air. Yes, it would be delightful to be on board Flying
now. However, no doubt Algie Thynne(how eloquently,
by the way,
you describe him! putting all the complications of his
and the dazzling charm of his personality in a nutshell by the
simple sentence 'He's rather a nut!')amply
compensates for my
absence. You ask if I know him. I do, though perhaps more by
reputation than anything else. We have met once or twice.
can't quite recall. Perhaps at the Oratory, or at the Supper
or some place of that sort. But somehow I never pursued his
acquaintance, nor did it ever ripen into friendship. I felt,
instinctively, that he was too clever for me.
I trust all the same that his brilliance will not altogether
overshadow your memory of others. I should not like to
we were drifting apart. Still, if it should be so, I must
myself. I could still be happy in thinking of you, Alec.
'Love that is love at all
Asks for no earthly coronal'
but, I remember, you once expressed to me your opinion that
poetry is rot. So I will not bore you with quotations. It
pleasant here, and my cousins are very kind, and leave me
think as much as I like. I'm not, somehow, quite in the mood
the usual gaieties and frivolities of a country house. Last
we played Musical Chairs until two in the morning, and to-day
a little weary. Your postscript gave me joy. I need not say
reciprocate it, need I?...
I feel all that you are feeling, and somehow even know what
are doing, and if you did not write again until we meet, I
not be anxious. I have a trusting nature. But when you wire,
remember that the telegraph boy has a good way to walk, and
telegrams arrive after midnight, it causes a sensation and
inquiry. Also I cannot help feeling that every one in the
as well as at the Green Gate, has read the words I would like
keep to myself alone. I have a curious love of mysteryisn't
mystery the great charm of all romance?So to gratify this
of mine, sign your next telegram 'Johnson.' I know you won't
When we meet again, all, I trust, will be clear and definite
before us. Best love to dear Lady Walmer, and to yourself what
sure you will know. Don't be angry with me for not writing
I find it very difficult to express my thoughts, for alas, I
no command of language. Not only that, the pens here have one
faultthey won't write. Otherwise they're quite excellent....
your note has given me, as the French say, 'furiously to
Hoping that all will go well with you, and looking forward,
me as always,
HARRY BROKE DE FREYNE.
There! that ought to keep her quiet for a month, he thought as he
posted the letter, and with a sigh of relief turned back towards the
CHAPTER XXV. A SUNDAY AFTERNOON
By this time Van Buren was entirely in Harry's confidence; that is
to say, Harry had gradually trained him to bear without flinching the
situation as Harry represented it. He believed Harry had a hopeless
romantic affection for Mrs. Romer Wyburn which he was trying to stifle,
and that Miss Walmer being hopelessly in love with him, he was
doing his best to marry her, partly, as he candidly admitted, on
Van Buren was deeply touched at Harry's trust in him, and was always
trying to keep him up to his good resolutions by pointing out that any
understanding (however Platonic) between the pretty Valentia and the
handsome guest was dishonourable, a breach of hospitality towards
Romer, that silent but admirable host.
Indeed, he repeated to Harry so often and so firmly, It can't be
done; one can't make love to the wife of a friend, that Harry was
driven to the point of replying that he hardly saw whom else, as a
matter of fact, one could very well make love to; it being
impossible to have romances with people one didn't know. And in this
case the fact that Harry was very fond of Romer made the temptation far
greater, as he explained; Harry being (as he pointed out) so very
sensitive and highly strung that he could never, somehow, be really
attracted by a woman whose husband was not sympathetic to him. Which
point of view Van Buren, shaking his head, regarded as unsound.
Harry now spent much time giving picturesque sketches and
impressions of his feelings to his friend, for he had an almost
feminine love of talking over personal affairs to the sympathetic. In
his benevolence Van Buren longed to protect Valentia and Romer, and to
give Miss Walmer all she wanted; but most of all his idea was to save
Harry from himself, so he always accepted with alacrity invitations to
the Green Gate for altruistic reasons. Besides, his desire to see
Daphne, although she was now becoming more and more remote to him, was
still persistent, if a little less vivid.
I've had a beautiful womanly letter from Alec to-day, Harry
confided in Van as soon as he arrived. You know the sort of thing she
writes: all in jerks and subaltern's slang. With sincere sentiment
showing between the lines. And I answered it.
A beautiful manly letter, I hope? I'm sure you could do that as
well as any one, Harry.
Oh, just some vague, cautious slosh, not unamusing in its
wayit'll get there all right.
Yes, Harry, I know, but I do hopeAh, Miss Daphne, how beautiful
your England is looking to-day! In America we never have a day like
this, warm and yet cool, with all those nice, white, fleecy clouds in
the sky. Our atmosphere is always so hard and clear. Now this garden
with those large trees is just like a Corot. They are fine
trees. Poplars, I presume?
You do presume, smiled Daphne; I don't know what they are,
but I'm perfectly sure they're not poplars.
Oh yesI'm wrong. They're oaks, I've no doubt. He hummed, 'The
oak and the ash and the bonny ivy tree.' Do let's walk over and look at
them closer, Miss Daphne.
I'm afraid I can't. Tea's ready.
To his annoyance Van was obliged to follow Daphne and join the group
round the tea-table. He declined with some formality of manner to
accept the glass of iced water Daphne offered him, and looked at her
with that look of tender, fixed, respectful reproach that had the
effect of irritating her very nearly to the point of incivility.
She turned to Muir Howard, who was looking very pink and cheery.
Muir was a popular man for his great ease in making conversation, the
kind that is as the pudding part in a plum pudding, and without which
the plums, however delightful, could hardly stick together. Though the
great majority of people talk commonplaces, their banalities are by no
means always the kind that help. Muir's particular way of opening open
doors, flogging dead horses, and genially enjoying any spark of fun in
his friends, coupled with his good looks and pleasant, hearty
disposition, made him a most useful and welcome guest, as a sort of
super. He was quite decorative, and could be turned on to talk
newspaper politics to dull men, pretty platitudes to plain women; to
make himself generally useful, and altogether to help things to go. In
this way he was invaluable. Young girls always liked him; he was a
great favourite with elderly ladies, and with men of his own age also,
who were, however, occasionally bored with his worship for his friend
Vaughan. He found it very difficult not to mention Gillie less than
once in every five minutes.
That distinguished young man, who was beginning to look a little
jaded with incense, was engrossed with his hostess. Whenever he was
there Harry always became particularly devoted in his manner to
Valentia, and scarcely ever left her other side. This was one of the
reasons that she enjoyed Gillie's presence, besides that she was, now
that she knew him well, particularly fond of him. His conversation and
personality in general had a special flavour.
Every one was talking and laughing with the light intoxication
produced by tea and cigarettes in the open air on a fine Sunday
afternoon, excepting only Romer, who as usual said hardly anything,
absorbed in admiration of his wife. He suddenly remarked
I say, Val. The Campbells are coming.
He wondered why this statement produced a burst of irresponsible
What fun! Will there be bagpipes? Vaughan asked.
No, no. Romer means the Prebendary Campbell, or at least his wife
and daughter. They're coming to see us this afternoon. I had quite
forgotten. Please all behave nicely. They've been a long time making up
their minds. I believe they think we're frivolous.
Not really? How could they? It reminds one of the story of Henry
James. Vaughan stopped to light a cigarette.
It appears that for some time his near neighbours in the country
looked a little coldly on him on the grounds that, being a writer, he
must be Bohemian. At last the local doctor's wife and clergyman's wife
called on him, and finding him perfectly respectable, stayed for many
hours. They were particularly tedious and rather self-righteous. When
they had gone, he said thoughtfully to some one who was pitying him for
being bored, 'One of those poor wantons has a certain cadaverous
The story was well received, except by Van Buren, who seemed
Daphne, who had gone into the house to fetch some snapshots, now
came running back saying
Val, Val! The Campbells are arriving in a fly, and they seem to
have brought their foreigner with themthat man Miss Campbell told me
about. He's a kind of Belgian, and awfully cleverhe's invented
What's he invented?
Brussels sprouts? suggested Harry rather sleepily.
But they've been invented already.
Why shouldn't he invent them over again? Give him a chance.
Muir began to sing softly, Young Lochinvar has come out of the
West, which he appeared to think a suitable serenade, but he stopped
suddenly at Gillie's entreaty.
I don't mind anything Muir does, as long as he doesn't sing, he
It's awful hard lines. I've got a ripping baritone voice, but I
never have a chance to use it, murmured Muir.
You shall sing to me this afternoon. I'll accompany you, whispered
Muir had gratefully answered that it was frightfully decent of her,
when the servant announced
Mrs. and Miss Campbell. Mr. He left a blank, unable to
pronounce the name.
But Mrs. Campbell introduced Mynheer von Stoendyck.
* * * * *
Mrs. Campbell was an amiable, colourless woman, with a greyish brown
fringe that looked as if it were made of Berlin wool. Though she was
not yet forty-five, she wore a bonnet with violet velvet strings, and
had a very long waist. Also, her skirt, in reality quite normal,
looked, to the eye used to contemporary fashion, grotesquely wide at
Her daughter was an ordinary Rectory girl, spoilt by a dash of
culture. At a glance all present saw she was in love with Mr.
Stoendyck. He was a well-set-up man of about thirty-five, with a
military manner and scientific eye-glasses, also a turned-up light
moustache. He spoke all languages with one rasping accent, but Mrs.
Campbell seemed to suffer under the delusion that he could only
understand broken English. So whenever people spoke to him she
translated their remarks into a sort of baby language that seemed
singularly out of place from her.
I'm afraid you must think me dreadfully worldly, calling on you on
a Sunday, said Mrs. Campbell, laughing socially as she sat down. But
what the Prebendary always says is, the better the day the better the
Oh, does he always say that? Harry asked with great apparent
interest, waking up. He had been overpowered with languor ever since
Yes, and I felt sure you wouldn't mind our bringing our friend, Mr.
Stoendyck. He is so clever. He's come over to England about an
Val thought of Brussels sprouts, but did not suggest it.
Mrs. Campbell apparently couldn't take her eyes off the Belgian,
whom she watched as one watches a rather dangerous pet, though he
appeared particularly safe.
Muir, for an unknown reason addressing the Belgian as Professor, was
asking him his impressions of England. Mrs. Campbell bent forward, and
said with a nod
E ope you like itAngleterre, you knowand nodded idiotically.
I find it most interesting, said Mr. Stoendyck raspingly, in
admirable English. There are opportunities in this country for the
pursuance of science, art, and social intercourse which one would
hardly have expected. I do not take tea, I thank you much.
Have a glass of beer? said Romer, suddenly inspired.
Simple as the sentence was, Mrs. Campbell thought it necessary to
translate it with more nods.
E ask you, ave beer. Bière, you know! Glass, and then she
went on in her usual tone, Most thoughtful of Mr. Wyburn, I'm sure.
What a charming place this is of yours, Mrs. Wyburn. I always say the
Green Gate is the most picturesque place in the neighbourhood. And Mr.
de Freyne, I understand, is an artist. Do you know my daughter, Marion,
is so interested in art! And my younger son, Garstin, though he
is only twelve years old, shows great artistic talent, too. He did a
map of Buckinghamshire that really surprised me, almost any one would
recognise it at a glance. I always say I'm sure some day Garstin will
be in the Royal Academy.
Van Buren had approached and began to talk to Mrs. Campbell. Val
went over to the Belgian, but she heard the American beginning a
sentence as usual with, Pleased to meet you. I've never had the
opportunity of mixing much in clerical circles in New York, Mrs.
Campbell, and felt sure he was going to ask impossible questions about
Prebendaries and Rural Deans.
The rasping Belgian, on whom both the mother and daughter cast
continual anxious and admiring eyes, though he seemed thoroughly able
to take care of himself, said to Muir, who was taking him on
No, I do not spend my entire time over my invention. Mrs. Campbell
is so kind as to take me for drives in the environment, to give me a
right impression of the beauties of Hertfordshire. For relaxation I
play the piano.
Ha! Musical, eh, Professor? asked Muir shrewdly. That's right; so
am I. I'm awfully keen on music. He spoke reassuringly.
Mr. Stoendyck looked at him through his glasses, and said without
Indeed. I find Beethoven's Fifth Symphony, even on the piano,
extraordinarily satisfying and refreshing to the mind after the strain
of looking at English scenery. He drank a long draught of iced lager.
Oh! Classical, eh? I'm not up to that. Queen's Hall, eh? That sort
I beg your pardon? Is thereHas the Queen a hall in this
How do you mean, Professor?
What do you say?
I beg your pardon?
Mrs. Campbell, who managed to hear through her own conversation with
Van Buren, called out
E say e no understand, and nodded smilingly, seeming to think she
had helped matters considerably.
Miss Campbell talked of tennis, matins, hats and the opera to
Daphne, but appeared to be absent, and occasionally smiled at the
foreigner, who ignored her.
At last the Campbells and their Belgian withdrew, Mrs. Campbell
saying that the Prebendary wished them to go to Evensong. Their
departure left, as such visits do, a blank and a reaction. Our friends
were silent for a minute.
Then Vaughan said
I feel crushed, and a little flattened out, too.
I feel as if my brain were made of cotton wool, said Harry.
Come and sing, suggested Daphne to Muir, and they went off to the
drawing-room, from which strains were soon heard about It IS not
because,something or other.
In the middle of the song Daphne played a wrong note, stopped, and
Oh, I wish Cyril was here!
So do I. If he can accompany, I wish he was here.
Oh, go on!
It IS not because thy heart is mine....
* * * * *
The party in the garden listened with a worried expression.
How about croquet? suggested Val. The tapping noise will take it
Yes. Come on.
You can't, said Romer. The lawn wants mowing.
CHAPTER XXVI. IN THE ROSE GARDEN
How lovely this place must look at dawn!
By Jove! That's an idea, Gillie, said Harry. It must look
They were sitting in the rose garden with Valentia. It was still
quite light, though the sunset glow had nearly faded. There was a rich
mellow tone in the sky, a promise of peace, a feeling that it was the
end of the day, which, combined with the almost cloyingly sweet scent
of the roses, was enough to make any one feel poetical.
To think we've never seen the sun rise here! exclaimed Valentia.
Romer here joined them, smoking a cigarette.
Hasn't Romer ever seen the sun rise here? Vaughan asked.
Never, said Romer.
I don't know. I suppose because it always happens after I've gone
to bed, he answered drily.
Let's sit up all night and see it to-morrow, suggested Valentia.
Yes. Capital! Do let us! said Harry.
Romer did not appear much taken with this scheme.
Oh no, you mustn't sit up, said Vaughan. That's not the
way to see it.
Is there so much difference between staying up and getting up
then? Val asked.
Yes, indeed, all the difference in the world. You must get up
fresh, with the birds.
What time do birds get up? Is it very early?
It would do if you were out at three this time of the year, or even
Well, let's do it!
Oh, I don't think I shall, said Harry.
He looked at Valentia.
You might make a sketch, you know, of the early birds getting up to
catch the worms. ButI don't think I shall. Anyhow, not to-morrow
at half-past three.
All right, said Harry with a nod, we won't. Don't tell Daphne, or
she'll be out at 3.15 to the tick, to take a snapshot of the dawn.
A snapshot of the dawn! Wouldn't that be sacrilege?
Young girls are always inclined to that. They're so prosaic, said
Harry, getting up. I must go and see what Van is doing.
He walked away with his usual quick, supple step and casual bearing.
They watched his slim figure as he went. Then Romer followed him,
Vaughan turned to Valentia and said: I shouldn't if I were you.
Why, meet Harry at half-past three to-morrow morning in the rose
Good gracious! I never thought of doing such a thing. Besides, it
was your idea.... As a matter of fact, I really assure you it wouldn't
be here. It would be in the orchard if anywhere. There is the loveliest
cherry-tree there, with a seat all round it.
How jolly! I'd like to see it. Will you give me the key?
Who told you it was kept locked?
She looked rather annoyed.
You did, but not intentionally.
I don't see that you have really any right to supposeWhy
shouldn't I go in my own orchard, at any hour I like?
But, Valof course you ought to go in your own orchard. But why
don't you meet Romer there?
Oh, Gillie, really!...
He is so straight, so good-looking, and, under all that manner,
he's exactly like Vesuvius. Yes. Fancy, you're living with a volcano
and you don't appreciate it!
Gillie, it's really rather stupid of you to put things like that.
It isn't a question of liking either one person or another. If
Romer were ill, or anything like that, don't you know
I know you'd devote yourself to him, like a sister or a mother.
You'd put Harry aside for a time as a pleasure that mustn't be indulged
in. Now that's just where you're wrong. No! I want to see you
being ever so good and kind to dear Harry as a duty to a ne'er-do-well
of a cousin; and regarding Romer
She did not answer.
My point is, he went on, that it's really too distressingly
conventional of you to suppose that because you happen to be legally
married there can be no sort of romance. Only comradeship, or perhaps
affectionate sentiment? That's what you believe.
Isn't it always so?
Most often, I grant. That's generally through the man's point of
view. But Romer is an exception. He's as much in love as if he had no
hope of ever being within a mile of you.
She seemed rather flattered. Do you really think so? But even that
Oh, there's a great deal to be done with Romer, was Vaughan's
He spoke with dreamy significance, and she was silent. Then she
exclaimed, turning round suddenly
I suppose what you really mean is that Harry doesn't care a bit
No, I don't. But he cares a bit about a lot of people, and things.
He's superficial, and he has no courage.
No courage? Harry!
He'd crumble up in a crisis if a strong man took him in hand.
That's all nonsense. She was growing angry. Hasn't he been up in
an aeroplane, and doneoh, all sorts of things? I call Harry daring
That's all vanity. All that is show and vanity. Oh, Valentia, do
I'll try.... here he is.
He was seen coming towards them again. Her anger flickered out at
I suppose he thinks we've been here long enough, she said, smiling
as women do at such symptoms.
Of course he does. Vanityjust vanity. Vaughan strolled away.
Look here! What were you two talking about?
Nothing. About you, Harry.
Rubbish. What was he talking about?
You, only you.
I can't see that that chap's so brilliant! It seems to me he's just
like anybody else. And his work shows it too, really. No soul, no real
heart in it. All from the outside.
Nonsense, Harry, nobody is more kind-hearted, more
Look here, Val, I won't have it. Do you hear?
Have what, Harry?
He lowered his voice. I won't have it. You must go back. It isn't
that I mind. But Romer will soon think it extraordinary, your
sitting out alone so long.
No, he won't.
All right then, he won't. He must be an ass, said Harry angrily.
I don't know what he's thinking of. Hasn't he got eyes?
Yes, of course he has.
And eyelids too, said Harry. I dare say he pretends not to see
that Vaughan admires you. Too indolent to bother about it.
Really. Harryyou go too far. Are you thinking of pointing it
She got up.
One second, said Harry pleadingly. It's cruel of you to go now.
I thought you said we'd better get back?
Your hands look so lovely by this light, he spoke in his softest
We really must go.
Then at half-past three. I'll bring my sketchbook. Do you know
where the key is? Perhaps you've lost it. You are so dreadfully
careless. He now spoke in the tone of a reproving husband.
I've got it. Do you think we'd better? I'm rather tired. Shall you
be able to wake?
Harry turned away.
All right, it doesn't matter, Val. I shall be going soon, and
She followed him quickly.
No, no, Harry. Of course.
He gave her a grateful look. They joined the group on the little
verandah in front of the house. Van Buren was sitting in the corner and
seemed in the depths of depression. From the windows could be heard
once more strains of music. Daphne was playing an accompaniment. Muir
had again begun the song, and got a little further into itIt is
not because thy heart is mine, mine only, mine alone. But Vaughan
came up promptly and stopped it.
CHAPTER XXVII. SEEING THE SUN RISE
What a delicate air there was in the garden! There had been a little
rain in the night, but Valentia supposed it to be dew. Every little
sound seemed the softest music, to the sound of which little dainty
things seemed to be dancing in the air. The Green Gate, a red Georgian
house, seen in the early glamour with all its blinds down, except one,
seemed like a thing half asleep with one eye open.
For a moment she was a little frightened. He was late. She had
perhaps got up for nothing. But no, it was worth it. It was lovely
Another eye of the house slowly opened, and soon Romeo, or Paolo, or
Faust, appeared. True, he was disguised as a flannelled fool, with a
sketch-book under his arm. But it was Faust, or Romeo, or Paolo,
all the same. He looked very handsome. The thought of scoring off other
people in the house had raised his spirits and had even made him wake
up in time. Valentia's conversation with Vaughan, whom she knew to be
honest and believed to be brilliant, had left a certain insidious
influence on her which would tell gradually, and yet their talk had had
rather a contradictory effect for the moment. She wanted to prove to
herself that he was wrong. And Harry felt that his time was growing
short. Very soon he must put an end to it all.
This thought made him more affectionate. It occurred to him for a
moment that he would tell her in the orchard; but, of course, he
didn't. Every day he thought he would tell her, and something always
happened to prevent it. Besides, there would have to be a quarrel
anyhow at the end, so why make it longer than necessary?
They sat down under the cherry-tree.
Fancy you, Valentia, a minion of the moon, rising before dawn! Let
me look at you. You fill me with wonder and joy.
Did you mind getting up very much, Harry?
It was rather hard. Listen!... That's a thrush, making a
scene with another thrush in the tree.
Is it? How do you know?
Of course it is! How do you know things? How did you know
exactly what to wear, Val? I knew you had clothes for every possible
occasion; but still, to choose the exact right dress to put on
to meet your cousin at dawn in the orchard seemswell, rather
extraordinary. Pinkish blueor is it bluish pink?to match the sky.
How jolly! It fastens in front.
Well, of course I couldn't expect Ogburn to get up in the middle of
And no hatpins for once, thank goodness.
Well, if we sat up till now I shouldn't be wearing a hat,
Don't argue. It's too early.
It isn't really early. It's very late.
Oh, Val! You're being logical.
He took her hands and looked at them, and quoted
They are pale with the pallor of ivories,
But they blush at the tips like a curved sea-shell.
He was thinking. He looked almost miserable. I don't seeI must
admithow I shall ever be able to leave your hands!
She looked at him suspiciously.
Why should you? What do you mean?
Nothing. I only meant I couldn't....
What's that?... Some one coming along the lawn.
Doesn't it sound curious? she saidso rustly!
Who can it be? Surely your friend Vaughan couldn't get up at this
Nonsense! Of course not. They're coming here. She jumped up.
Go and open the gate at once, said Harry, giving her the key.
I'll wait here a minute. While she obeyed he used a good deal of
language. He now felt that he would give all he possessed to keep her
there five minutes longer.
Fancy! It's Romer! exclaimed Valentia. He hasn't seen me yet.
Go to him at once. Tell him you got up to see the sun rise.
I'll come directly and join you. Oh, confound it! Do look sharp.
Seem pleased to see him. He spoke in a harsh tone of command.
She ran to meet Romer, saying jokingly, Fancy meeting you!
I thought you'd be here. I went to your room and found you were
out. Thought I'd get up early.
I'm so glad. Isn't it lovely and worth seeing here? Come and
pick some fruit in the orchard.
Oh, do! Harry's devouring gooseberries. He's sketching the
Why doesn't Harry come? said Romer.
He had no expression, and it was always impossible to guess by his
looks or his tone what he was thinking or feeling, except when he
Here he is.
Harry joined them.
Good gracious, old boy! Who in the world! What on earth made you
come out so early?
Romer now smiled and looked at Valentia admiringly.
Gardener's not up yet. Thought perhaps I'd mow the lawn, he said
CHAPTER XXVIII. REPLY PAID
Valentia had been hurt at the tone in which Harry had given his
orders, and turned from him to help to find the mowing-machine.
Doesn't she look jolly at sunrise? All that pink and mauve in the
sky tones in so well. It seems to suit her. That's how she really
should be painted, said Harry, in the tone of an artist admiring his
model. Don't you think so?
Yes, said Romer.
She looks like a golden rose, Harry went on. He wanted to please
Val, who he saw was annoyed with him, and to emphasise the openness of
his admiration to Romer. Doesn't she?
Quite, said her husband.
Harry felt the morning was spoilt and the situation absurd. He could
not bear to be thwarted in any way. He went back to his own room,
bounced angrily on to his bed, and went to sleep again, after having
seen Valentia through the window helping to push the mower, and saying
How like a woman! I shall go up to town with Van Buren and send a
wire to Alec.
This was his revenge.
Their momentary fears about Romer were completely dissipated. He
seemed exactly as usual. As a rule he was even-tempered. Not many
people had seen him put out, though he could be very angry, except with
Valentia. During this day he seemed, for him, a little irritable.
Perhaps, Val thought, through getting up too early.
Harry went up to town with Van Buren for the day, intending to
return the same evening. He soon recovered himself in the course of
copious confidences in the train. As soon as he had arrived in London
he began to count the minutes before he should go back.
Valentia expected the elder Mrs. Wyburn to lunch.
What shall we do with her to-day? Val asked Daphne. She must be
kept in a good temper, because it's the last time she'll come down
before going to Bournemouth. It's rather a pity they've all gone. Romer
is sure to say the wrong thing to herlet out some trifle that we have
been carefully concealing for monthspraise up Harry, or something.
Doesn't she like Harry?
Since he went to see her she likes him for herself, but not for
What cheek! But he's not here.
No, if he were she might like him again all right. Then, Romer
talks too slowly for her. Her mind works quicker than his, and one can
only deal with him by racing on in front, and turning round to beckon.
With Mrs. Wyburn there are only two things that are any usedash and
volubility. It's difficult to keep the thing going when she's alone
Well, why not pass the time this afternoon by returning the
Campbells' visit, and take Mrs. Wyburn with us to 'The Angles'? Daphne
Oh no! It's treating them almost like royalty to go so soon. And
there's the Belgian man.
Doesn't she like Belgians then, Val?
I've never asked her. Only, don't you see, it isn't that but the
Belgian is what Harry calls a blightera beano-blighter; and so is
Mrs. Wyburn, and it doesn't do to have two beano-blighters in the same
Ah, I see; they'd clash. What is a beano-blighter exactly,
A person who blights beanos. Who makes every one a little
uncomfortable, casts a gloom over entertainmentshas to be taken in
hand and dealt with separately from the othersdoesn't blend, you
You mean some one who isn't the life and soul of the party?
No, I don't. That's almost as bad in its way. In fact, the
life-and-soul-of-the-party person casts almost as great a gloom on the
rest as a blighter.
Oh dear! Yes, I see.
We must meet her at the station in the motor. I shall put on my
blue serge and my plain sailor. She mustn't see me in the garden
without a hat, nor in a real one. You do the same, Daphne.
But my sailor's too large in the head, and that makes it fall over
my eyes, and that gives it a Frenchy look, like L'Art et la Mode, protested Daphne.
Stuff it with paper. Here's the Bystander.
Oh, isn't it a pity? There's such a pretty picture of
Oh, don't bother.
Mrs. Wyburn was gracious to-day, and all was going well when, about
half-past five, a telegram, reply paid, was brought. It was addressed
What shall we do?
Why, keep it till he comes. He'll be back to dinner, Romer said.
Suppose it's something urgent, said Val, seeming a little
agitated. Don't you think perhaps we ought to open it? He won't mind.
You can't. It's addressed to Harry, said Romer.
Mrs. Wyburn's quick eyes took in some signs of tension, but she
continued giving them advice about the garden. She thought the flowers
too florid, and was always a little shocked at the extravagant scent
and exuberance of the roses. She seemed to think they should be kept
more in their placenot allowed to climb all over the house, and romp
or lean about the garden doing just what they liked. She had winced in
the drawing-room, relented in the dining-room, and refrained, really,
only in the kitchen, that she had insisted upon seeing. It was the only
room to the decoration of which she gave whole-hearted praise and
approval. The cooking at the Green Gate she admitted to be perfect,
without pretension. In fact, she thought everything in the house a
little overdone, except the mutton.
I can't think who that wire can be from, Val said several times to
Daphne when her mother-in-law had gone. She meant that she could think.
Well, you'll know directly. Harry's arriving.
Harry found it in the hall, and came in with it.
You open it for me, he said, giving it to Val.
Since his last instructions to Alec he felt perfectly safe.
Thousand thanks awfully bucked at letter at Queens' Hotel
for three days could you join us there wire reply fondest love
CHAPTER XXIX. GLADYS
On arriving in London, Vaughan found his secretary with the usual
heaps of letters. One envelope, addressed in a large and rather
infantine hand, was put aside for him. The note ran
The Baldfaced Stag,
Dear Mr. Vaughan,
I eard only yesterday that the play you kindly sent me and
to was wrote by you, I call it a shame you didn't tell me
we saw the name on the programme, but never thought it could
same but yesterday mother saw a piece in the paper about you
weekly dispatch and she said it was the same, I'm sory I said
people in the play went on silly I beg pardon for calling the
silly I wouldnt have done it if Id known, so hope youre not
they seemed to me to go on silly, but I dont reelly know much
about those kind of ladies and gentlemen, we saw the piece in
paper only yesterday and mother said it was the same, we hope
will soon come again to tea the calf is better believe me
GLADIS ADELAIDE BRILL.
He instantly wrote back
Dear Miss Brill,
I am so relieved and thankful to hear the calf is
the more because I had no idea it had been indisposed. I
though, it was looking a little pale the last time I had the
pleasure of meeting it in the field. Please don't think again
your criticism. It gave me very great pleasure. You must think
very foolish. You could say nothing that I would not like
ask me not to come and see you. I am very busy just now and so
little time for afternoon calls, but will come one of these
GILBERT HEREFORD VAUGHAN.
He waited a moment, and then added
I will turn up to-morrow at four. Try not to forget me till
For the rest of the day he was in high spirits. The letter seemed to
keep him up through the various little bothers of the day. He had been
going to France for the summer. He admitted to himself that this
semi-flirtation was keeping him in England. He didn't like the idea of
going away very long from the possibility of turning up at the
The explanation Harry gave about Johnson's telegram satisfied
Valentia for the time, as he declined the invitation to Cowes, but the
incident left an uneasy feeling in Val's mind. She could not bear to
own to herself that he was deceiving her, and he hadn't the courage to
give it away yet, not that he cared so very much about hurting her, but
he was happier at the Green Gate than anywhere else. He liked the
house, the atmosphere, and Romer; but what kept him most was, of
course, that curious charm Valentia had for him, which was perhaps
stronger than ever because he knew that the end was not far off. He
often thought he was a fool not to have taken the opportunity to break
it off on this occasion. He couldn't stand the idea of not seeing her,
just because of the way her hair grew on her forehead! So low, and in
such thick waves! Alec Walmer's hair, also fair, was thin and
unmeaning. She had a low forehead, and yet the hair began high up. In
the evening when it was carefully arranged, and the iron had entered
into it, it looked like a stiff transformation, even worse than when
left to nature.
But of course, in spite of the reconciliation, a residue of mistrust
remained, and on his side a sensation of restlessness which left him
irritable; less amiable and pleasant than usual.
They were sitting on the little terrace. He was smoking and reading
the paper. He suddenly threw it down and said
How quiet you are, Val! Why don't you talk?
I don't think I've got anything to say.
You seem depressed, he said, rather aggressively.
I feel a little depressed.
Harry gave expression to the usual injustice of the unfaithful.
What a mistake women make in being gloomy! How foolish it is. Shall
I tell you the key of the whole situation between men and women?
Well, dear, it's justa smile. Never be dull, never be ill,
never be depressed. Be gayalways gay. That's what men likethat's
the one thing that they go out for and come in fora smile.
Your ideal of a woman seems to be a Cheshire cat, she answered,
looking rather amused. Your motto is, like the man in The Arcadians
: Always Merry and Bright. Well, I'm sure there's a good deal in it. But
I'm not usually accused of being a dreary person.
Of course you're not; you're charming, lively, amusing,
sympathetic. That's your great attraction, Val. But the last few days
you seem rather to have lost it.
You can hardly resent my feeling a little down, Harry. One or two
little things that have happened lately have made me anxious.
Never be anxious. You ought to trust, trustalways trust.
Oh, that's all very well! That wire....
Are we going to have that all over again? I thought I'd explained.
He assumed the air of a patient martyr.
I know you explained all right. Well, I won't think about it
any more. Don't be horrid, Harry.... Have you seen this week's Punch
? There's something in it simply too heavenlysuch a joke! Let
me read it to you.
It's very sweet of youbut do you ever realiseI wonder if it's
ever struck you, Val, that men aren't always in the mood for heavenly
jokes? There are times when one likes to thinkto see life as it
isto discuss abstract things, even.
Oh! Well ... what do you think of Daphne's dress? Isn't it pretty?
It was made by Ogburn, all out of nothing, in no time.
He looked at Daphne, who was sitting under a tree reading Cyril's
last letter over again.
It's all right. It suits her. I don't call that a
What subject would you like, then?
WellRomer, for instance. Where is he?
Talking to the gardener about mowing. Do you want him? I'll call
him if you like.
Dear Val, it's not quite like you to be ironical to me....
You ought not to laugh at Romer either. I'm complex, perhapsI know I
am; but it jars on me when you do that.
She stared at him.
Look hereI know I'm tiresome, said Harry, returning to his usual
caressing manner. Don't take any notice of it. It'sthe weather, I
think, or want of exercise. I'll go and improvise a little.
He pushed back his chair, and, with a parting look of forgiveness,
he went into the house and began to improvise (rather dismally) a
well-known funeral march. Or perhaps it was only a coincidence. Perhaps
he would have thought of it if Chopin hadn't.
Harry was only musical by fits and starts, and generally either to
impress some one or because he was out of temper. Val never regarded it
as a good sign when he grappled with the Steinway.
In ten minutes he had grown tired of his mood of melody, and
strolled into the rose garden with a book.
Yes, certainly Harry was restless.
CHAPTER XXX. THE ANGLES
You're very quiet, Val, remarked Daphne, as they flew along in the
motor on their way to call on the Prebendary's wife at The Angles.
Both sisters wore little cottage bonnets, blue motor-veils, and
large loose white coats with high collars.
How can I talk when we're exceeding the speed limit? said
You usually do. Is anything the matter?
No, nothing at all.... Harry's been horrid lately.
I suppose he is occasionally.
No, he's not. He's got the artistic temperament, and of course he
can't always be the same, poor dear.
What a pity one can't be an artist without having the artistic
temperament! It always seems to mean being late for meals, and losing
your temper, or being amusing when every one wants to go to bed.
As a matter of fact, said Valentia, I never knew any one with
less of it than Harry. There isn't a more hard-headed business man in
the world in his way, though he has read poetry and plays the
piano sometimes, and paints. He is an artist too ... butwell, not in
any of the recognised arts.... I hear Miss Luscombe and RathboneI
mean Mr. and Mrs. Rathbonehave gone to Oberammergau for their
Oh! Is that the latest thing to do?
Of course not, Daphne, but she thinks it is. Miss Luscombe has
spent her life in trying to catch the last omnibus and always just
missing it, and she's not going to leave off now just because she
happens to be married. Here we are!
The Prebendary's wife received them very graciously. Her waist
looked longer than ever, and her skirt seemed more than usually
abnormal in width. She did all that she could to entertain them. She
showed them her son Garstin's map of Buckinghamshire, and then said
I'll send for Mr. Stoendyck. He's upstairs inventing. You can't
think how clever he is and how hard he works. It's really
wonderful! We often leave him alone for hours to think things out, and
sometimes he plays sonatas; he says it refreshes him. He really is an
Mr. Stoendyck came in, looking very martial and scientific and
pleased with himself, as though he had just invented gunpowder. Mrs.
Campbell began as usual to talk baby language, and play a kind of Dumb
Crambo at him. He never seemed able to guess the word.
I hope we haven't interrupted you in your studies, said Val
She say she ope she not interrupt. Work, you know. OeuvreArbeit.
I was just amusing myself with the very witty paper from Germany,
Kladderadatsch. It is very funny, he said.
It sounds funny, said Val sympathetically.
What I find in England is that you're all wonderfully serious,
wonderfully courteous, wonderfully kindhe bowed to his hostess;
but, you'll excuse my saying so, I don't find enough wit or lightness
for my temperament. For humour I have to go to Belgium or Germany.
He spoke with intense solemnity.
Mrs. Campbell now began to translate him even to himself.
You say you like fun, witjust fun to make laugh? She made
strange signs with her fingers.
He did not appear to understand the code. He stared at her with a
frown, and rasped on seriously
I find a few comical jokes occasionally a great relief after my
heavy work. It is very deep work.
I suppose it would be indiscreet to ask what the invention is?
said Valentia, smiling.
Not at all. There is nothing indiscreet whatever in your curiosity,
He took a scone covered with butter and swallowed it in an
extraordinarily short time, and in an ingenious manner.
No, there's no indiscretion in the matter at all. Do not trouble
yourself on that score. It is merely the natural interest that a
cultivated and intellectual English lady would naturally take when she
hears of an extraordinary invention from another country. He bowed,
and having thus explained her to herself, he then ate another scone.
She say she want to know, you know, nodded Mrs. Campbell, putting
up a playful and threatening finger with dignified coquetry and a stony
smile. (She was subject to fits of this kind of marble archness
Yes. So I understood.
The Belgian was looking at Daphne with distinct admiration. Of
course Miss Campbell came and sat down beside him. Women always follow
their instinct to come and sit on the other side of any man whom they
regard as their property. They seem to think that merely by sitting on
the other side they protect him from freebooters. As a matter of fact,
it would be more sensible, if to distract his attention were the
object, to sit opposite with some one else.
Mr. Stoendyck turned his back on her completely, and said to
Very charming, those motor-veils, and the whole costume. At the
same time, while being thoroughly practical and sensible, it is, if I
may say so, extremely becoming.
He bowed with a condescending air, and went on
The English young girlat least, such specimens as I have seen in
the neighbourhood, especially in the countryseems to me a wonderfully
beautiful object. In Belgium we are getting on, but we have not
reached, as yet, the point of freedom combined with modesty that you
constantly see over here. Particularly, as I say, in rural districts.
He then made what can only be described, vulgarly, as a distinct
Both the Campbells looked uneasy.
The Prebendary will be in soon, said Mrs. Campbell. He promised
faithfully to come back to tea to-day. He also is a very busy man. He
come in soon, she spoke reassuringly.
Daphne was suddenly taken with a fou rire and began to laugh
helplessly. Val, seeing her condition, and knowing that when she once
started there was no hope but in immediate flight, took leave.
They were cordially asked to come again by Mrs. Campbell. But Mr.
Stoendyck invited them to lunch, and wanted to fix a day and hour. Mrs.
Campbell, however, declined his invitation for them. Mrs. Wyburn, she
said, must have a great many engagements.
They left Stoendyck standing in the hall, looking sentimental.
All foreigners not of the Latin race go on like that, said Val, as
they drove back. They may be scientific, or soldiers, philosophers, or
musicians, but if they're Germans or Belgians or Austrians, or anything
of that sort, they always get bowled over by a young girl, a blue
ribbon, plumpness, or fair hair.
But I'm very thin and dark, said Daphne angrily.
I don't care if you are. You're a pretty girl, you're unmarried,
you've got blue chiffon round your headand there it is.... I don't
mean Prussian officers, of course.
They would appreciate you, I suppose you mean!
One can't say. They'd probably take on anything.
Valentia took out the little looking-glass from her motor-bag,
looked at it, put it back, and added
Anything possible, I mean.
Go on, Val.
Go on how?
Telling me things. You're so interesting, you know such a lot. Now,
about the Latin raceswouldn't they likeerme?
Of course they would. But they'd like you better if you were
married to Cyril or any one. Frenchmen and Italians always want their
love-making or flirtations to have something in it of the nature of a
score. They love scoring off a third person, whoever it may
be,whether it's their friend's wife, or their wife's friend, or
They're not sincere, then?
Don't be silly. If they weren't sincere, why are there nothing but
unwritten-law crimes all over France and Italy? And why do Parisians
think and talk of ... nothing else! They're sincere all right:
it's their hobby. Italians, of course, are more jealous and faithful,
and Parisians are frightfully vainthere's a good deal of a sort of
snobbism about it. They love to show off. That's why they're so keen on
Do you think, said Daphne, with sudden anxiety, that if you don't
dress to perfection you can't keep a man's love? I do hope not!
I mean because when I'm married to Cyril I shan't be able to afford to
wear anything at all, except a clean blouse which I shall have to iron
out myself, like in Hearth and Home.
Valentia shook her head.
Dressing to perfection doesn't make men love you, silly. It only
makes women hate you. And I never have yet seen the advantage of that.
Oh, then, do Parisians want other women to hate you? asked Daphne.
Her sister hesitated.
Sometimes. Very often they don't. They want you to be admired by
other people, whoever they are, men or women. But in Paris dress counts
in a different sort of wayit means moreit stands for more. Oh,
Well, give me a straightforward Englishman! exclaimed Daphne.
Yes, indeed! replied Val. That Belgian Herr, anyhow, doesn't
count. I can't think why Mrs. Preb. and Miss Campbell are so much in
love with him.
Isn't it funny? Why do you think it is, Val?
Perhaps it's because he's a man. You see, they're accustomed to
CHAPTER XXXI. AT EDGWARE
Miss Brill had twisted up her hair and put on her Sunday dress to
To harmonise with the Dickens's garden it ought to have been white
muslin with flounces and a pink sash. But it was a quite long, dark
blue Liberty satin, made by a smart dressmaker in the Finchley Road. It
had a high collar, an Empire waist, and gathers.
Her mother was delighted with it. Gladys had not been quite
satisfied herself, and had tried to tie it in round the ankles with
concealed string, to make it look more like a nobble skirt, as she
Her almost too abundant hair had been piled over a pad, which gave
her the appearance of having a swollen head. Yet even so she looked
lovely, rather like an old-fashioned picture in the Academy of I'se
Gan'ma, or something of the kind, suggesting a baby disguised as a
Vaughan went through the usual ritual of asking after Mrs. Brillhe
rather hurried Mr. Brill over his remark about the finest woman one
would see in a day's marchthen admired the weather, ordered tea, and
asked for Miss Brill.
Gladys came and sat down with a rather shy, self-conscious air.
She soon lost it, however, and began to get natural again.
Oh, Mr. Vaughan! I never was more surprised than I was at
that piece in the paper! And mother come over quite queer, she was so
surprised. You were kind in your letter to forgive me for being rude.
Who'd ever have thought you was clever?
Who, indeed! But, Gladys, why this get-up? Why are you dressed up
in satin and dark colours on a summer day?
Why, mother said a nice navy blue was always useful. I'd rather
have had a Cambridge blue myself. Mother says navy blue's so ladylike.
Don't you like it?
Charming. But I don't like what you've done to your hair.
Don't you, though? Fancy! Well, I don't seem to care much for it
myself. It's a Pompadour, you knowa pad.
Take it off, said Vaughan.
Oh, I can't!
All right, I will. Come in the field.
Well, I don't mind if you do. I'll say I took my hair down because
it was heavy.
You've tried to spoil yourself, but you haven't succeeded. Why did
you do it, Gladys?
Seeing you was clever, I thought pr'aps I'd better try to look more
Ah! what a mistake! Your great charm is that you're such a regular
A jeune fille.
What does that mean? What's a J.F. in English?
A jolly flapper.
Oh, I say!
* * * * *
In the field Vaughan, with several interruptions and reproaches for
being a caution, managed to take the pad off her head and to throw it
in the field. But an unfortunate thing happened. All the corn-coloured
hair fell down over his face and he had kissed herby accidentbefore
he knew it.
Oh, I say! You are a caution! was her only remark. But she did not
laugh, and as she hastily did a little amateur coiffing, he thought she
looked slightly annoyed. At any rate, she hadn't much more to say to
him, and he went back to London almost immediately, feeling quite
absurdly agitated about such an unimportant trifle.
* * * * *
An hour later, when quietly at home in his study, Vaughan was
suddenly seized by that species of madness that has been known to wreck
careers, to launch a thousand ships, to cause all kinds of chaos. It
was that terrible
feeling in its most acute form. Most men have known it at some time
in their lives. He thought of Harry de Freyne, and felt noble and
superior in contrast to what his conduct would have been, as he
sat down and wrote with intense pleasure
I love you. Will you marry me? Please try. I'm writing to your
father. Don't keep me waiting long for the answer.
Yours for always,
He then wrote a long and sensible letter to Mr. Brill; all business,
respect, and urgency, saying he knew that Gladys was very young, but
that he would make her happy, and so forth.
These two letters he sent off by express messenger in a taxicab to
the Bald-faced Stag, and then sat down to dinner.
What a dinner! And what an evening he spent! He planned a long
journeywhat fun to show the child new places and things! Why
shouldn't he marry the charming, refined, and beautiful daughter of an
hotel-keeper? He decided even on alterations in the house, and he meant
to be ecstatically happy.
What did he care for people? He had never lived either to épater
the bourgeois or to satisfy the ideal of the gentleman next
door. He was going to do something he liked!...
* * * * *
He woke up the next morning at six o'clock with a ghastly chilly
horror on him. What had he done? Had he been mad? To marry Miss Brill,
the daughter of the landlord of a little suburban public-house! A girl
of sixteen, pretty enough certainly, but with no pretensions to being a
lady, no possibility of having anything in common with him. But it
wasn't so much the question of what people would sayof course, most
of the women he knew would drop him, and the men would laugh at him and
make love to herbut, how long would it last? How long would this
strange mania endure? Perhaps not a week. The poor child would have an
awful time, too. She was much happier as she was.
Well! He was a sportsman, and had taken the risk. He must wait now.
At the back of his mind he was wondering how he could get out of it.
He had not to wait long. His letters were answered by the first
post. Evidently, the Bald-faced Stag had been kept up late that night
to reply in time.
Gladys wrote very respectfully that she was very sorry she hadn't
told him before, but she was privately engaged to the son of the
landlord of the Green Man at Stanmore: the Eldest Son, she wrote with
pride (as though he would inherit the title). She was awfully sorry.
Besides, she was going to be a manicure, first, for two years, and then
settle down at Stanmore. Her fiancé was twenty-one. She hoped Mr.
Vaughan would come over to tea very soon, and she thought his letter
was very kind, and remained his truly, Gladys Brill.
Mr. Brill had written a long and slightly rambling letter which
suggested rough copies and even some assistance from the old vintages
of the Bald-faced Stag. He refused most firmly, though thoroughly
sensible of the honour done him by Mr. Vaughan's offer, but he couldn't
go back on his word to his friend at the Green Man. The arrangement had
been made, when Gladys and the son were in their cradles, by him and
his pal of the Green Man and he couldn't go back on his word. And
Gladys liked the young chap; and it was a great honour, indeed, that
Mr. Vaughan had done them, and it would have been splendid for Gladys
in the worldly sense. But there! it was better, perhaps, not to mix up
Stations. Mr. Brill repeated this sentiment over and over again, always
using a capital S for station(as though Vaughan had expressed an
insane desire to confuse Victoria with the Great Western). And he
remained very respectfully, Tom Brill.
A manicure in Bond Street and then the landlady of a common country
inn! Never! She shan't! I'll go down and persuade her. I'll make them
Vaughan was so hurt and disappointed that he felt he could never
But he did.
CHAPTER XXXII. TENSION
When the sisters came back from their drive Harry was sitting on the
little marble terrace reading Count Florio and Phillis K. and
smoking cigarettes. With almost conjugal unfairness he complained that
Valentia always went out just before he arrived. In fact, he had begged
her to get the visit over that afternoon, as he intended to be late.
Valentia sat down and began a lively account of The Angles, but he
implored her not to describe those awful people at home, and
particularly not to tell him anything about that poisonous Belgian.
Then he told Val that blue didn't suit her, and, when she agreed with
him, petulantly complained that she had no ideas of her own.
But I had an idea of my own; only now you say it's wrong.
So it is. But, even if it is wrong, you should stick to it. You
should have more individuality.
What an awful word, she said.
What's the matter with the word?
Nothing. It's so long.
You're talking nonsense, Valentia.
Well, why shouldn't I talk nonsense? I'm sure I've heard you say
there's nothing so depressing as a woman with no nonsense about her.
I know. But there needn't be nothing else.
Harry, are you trying to quarrel? If so I'd better go away.
Oh, all right! Very well! Do as you like, said Harry. It seems a
curious way to treat a guest: to go out when you expect him, and then
the moment you come in to make an excuse to leave him alone again. But
He took up his book and turned away.
Valentia went into the house, to her room, and sat down opposite the
looking-glass with a sigh. It was at moments like these that she
sometimes thought, with a slight reaction, of Romer. Romer was never
capricious, never irritable, never trying. It was true that he rarely
answered her except in monosyllables, but yet she knew that he
delighted in and tacitly encouraged her fluency. He did not respond to
every idea she expressed as Harry did (when Harry was in a good
temper), but she knew she had no better audience. His extreme quietness
might be admitted, occasionally, to cast a slight gloom, but negatively
what enormous advantages his silence had! Romer never scolded, never
laid down the law; never thought it necessary to give her long, minute,
detailed accounts of his impressions of art, or life, or literature;
never insisted on pointing out, as if it were a matter of life and
death, precisely where he differed in his opinions of a book, a play,
or an incident, from the criticisms in the daily papers. Nor did he
refer to some annoying past incident half a dozen times a day as a
sealed subject. He had other qualities. He could take tickets, he could
sign cheques (and even seemed to like doing it). He could see about
things. He wasn't selfish. Yes, Valentia thought, when she saw Harry at
his worst, that perhaps she didn't really quite appreciate her husband.
How irritating Harry would have been in that capacity!
Daphne came in, and Valentia went on, as usual, with her thoughts
Wouldn't Harry be a maddening husband? she said as she brushed out
Oh! Would he? In what way?
He'd be so selfish, so obtrusivehe'd always want you to do
exactly what he liked, just when he liked, and never when he didn't, or
when you liked, I mean.
How could he like you to do what he liked when he didn't like? That
would be expecting too much. I don't see what you mean, Val.
I only mean that when he's in a bad temper Harry's tiresome, and if
he were married he'd be in one oftener.
Oh dear! Are most men bad-tempered when they're married, Val?
Yes. Nearly always.
What? Then, will Cyril ...
Cyril's a pleasant, easy-going boy, but, as you won't have enough
money, he's sure to be bad-tempered at times.
Then aren't married men bad-tempered when they have plenty of
Oh, if they have a great deal they're awfully bad-tempered, too;
because, you see, then they lose it, or if they don't do that they're
always trying to enjoy themselves with it and finding the enjoyment
flat, and then they blame their wives. Besides, anyhow, having enough
money leads to all sorts of complications.
Oh dear! Then what do you advise? Daphne hung on Valentia's words,
respecting her superior knowledge and experience.
Oh, I advise enough, anyhow. It can't make you happy, but it can
avoid certain troubles. Love in a cottage is only all right for the
week-end when you have a nice house in London as well, and a season
ticket or a motor, and electric light and things, and a telephone. Oh,
by the way, our telephone here is eating its head off. We never use it.
Go and ring up to the grocer, not to forget to send the things, will
you, dear? He's got a telephone, toothe only tradesman in the village
What things isn't he to forget to send?
How should I know?the usual things. He never does forget, but it
looks well to remind him, and the 'phone needs exercise.
All right. But before I go, Valsuppose you can't have the sort of
love-in-a-cottage you mean, and there's no fear of your being so rich
that it makes you miserable, what is the best thing to do?
Why, I suppose the old business in the old novels, a competence
with the man of your heart, would do all right.
Daphne looked pleased.
For six months, anyhow. Or a year or two, perhaps, Val added.
Oh dear! cried Daphne again, as she left the room.
Poor pet, Val murmured to herself. I hope I'm not teaching her to
CHAPTER XXXIII. GOOD-BYE
The only person in the family who did not thoroughly approve of
Gladys's decision was her mother. Mrs. Brill thought it sheer madness
to decline proposals of a 'gentleman from the West End,' as she called
him; so clever and so rich, so handsome and so much in love. She was
romantic and yet worldly in her views, and was much excited at the idea
of the rivalry for her daughter. There were bitter scenes between Mr.
and Mrs. Brill on the subject. Mr. Brill was not romantic nor worldly,
but he was very sentimental, and he didn't hold with breaking his word
to the Green Man, nor indeed with that mixing up of Stations to which
he had already alluded.
Between the opposing views of her parents Gladys became somewhat
bewildered. She liked the son of the Green Man (he was in reality only
a green boy, but good-looking, and she had always known him), and she
wished to be loyal to him. Yet her mother's remarks about Mr. Vaughan
began to appeal to her imagination, such as it was. She was rather
dazzled and began to weaken. She was at the age when one can really be
in love with anybody, and she was flattered. Though she felt she would
feel more at home with her childhood's friend, she began, very
slightly, to look down upon him when she compared him with Gillie.
Vaughan came down the day after he had received her letter, and
behaved precisely as usual.
Mr. Brill, meeting him with a rather shamefaced air in the garden,
Very pleased indeed to see you, Mr. Vaughan. You got my letter,
Yes, indeed. To my sorrow. I want to talk to you about it.
Well, I was sorry to write it, sir, if you take my meaning. But
there! Well, Mrs. Brill 'as expressed a wish for a few words with you,
if you wouldn't mind.
I shall be delighted, of course. Butmay I see Gladys?
Why, yes, sir. Tea and bread and butter? The usual thing?
Yes, please. As usual. Mr. Brill lingered.
Ave some watercress with it, sir, he added sympathetically, or
we've got some very nice little radishes. Ow about them?
Vaughan nearly laughed.
No, thank you! I'm afraid they wouldn't be any use to me, Mr.
Ha, ha! You will have your joke!
Mr. Brill went in and told his wife that Mr. Vaughan was sitting
there looking that miserable it was enough to make one's heart ache.
With this satisfactory intelligence he sent Gladys into the garden.
She was all blushes and shyness. Her hair had gone back into the
long plait, and she wore her schoolgirl dress again.
You're too proud, Gladys! he said reproachfully. Why did you
never tell me of your engagement?
Why, I didn't ardly count it to interest you, Mr. Vaughan. Besides,
it's not to be for two years.
Are you in love with him?
Why, what a question! I like him. He's a nice boy.
I suppose he's very much in love with you?
Oh, he's all right.
That was a very cruel letter you wrote me, Gladys.
I was afraid you'd think it rude, she answered apologetically.
No, dear. It isn't rude to refuse a proposal. You can't accept them
all, can you?
You've made a wretched tea, Mr. Vaughan. Is there anything else
Yes, I want to go in the field again, like the day before
Was it only the day before yesterday? So it was. A lot seems to ave
appened since. Well, come along.
She looked such an absolute child as she climbed the gate that
Gillie felt almost ashamed of his proposal, and thought that probably
her father was quite right.... But her face was so exactly like Sir
Joshua Reynolds' angels' heads, she might have sat for them. She was
too absurdly pretty. And sweet, too, he thought. She had no vulgar
pretensions, she was simple. She only wanted a little polish. He could
teach her everything necessary. No task could have been more
So you think I'm too old for you. Is that it?
No, it isn't. It isn't that. It's what father told you.
Would you hate to go for a long journey with me, to see other
places, other countries?
Oh no; I'd like it. We went to Clacton last summer. It was
He thought a little.
Gladys, as you're so young, won't you leave the whole thing in
abeyance for a time?
In what, did you say?
Undecided. Let me come and talk to you about it in six months. The
only thing I can't bear you to do is to be a manicure. I'm going to
speak to your mother about it. I can't stand it.
Oh, why, Mr. Vaughan? I should have thought it was nice for me to
sort of better myself.
Nonsense. Far better stay here. Well, will you agree to that?
To give up the manicuring and to leave the engagement open like? Is
that what you mean?
That's the idea.
She thought a minute.
I really don't see how I can. Andmy boy would feel it something
cruel if I put him off like that.
When do you see him? he asked jealously.
Why, on Sundays. Only on Sundays.
Ah, that's why I've never seen him. I wondered why I'd never met my
Oh, now, you're going on silly, like the people in the play!... I
don't believe you alf mean it.
Don't you believe I love you?
How can you? You don't ardly know me, except as a friend.
I'll tell you why I love you if you like, dearest.
Well, why? She spoke with girlish curiosity.
Because you're lovely, and lovable, and sweet. Because you're a
Oh, I say!
Doesn't your boy, as you call him, say these things to you?
Not like that. I only see him on Sundays.
And does he kiss you on Sundays?
Vaughan got up.
All right, I won't worry you any more.... I'll let you be happy in
your own way, dear.... I must go now.
Oh, must you?
She seemed very disappointed.
Yes, I'm going to France.
No, next week.
Oh, I am sorry.
He went in and bid adieu to Mr. and Mrs. Brill and the Bald-faced
Stag for ever. He said to her father that he was resigned.
* * * * *
As soon as he had gone, Gladys went upstairs to her room, looked in
the glass, then burst out crying.
She had fallen in love with Gillie.
CHAPTER XXXIV. ROMER OVERHEARS
Romer started to go by himself for a five-mile walk, leaving Daphne,
Valentia and Harry in the garden, but a nail in his boot hurt so much
that, after the first half-mile, Romer decided he couldn't stand it any
longer, and would walk back, go quietly in, and then surprise them by
coming to tea in the garden.
He was gone a very short time, but he hastened his steps, looking
forward immensely to the removal of the boot, and also to seeing
Lately he had been more than ever devoted to her. Ever since they
had been at the Green Gate she had been specially gentle and
charmingbut not nearly so lively as usual. Sometimes she looked quite
anxious and preoccupied. He thought, too, that she was occasionally
irritable; which was unlike herand her spirits varied continually.
He asked her one day what was the matter, and she assured him that
there was nothing, so he believed her. But he was always thinking about
her, trying to find some means to please her. He was dissatisfied about
He came back, went into his room, and his spirits incalculably
raised by the cessation of the torture, he went and sat by the window,
and looked out at the lovely garden.
It was a hot summer day; a little wind was in the trees.
Exactly under the window, on the little verandah, sat Harry with
Valentia. Daphne was no longer there.
They were talking; and talking, it seemed to him, in an agitated
Leaning a little over he could see Valentia on a bamboo chair. To
his horror he saw that she was crying.
Harry, speaking in a suppressed but rather angry voice, appeared to
be trying to comfort her.
Without a second's hesitation or a moment's scruple, Romer intently
listened. He did not hide or draw behind the curtain. He remained in
full view, in the window, so that they could see him easily if they
happened to look up. But they did not; they were far too much
preoccupied.... He heard Harry speaking volubly, saying, in a tone of
irritated apology and explanation
My dear girl, I do wish to heaven you wouldn't take it like that. I
haven't changedI never shall. I don't care two straws about Miss
Walmer. But really, it is such a splendid chance for me! You ought no
more to expect me to give it up than any other good business
opportunity that might crop up.
I should never see you again, she answered, her voice broken by
Yes, you would. We should be the same as ever. You know we can't do
without each other. You're part of my life.
He spoke casually, but with irritation, as if mentioning a
Oh yes, you say that, she answered sadly. But nothing could alter
the fact that you wish to be treacherous, and throw me overand just
for money! It's simply degrading. It's all nonsense to say it will be
just the same!
Well, of coursefor a timeimmediately after the marriageit
couldn't be; but it would gradually drift into very much the same.
It wouldn't, even if it could, because I should never see you
again, she repeated.
Harry stood up with his hands in his pockets, his shoulders raised.
Romer could see his face quite plainly, and wondered at its hard,
selfish, almost cruel expression.
Well, if you won't you won't, he said. How can I waste all my
life dangling after a woman who is married to somebody else? I should
be only too delightedif I could afford it. But I can't, and that's
the brutal truth. And then, you know, there has been a little talk.
That mother-in-law of yours has been gossiping about us. Some day,
Romer's bound to get hold of it, and then where shall we be? Don't you
see, dear, he went on more gently, this will stop all that? Wouldn't
it be better for me to be marriedjust in this official sort of
wayto remain in England, and be able to see you just the same as
eververy soonthan to go out to the colonies or somewhere, and never
see you again at all? There's no doubt I've got to do something. I'm in
a frightful hole. Seven thousand a yeara place in the countryand a
decent sort of girl, dropped down on me, as it were, from heaven! I
hadn't the slightest idea of such luckand hadn't any pretensions to
it. But the girl has taken a liking to me, and her mother wants to get
her married. It's uglyunromanticbut there are the facts. If you
cared for me really, I shouldn't think you would want to stand in my
Very well, do it, then, she said, drying her eyes. If you can
speak in this heartless way it shows you are very different from what I
believed you. But it will kill me; I shall never get over it.
She was rushing away when Harry caught her hand and stopped her.
Listen, he said, in an impressive voice. Go to your room, bathe
your eyes, and calm yourself down. Make no more scenes, for heaven's
sake, and we'll see what can be done.
Oh, Harry, reallyis there any hope? Or are you deceiving
I've almost agreed to it, you know, he said. Still, there's not
what one could call an actual engagement yet. At any rate, it might be
delayed. I'll see; I'll thinkreally if I weren't so hard up I
wouldn't do it.
Oh, Harry! A gleam of joy came into her eyes, and she clasped her
Then you won't worry me any more about it for the next few days?
I promise; and smiling sweetly through her tears she left him,
going into the house. Her room, on the same floor as Romer's, was at
the other end of the corridor, so she did not even pass his door, and
had not the slightest idea that he was at home.
He was still at the window, looking out apparently at the garden.
Harry gave an impatient sigh, lit a cigarette and strolled off
through the garden.
It had been about three o'clock when Romer had come in and sat down
by the window. He was still there in precisely the same position at
seven, when his valet brought his hot water.
But Romer could not dress and go down to dinner. He could not see
them till he had made up his mind what to do. He always thought slowly,
and now he was acutely anxious to make no mistake. He felt that by the
slightest wrong move he might lose Valentia altogether. That, at least,
was his instinctive dread. He sent Valentia a message that he had to go
up to London to see his mother, and would be back the next day. He
arranged that she did not get the message till he was driving to the
stationjust before dinner.
He went up to London and stayed at an hotel, but did not go to his
mother's, and thought nearly all night till he had made a resolution.
Then he slept till nine o'clock, feeling much happier. He remembered
clearly that Harry was coming to town and going to the studio on this
day, as he often did. He calculated that he would be likely to arrive
by the quick early morning train, and was standing waiting at the door
of the studio at twelve o'clock when Harry drove up, looking intensely
surprised, with hand outstretched, cordial and delighted.
My dear fellow, how jolly of you to remember I was coming up! Come
in, come in! I've only got this bothering business to attend to, then
we'll lunch together, and go back by the four train, shall we? You
won't have to stop on here, will you?
I don't know, said Romer, as he followed Harry.
Your mother's not ill, I hope, said Harry, throwing himself into
I don't think so, said Romer; she's at Bournemouth.
Bournemouth! How like her! But you haven't been down there to see
Are you going?
Don't think so.
Then it isn't your mother that brought you up to town, old chap?
Is anything wrong? asked Harry, after a moment's pause.
It struck him that Romer looked very odd, and as he noted a slightly
greyish tinge in Romer's face, he turned pale himself under his
What is the matter? repeated Harry, who could not be quiet. His
weakness lay in the fact that he never, under any circumstances, could
entirely hold his tongue.
Romer put down his stick and hat, which he had been holding, took a
chair exactly opposite Harry, stared him in the face, and said in a
dry, hard voice, much less slowly than usual
There's something I wish you to do.
You wish me to
Yes. Write to Miss Walmer definitely breaking off your engagement.
I heard what you said yesterday afternoon. I came back from my
walkthere was a nail in my boot. I heard every word from the window
in my room.
Yes, I listened.
Romer, my dear fellow, I swear to you that ...
Don't swear anything to me, said Romer quietly. And don't dare to
defend Valentia to me.... I advise you not.
Harry was silent, utterly bewildered.
I find that yourfriendship, instead of being a pleasure to her,
is making her miserable. For some reason she likes to have you about.
She doesn't wish you to marry Miss Walmer. Well, you shan't! Do you
hear that? You shan't! You're not going to marry that girl and then
come dangling about again.
He waited a minute and then said
Valentia's got to be happy. You're not going to have everything
you want. You can surely make a little sacrifice to be her friend!
Then for one moment only Romer nearly lost his control. He said
We've been married five years, and I've never said a word or done a
thing that she didn't like. And you made her cry. You! You made
My dear Romer, I assure you it's all ...
Romer interrupted him in a low voice, impatiently.
Oh, shut up, will you? I want no talk or discussion. I want only
one thing. You're to write immediately, definitely putting an end to
this engagement. While you write the letter I'll wait, and then I'll
post it myself. Will you do it?
My dear fellow, of course I'll do anything. But how strange you
are! I should have thought
I don't want to know what you would have thought, and I don't care
a straw what you think of my attitude. On condition you do what I say,
I shall never refer to the subject again, and everything shall be as it
Harry was obviously greatly relieved.
I will do whatever you wish, he said, looking and feeling ashamed
Seeing that Romer was evidently in a hurry for the letter, he drew
writing materials to him.
Then Romer said
One more thing. You are not to tell Valentia anything about this.
She's not to know I overheard. I won't have her distressed. Remember
I give you my word of honour, said Harry.
Very well. And when I've posted the letter we'll wipe out the whole
thing. Don't even say you saw me in town.
Of course I won't.
As Harry bent his head low over the writing-table, Romer, who was
sitting motionless, looked at a curious dagger that was hanging on the
wall, with a horrible sudden longing to plunge it in Harry's neck....
Horrified at his own fancy, he looked away from it and thought of
Valentia. Valentia would smile and be happy now, and everything would
go smoothly again. He would not have to say anything painful to her;
she would never be uncomfortable in his presence. In time she would
probably grow tired of Harry and could turn to him, Romer, again, with
more affection than if anything painful had passed between them.... His
attitude had been extraordinarily unselfish, and yet it had its root in
the deep scheming selfishness and subtle calculation of the passion of
love. To get Valentia back, as he vaguely hoped, some time, however
distant, he had acted most wisely, and he knew it. For he cared for her
far too much ever to have conventional thoughts on the subject. It
never even occurred to him to try to act as the husband ought to act,
or as by the incessant insidious influence of plays and novels most of
us have been brought up to think he ought to act. Most people are far
more guided than they know in their views of life by the artificial
conventions of the theatre and of literature, or by tradition. In fact,
most people are other people. Romer was himself. He thought simply for
himself, like a child. And so it happened that he acted in a crisis
terrible to him, more wisely for his own interest than the most
sophisticated of men....
* * * * *
Here is the letter. Will you read it?
Romer read it and put it back in the envelope. Then he said
All right. You're going back to the Green Gate this afternoon?
If I may.
I shall be back to-morrow, said Romer, in his ordinary voice.
Harry accompanied him to the door and held out his hand.
Romer hesitated a moment. Then he said
Good-bye, with a nod, and went away, taking no notice of it.
* * * * *
By Jove! said Harry, to himself.
CHAPTER XXXV. THE LIMIT
Romer went back to his hotel that evening feeling happier than he
had ever expected to be again. He felt sure now that everything would
be perfectly right. He refused to allow himself to dwell for a moment
on possibilities, and on what had been, or on what might have been. But
he was like a man who had been slightly stunned by a blow on the head
and was beginning to feel the pain the next day. Yet the pain was not
very acute; he did not quite realise it, but, unconsciously, it made
him feverish. And he was still a little stupefied. It did not occur to
him to go to the Club, or to look up any friends, and he remained in
the little hotel in Jermyn Street, filled at this time of the year
principally by Americans, and he dined alone theredined well, and
smoked a long cigar. Then he went for a walk. London at the beginning
of August was not empty, but stale, crowded, untidy, hotunlike
itself. He tried not to think of the garden of the Green Gate.
Suddenly, with a stab, he imagined Harry and Valentia; probably now he
was telling her that the engagement was broken off, and she was smiling
and happy. Well! it was what he wished. Since what had happened he felt
his great love for Valentia was much less vivid than it had been. He
cared for her more remotely. She seemed at a great distance. He thought
that he felt more to her as if she were a dear sister and living far
away. Yes, that was it; he loved her now like a sister.
Surprised at his own calm, and much pleased with his behaviour in
the matter, he retired to bed. The instant he had closed his eyes he
seemed to see, with the clearness of an hallucination, Harry's head
bending low over the writing-table, and, hanging above him on the wall
of the studio, the curious dagger; a Japanese weapon that was one of
Harry's treasures. And Romer felt again precisely the same horrible
longing that he had felt that morning at the studiothe sudden longing
to plunge it into Harry's neck. Horrified at the fancy and at himself,
he turned up the light and tried to read. He could not fix his
attention on a word of the article Silk and Stuff in the Pall Mall....
Of course he was not angry with Valentia; how could she help it? She
must be made happy. But she seemed dim, distant, remote. It was an
effort to recall her face.... HarryHarry did not seem very real to
him either. It was all unreal. But he, Romer, had done the right thing.
Harry would never make her cry again.
Everything would go on as before. And he had never said a
word that it would be painful for them both to remember. There was
nothing uncomfortable between them. He felt she would grow tired of
Harry of her own accord, and would then return to him, Romer, with no
disagreeable recollection of scenes, nor of their having said horrible
things to one another. Yes, he had been quite right. Yet she did not
seem to him so near as she used to be. He was not angry with her....
No, of course not. He was not jealous. Perhaps she seemed more remote,
more distant, because he felt a certain coldness, andyesthe
coldness was there because he was a little hurt perhaps.... And then he
tried to go to sleep again. But instantly his insane vision came back,
and he got up and walked round the room and tried to banish it.... At
last he really went to sleep, and awoke trembling with horror. He had
had a horrible dream. He dreamt that Harry was writing a letter, and
that he had taken the dagger from the wall of the studio and killed
him. This was simply horrible.
Then he began to realise the reason. It was subconscious jealousy.
Then he saw that he had set himself a task too big for him, and that he
could not endure to see Harry with Valentia now. It would be impossible
to bear it. He would have to tell him to go. He had mistaken his own
feelings. What he had heard on the verandah, what he had imagined,
could never be obliterated. Indeed, he saw clearly that if he tried to
endure it he would break down. The effort would lead to madness.It
was impossible.... He had sent Harry back to her! He had actually sent
him; it was unbearable.
He would go back the next day, take Harry aside, and tell him that
he had found he couldn't bear it, and that on some pretext he must go
away. He would tell him that he had reached the limit of his endurance
and could bear no more. He would never speak of it to Valentia.
Valentia would be sadbut that could not be helped. He knew, now, that
he could not endure the sight of Harry again.
Having made this resolution, he became much calmer. But the dream
recurred each time he went to sleep until, in dread of it, he resolved
to sleep no more. His nerves felt shattered.
And then, he began to count the minutes till he could be back at the
Green Gate. To see Valentia again and to banish Harry for ever! And all
the obvious, human feelings that he thought he was free from had come
back. He broke down; bitter tears of self-pity, of sentiment, and of
heartbroken humiliation fell from his eyes. He remembered their
engagement and their honeymoon, and then the eternal and everlasting
amusing cousin; Harry, and his sickening good looks and ceaseless
chatter. No more of it, by heaven! It would be something worth having
lived for to have no more of the brilliant Harry. He saw now that he
had always been subconsciously jealous of himthat he had always
loathed and hated him. And rightly, by instinct; for not only had he
done the most unpardonable injury one friend can do to another, without
a scruple and without a hesitation, but he had shown the same baseness
to her. He made her unhappy. He made her cry. He wanted to marry for
money and come back again, treacherous to every onehard, heartless,
selfish, vulgar in mind and in attitude to life. Romer hated him.
Well! Romer would tell him that very day that he had changed his
mind and that he was to go anywhereanyhowonly to go. Neither he nor
Valentia should ever see him again.
Valentia seemed a long way off. She seemed remote and distant. That
was because he was still hurt and angry. When Harry had once gone,
perhaps she would seem near again.
CHAPTER XXXVI. RECONCILIATION
Romer had made one mistake in his calculations. He had forgotten
that Harry was a talker. He fully believed that the young man would go
back and get all possible credit from Valentia for breaking off the
engagement, and would adhere to the very letter of their strange
agreement. This, indeed, Harry fully intended to do. When he first went
back he told her, to her immense joy and satisfaction, merely that he
had broken it off. But when some people who had come to dinner had gone
away and she and Harry could be alone, the habit of confidential
gossip, the habit, especially, of impressing and surprising her, and,
above all, the inability to keep to himself anything so amazing, was
too strong for him.
Picturesquely, vividly, and quite amusingly Harry told her every
word of the story; first exacting a solemn promise not to repeat it.
Isn't he impayable? Isn't he a marvel? No, Valentia, don't
look so grave, or I shall think you've lost your sense of humour.
But do you believe he really thinks
He doesn't think, said Harry, stopping her. He won't think.
You're faultless in his eyes. He would never allow himself to imagine
you anything else. Valentia, this is a wonderful situationyou don't
appreciate it! It's unheard of! He particularly wished that everything
should go on as before.
He took her hand. She immediately took it away and drew back coldly.
A wonderful situation! Do you think Van Buren will enjoy it? she
Van Buren! What on earth do you mean, Val? Do you suppose for a
minute that I'd talk about it?
I know you will. You couldn't resist it. It's impayable you
say.... Oh, but it was mean of you to tell me!
Mean! cried Harry indignantly. Why, it was very generous! I might
easily have pleased you very much more by saying I broke it off quite
of my own accord.
That wasn't why you told me. You wanted me to laugh at Romer and
think him ridiculous.
I don't at all. I was in the ridiculous position. Be a woman of the
world, Val. Don't talk bosh! We shall soon forget it happened.
I shall never forget, she answered. And things can't go on
as they were, because I think he's behaved magnificently, because I
think he's heroic. And if I didn't appreciate the way he spared me I
should be.... Why, don't you realise what it must have been for him,
Harry, to hear every word we said? And yet he didn't try to make me
suffer for it!
He complained that I made you cry! said Harry with a ghost
of a smile.
Look here, Harry, it's no good. I see I was right about Romer from
the first. I married him because I thought there was something
remarkablesomething finer than other people about him. And I was
If you talk like that, I shall know you're in love with him, said
Harry tauntingly and angrily. I was a fool to tell you. You're
just upset, my dear, he added, at the idea of his knowing of the
whole thing. By to-morrow, when he comes back, everything will have
I want to be left alone, said Valentia.
Harry was annoyed, for he himself was not just now in the mood for
reverie, and even in the smallest things he disliked giving up his own
Oh, very well, he said ungraciously; perhaps it's a pity I wrote
Perhaps it is, she answered as she went away and shut the door.
Harry sat up late, swearing at his own indiscretion and the
unaccountability of women. But he was not prepared for what followed.
The next morning, as he was dressing, a note was given to him. It
After what you told me yesterday, I feel I never wish to see
again. This is not anger; but it's incurable. I can't account
it, but it is there. How you could have been so stupid as to
I could remain with both you and Romer in the house with this
knowledge between us, I simply can't understand. How could I
contrasting his generosity with your self-interested
am not angry any more about Miss Walmer. I'm quite
you married her to-morrow it would give me no pain. The only
thing you can do for me now, and the one thing I implore, is
away on any pretext you like and without seeing me again. To
perfectly plainly, Harry, I have changed entirely since last
I see everything differently. Everything is different.
me, but I don't wish to see you any more. VALENTIA.
P.S.I will send your photographs and other things to the
I should like you to burn mine, but do not send them back. I
want to look at anything that reminds me of you. Do not be
can't help it. I am so unhappy.
If you don't go I know I shall be seriously ill.
After reading this letter Harry was probably about a thousand times
more in love with Valentia than he had ever been in his life. Indeed,
he felt that he had never cared for her before. He pretended even to
himself to laugh at it, and walked up and down his room, saying to
himself: What a couple! What a woman! What a man! They're unique. No,
they're too wonderful!
But he didn't succeed in deceiving himself. He knew that
letter was final. He did not give it up at once. He wrote her three
letters. The first, one of indignant reproach: You never really
cared for me, and so forth, which she did not answer; the second,
witty and trivial, with allusions to mountains and molehills and
tragedy queens; the third, desperately imploring her to see him once
before he went away. To the third one she sent a reply, simply saying
Please, please go as soon as possible.
After all his emotion and passionate correspondence it was by this
time only about half-past ten. Harry packed, dressed, and went off to
the station, mad with rage. He left no word for Romer at all. He felt
he had better leave all that to the wife. He had lost her absolutely
and for everand Miss Walmer too.
In prompt response to his wire Van Buren met him at the station.
And what a wonderful consolation it was to tell him all about it!
Certainly no man ever had a better audience; no one more impressed,
shocked, delighted, horrified, amused, grieved, pleased and sympathetic
ever listened to a confidence. For Van Buren it was as good as a
cause célèbre, a musical comedy, a feuilleton in the
Daily Mail and a series of snapshots from the homes of the upper
classesall in one. Never in his life had he heard anything so
intensely English. The story gave him the acute, objective, artistic
joy that one takes in the best literature, an intellectual pleasure
that is usually more or less mingled with the merely spiteful
satisfaction that we are accused of taking in the misfortunes of our
best friends. And how well Harry told it!
His style was perfect. It was brilliancy, charm, humour, and pathos;
he laughed at himself, and yet made himself an object of real sympathy,
without losing either his dignity or his dash.
He knew that his confidence aroused enormous interest, and to him
that was a great gratification. And so Harry drowned his sorrows in
talk, as other men drown theirs in wine, or in sport, or in taking some
violent step. He intoxicated and soothed himself with conversation.
But Harry was not an unpractical mannot one of those for whom
words take place of actionsand he could face facts. Valentia was
irrevocably lost to him. To attempt to regain Miss Walmer, although it
might perhaps not be impossible, would make him ridiculous. The letter
he had written at Romer's dictation had been too definite. He would
give himself away hopelessly as a fortune-hunter if he tried to go back
on that. Besides, he was absolutely sick of it all, and if he was more
in love with Valentia than he had ever supposed himself to be because
she no longer wanted him, he disliked the thought of Miss Walmer far
more than he ever had before, because he was convinced she would
forgive him and be devoted to him even now.
Van Buren had taken the knock, as he expressed it, using with relish
the English slang phrase, with regard to Daphne, and he had made up his
mind to return to New York. Under the circumstances he now had little
difficulty in persuading Harry to come out with him right away. He
undertook to provide for his friend's future, and that he should make a
fortune in the Bank, and perhaps when this was agreed upon Van Buren
had never been so happy. He was far more genuinely a man's man than was
Harry. He regarded women from the point of view of the well-bred
Americanwith deference, a sort of distant tenderness, a most
chivalrous and gentle respect. He looked upon them as ornamental and as
delightful adjuncts to life, like flowers in a ball-room, but not
seriously as part of it. Nor, either, as mere toys. He placed women far
more highly than Harry did; he thought everything should be done for
them, given to them, that they had a right to any position they were
able to hold, that they should be treated with reverence,
consideration, liberality ... and even justice; buthe could do
without them. Harry couldn't. And so they would always continue to fall
in love with Harry, and to find Van Buren a little dull.
* * * * *
When Romer arrived at the Green Gate that afternoon he found
Valentia sitting alone in the drawing-room. Her hands were clasped, she
had a serious, anxious, thoughtful expression that he had never seen
before. He was surprised at the painful start it gave him to see her
again, but he came in defying this sensation.
Hallo! he said, in what he meant to be a perfectly easy manner.
He glanced round the room.
Harry's gone, said Valentia, in a low voice.
Oh, has he?
Romer walked to the window. He looked at her dress, a white dress
that he liked, but did not meet her eyes. Then he said
Oh, he's gone. When is he coming back?
Never, she said.
Romer didn't answer, nor ask why.
After a minute he said
Gone to stay with Mrs. Foster for a week.
Oh! Who's coming down to-day?
Nobody. I thought perhaps you wouldn't mindbeing alone, I mean.
She spoke without her usual fluency.
He stood staring out of the window into the quiet, damp garden. Then
he turned slowly round and looked at her. He looked at her little feet
in their little white laced shoes; at the slim, narrow line of the
white dress; at the hands clasped in her lap....
And he felt a sudden pang of cruel, realistic jealousy. But he
looked at her eyes and saw tears in them, and, pitying her, he crushed
it down for ever.
The marvellous instinct with which women are usually credited seems
too often to desert them on the only occasions when it would be of any
real use. One would say it was there for trivialities only, since in a
crisis they are usually dense, fatally doing the wrong thing. It is
hardly too much to say that most domestic tragedies are caused by the
feminine intuition of men and the want of it in women. Fortunately,
Valentia's feeling of remorseful tenderness towards Romer enabled her
to read him now. Of course she would have loved to cry, to explain at
great length, to beg him to forgive her and have a reconciliation. But
something told her that he could not have borne it; that the subject
must never be touched; that she must spare him any reference to itany
So she said nothing.
* * * * *
And, during the curious silence, he gradually and slowly took in the
soothing facts. He regained his sense of proportion, of perspective. He
saw she was disillusioned about Harry; he felt that the infatuation was
over; and, what was more, he realised, to his unutterable relief, that
she was not going to talk about it. How he dreaded that terrible
explicitness of women, their passion for tidying up, their love of
labels! He would not even have to hear it called a sealed subject, and
he would not have to say anything at all.
* * * * *
He looked out of the window again, began to whistle in a slightly
embarrassed way, and then said casually
Let's come out, Val. The lawn wants mowing.