No Story by O Henry
To avoid having this book hurled into corner of the room by the
suspicious reader, I will assert in time that this is not a newspaper
story. You will encounter no shirt-sleeved, omniscient city editor,
no prodigy "cub" reporter just off the farm, no scoop, no story—no
But if you will concede me the setting of the first scene in the
reporters' room of the Morning Beacon, I will repay the favor by
keeping strictly my promises set forth above.
I was doing space-work on the Beacon, hoping to be put on a salary.
Some one had cleared with a rake or a shovel a small space for me at
the end of a long table piled high with exchanges, Congressional
Records, and old files. There I did my work. I wrote whatever the
city whispered or roared or chuckled to me on my diligent wanderings
about its streets. My income was not regular.
One day Tripp came in and leaned on my table. Tripp was something
in the mechanical department—I think he had something to do with the
pictures, for he smelled of photographers' supplies, and his hands
were always stained and cut up with acids. He was about twenty-five
and looked forty. Half of his face was covered with short, curly red
whiskers that looked like a door-mat with the "welcome" left off.
He was pale and unhealthy and miserable and fawning, and an assiduous
borrower of sums ranging from twenty-five cents to a dollar. One
dollar was his limit. He knew the extent of his credit as well as the
Chemical National Bank knows the amount of H20 that collateral will
show on analysis. When he sat on my table he held one hand with the
other to keep both from shaking. Whiskey. He had a spurious air of
lightness and bravado about him that deceived no one, but was useful
in his borrowing because it was so pitifully and perceptibly assumed.
This day I had coaxed from the cashier five shining silver dollars
as a grumbling advance on a story that the Sunday editor had
reluctantly accepted. So if I was not feeling at peace with the
world, at least an armistice had been declared; and I was beginning
with ardor to write a description of the Brooklyn Bridge by moonlight.
"Well, Tripp," said I, looking up at him rather impatiently, "how
goes it?" He was looking to-day more miserable, more cringing and
haggard and downtrodden than I had ever seen him. He was at that
stage of misery where he drew your pity so fully that you longed to
"Have you got a dollar?" asked Tripp, with his most fawning look
and his dog-like eyes that blinked in the narrow space between his
high- growing matted beard and his low-growing matted hair.
"I have," said I; and again I said, "I have," more loudly and
inhospitably, "and four besides. And I had hard work corkscrewing
them out of old Atkinson, I can tell you. And I drew them," I
continued, "to meet a want—a hiatus—a demand—a need—an exigency—a
requirement of exactly five dollars."
I was driven to emphasis by the premonition that I was to lose one
of the dollars on the spot.
"I don't want to borrow any," said Tripp, and I breathed again. "I
thought you'd like to get put onto a good story," he went on. "I've
got a rattling fine one for you. You ought to make it run a column at
least. It'll make a dandy if you work it up right. It'll probably
cost you a dollar or two to get the stuff. I don't want anything out
of it myself."
I became placated. The proposition showed that Tripp appreciated
past favors, although he did not return them. If he had been wise
enough to strike me for a quarter then he would have got it.
"What is the story ?" I asked, poising my pencil with a finely
calculated editorial air.
"I'll tell you," said Tripp. "It's a girl. A beauty. One of the
howlingest Amsden's Junes you ever saw. Rosebuds covered with dew-
violets in their mossy bed—and truck like that. She's lived on Long
Island twenty years and never saw New York City before. I ran against
her on Thirty-fourth Street. She'd just got in on the East River
ferry. I tell you, she's a beauty that would take the hydrogen out of
all the peroxides in the world. She stopped me on the street and
asked me where she could find George Brown. Asked me where she could
find George Brown in New York City! What do you think of that?
"I talked to her, and found that she was going to marry a young
farmer named Dodd—Hiram Dodd—next week. But it seems that George
Brown still holds the championship in her youthful fancy. George had
greased his cowhide boots some years ago, and came to the city to make
his fortune. But he forgot to remember to show up again at Greenburg,
and Hiram got in as second-best choice. But when it comes to the
scratch Ada—her name's Ada Lowery—saddles a nag and rides eight
miles to the railroad station and catches the 6.45 A.M. train for the
city. Looking for George, you know—you understand about women—
George wasn't there, so she wanted him.
"Well, you know, I couldn't leave her loose in
Wolftown-on-the-Hudson. I suppose she thought the first person she
inquired of would say: 'George Brown ?—why, yes—lemme see—he's a
short man with light-blue eyes, ain't he? Oh yes—you'll find George
on One Hundred and Twenty- fifth Street, right next to the grocery.
He's bill-clerk in a saddle- and-harness store.' That's about how
innocent and beautiful she is. You know those little Long Island
water-front villages like Greenburg- -a couple of duck-farms for
sport, and clams and about nine summer visitors for industries.
That's the kind of a place she comes from. But, say—you ought to see
"What could I do? I don't know what money looks like in the
morning. And she'd paid her last cent of pocket-money for her railroad
ticket except a quarter, which she had squandered on gum-drops. She
was eating them out of a paper bag. I took her to a boarding-house on
Thirty-second Street where I used to live, and hocked her. She's in
soak for a dollar. That's old Mother McGinnis' price per day. I'll
show you the house."
"What words are these, Tripp?" said I. "I thought you said you had
a story. Every ferryboat that crosses the East River brings or takes
away girls from Long Island."
The premature lines on Tripp's face grew deeper. He frowned
seriously from his tangle of hair. He separated his hands and
emphasized his answer with one shaking forefinger.
"Can't you see," he said, "what a rattling fine story it would
make? You could do it fine. All about the romance, you know, and
describe the girl, and put a lot of stuff in it about true love, and
sling in a few stickfuls of funny business—joshing the Long Islanders
about being green, and, well—you know how to do it. You ought to get
fifteen dollars out of it, anyhow. And it'll. cost you only about
four dollars. You'll make a clear profit of eleven."
"How will it cost me four dollars?" I asked, suspiciously.
"One dollar to Mrs. McGinnis," Tripp answered, promptly, "and two
dollars to pay the girl's fare back home."
"And the fourth dimension?" I inquired, making a rapid mental
"One dollar to me," said Tripp. "For whiskey. Are you on?"
I smiled enigmatically and spread my elbows as if to begin writing
again. But this grim, abject, specious, subservient, burr-like wreck
of a man would not be shaken off. His forehead suddenly became
"Don't you see," he said, with a sort of desperate calmness, "that
this girl has got to be sent home to-day—not to-night nor to-morrow,
but to-day? I can't do anything for her. You know, I'm the janitor
and corresponding secretary of the Down-and-Out Club.. I thought you
could make a newspaper story out of it and win out a piece of money on
general results. But, anyhow, don't you see that she's got to get
back home before night?"
And then I began to feel that dull, leaden, soul-depressing
sensation known as the sense of duty. Why should that sense fall upon
one as a weight and a burden? I knew that I was doomed that day to
give up the bulk of my store of hard-wrung coin to the relief of this
Ada Lowery. But I swore to myself that Tripp's whiskey dollar would
not be forthcoming. He might play knight-errant at my expense, but he
would indulge in no wassail afterward, commemorating my weakness and
gullibility. In a kind of chilly anger I put on my coat and hat.
Tripp, submissive, cringing, vainly endeavoring to please,
conducted me via the street-cars to the human pawn-shop of Mother
McGinnis. I paid the fares. It seemed that the collodion-scented Don
Quixote and the smallest minted coin were strangers.
Tripp pulled the bell at the door of the mouldly red-brick
boarding- house. At its faint tinkle he paled, and crouched as a
rabbit makes ready to spring away at the sound of a hunting-dog. I
guessed what a life he had led, terror-haunted by the coming footsteps
"Give me one of the dollars—quick!" he said.
The door opened six inches. Mother McGinnis stood there with white
eyes—they were white, I say—and a yellow face, holding together at
her throat with one hand a dingy pink flannel dressing-sack. Tripp
thrust the dollar through the space without a word, and it bought us
"She's in the parlor," said the McGinnis, turning the back of her
sack upon us.
In the dim parlor a girl sat at the cracked marble centre-table
weeping comfortably and eating gum-drops. She was a flawless beauty.
Crying had only made her brilliant eyes brighter. When she crunched a
gum-drop you thought only of the poetry of motion and envied the
senseless confection. Eve at the age of five minutes must have been a
ringer for Miss Ada Lowery at nineteen or twenty. I was introduced,
and a gum-drop suffered neglect while she conveyed to me a naive
interest, such as a puppy dog (a prize winner) might bestow upon a
crawling beetle or a frog.
Tripp took his stand by the table, with the fingers of one hand
spread upon it, as an attorney or a master of ceremonies might have
stood. But he looked the master of nothing. His faded coat was
buttoned high, as if it sought to be charitable to deficiencies of tie
I thought of a Scotch terrier at the sight of his shifty eyes in
the glade between his tangled hair and beard. For one ignoble moment
I felt ashamed of having been introduced as his friend in the presence
of so much beauty in distress. But evidently Tripp meant to conduct
the ceremonies, whatever they might be. I thought I detected in his
actions and pose an intention of foisting the situation upon me as
material for a newspaper story, in a lingering hope of extracting from
me his whiskey dollar.
"My friend" (I shuddered), "Mr. Chalmers," said Tripp, "will tell
you, Miss Lowery, the same that I did. He's a reporter, and he can
hand out the talk better than I can. That's why I brought him with
me." (0 Tripp, wasn't it the silver-tongued orator you wanted?)
"He's wise to a lot of things, and he'll tell you now what's best to
I stood on one foot, as it were, as I sat in my rickety chair.
"Why—er—Miss Lowery," I began, secretly enraged at Tripp's
awkward opening, "I am at your service, of course, but—er—as I
haven't been apprized of the circumstances of the case, I—er—"
"Oh," said Miss Lowery, beaming for a moment, "it ain't as bad as
that—there ain't any circumstances. It's the first time I've ever
been in New York except once when I was five years old, and I had no
idea it was such a big town. And I met Mr.—Mr. Snip on the street
and asked him about a friend of mine, and he brought me here and asked
me to wait."
"I advise you, Miss Lowery," said Tripp, "to tell Mr. Chalmers
all. He's a friend of mine" (I was getting used to it by this time),
"and he'll give you the right tip."
"Why, certainly," said Miss Ada, chewing a gum-drop toward me.
"There ain't anything to tell except that—well, everything's fixed
for me to marry Hiram Dodd next Thursday evening. Hi has got two
hundred acres of land with a lot of shore-front, and one of the best
truck-farms on the Island. But this morning I had my horse saddled
up—he's a white horse named Dancer—and I rode over to the station.
I told 'em at home I was going to spend the day with Susie Adams. It
was a story, I guess, but I don't care. And I came to New York on the
train, and I met Mr.—Mr. Flip on the street and asked him if he knew
where I could find G—G—"
"Now, Miss Lowery," broke in Tripp, loudly, and with much bad
taste, I thought, as she hesitated with her word, "you like this young
man, Hiram Dodd, don't you? He's all right, and good to you, ain't
"Of course I like him," said Miss Lowery emphatically. "Hi's all
right. And of course he's good to me. So is everybody."
I could have sworn it myself. Throughout Miss Ada Lowery's life
all men would be to good to her. They would strive, contrive,
struggle, and compete to hold umbrellas over her hat, check her trunk,
pick up her handkerchief, buy for her soda at the fountain.
"But," went on Miss Lowery, "last night got to thinking about G—
George, and I—"
Down went the bright gold head upon dimpled, clasped hands on the
table. Such a beautiful April storm! Unrestrainedly sobbed. I
wished I could have comforted her. But I was not George. And I was
glad I was not Hiram—and yet I was sorry, too.
By-and-by the shower passed. She straightened up, brave and
half-way smiling. She would have made a splendid wife, for crying
only made her eyes more bright and tender. She took a gum-drop and
began her story.
"I guess I'm a terrible hayseed," she said between her little gulps
and sighs, "but I can't help it. G—George Brown and I were sweet-
hearts since he was eight and I was five. When he was nineteen—that
was four years ago—he left Greenburg and went to the city. He said
he was going to be a policeman or a railroad president or something.
And then he was coming back for me. But I never heard from him any
more. And I—I—liked him."
Another flow of tears seemed imminent, but Tripp hurled himself
into the crevasse and dammed it. Confound him, I could see his game.
He was trying to make a story of it for his sordid ends and profit.
"Go on, Mr. Chalmers," said he, "and tell the lady what's the
proper caper. That's what I told her—you'd hand it to her straight.
I coughed, and tried to feel less wrathful toward Tripp. I saw my
duty. Cunningly I had been inveigled, but I was securely trapped.
Tripp's first dictum to me had been just and correct. The young lady
must be sent back to Greenburg that day. She must be argued with,
convinced, assured, instructed, ticketed, and returned without delay.
I hated Hiram and despised George; but duty must be done.
Noblesse oblige and only five silver dollars are not strictly
romantic compatibles, but sometimes they can be made to jibe. It was
mine to be Sir Oracle, and then pay the freight. So I assumed an air
that mingled Solomon's with that of the general passenger agent of the
Long Island Railroad.
"Miss Lowery," said I, as impressively as I could, "life is rather
a queer proposition, after all." There was a familiar sound to these
words after I had spoken them, and I hoped Miss Lowery had never heard
Mr. Cohan's song. "Those whom we first love we seldom wed. Our
earlier romances, tinged with the magic radiance of youth, often fail
to materialize." The last three words sounded somewhat trite when
they struck the air. "But those fondly cherished dreams," I went on,
"may cast a pleasant afterglow on our future lives, however
impracticable and vague they may have been. But life is full of
realities as well as visions and dreams. One cannot live on memories.
May I ask, Miss Lowery, if you think you could pass a happy—that is,
a contented and harmonious life with Mr.-er—Dodd—if in other ways
than romantic recollections he seems to—er—fill the bill, as I might
"Oh, Hi's all right," answered Miss Lowery. "Yes, I could get
along with him fine. He's promised me an automobile and a motor-boat.
But somehow, when it got so close to the time I was to marry him, I
couldn't help wishing—well, just thinking about George. Something
must have happened to him or he'd have written. On the day he left,
he and me got a hammer and a chisel and cut a dime into two pieces. I
took one piece and he took the other, and we promised to be true to
each other and always keep the pieces till we saw each other again.
I've got mine at home now in a ring-box in the top drawer of my
dresser. I guess I was silly to come up here looking for him. I
never realized what a big place it is."
And then Tripp joined in with a little grating laugh that he had,
still trying to drag in a little story or drama to earn the miserable
dollar that he craved.
"Oh, the boys from the country forget a lot when they come to the
city and learn something. I guess George, maybe, is on the bum, or
got roped in by some other girl, or maybe gone to the dogs on account
of whiskey or the races. You listen to Mr. Chalmers and go back
home, and you'll be all right."
But now the time was come for action, for the hands of the clock
were moving close to noon. Frowning upon Tripp, I argued gently and
philosophically with Miss Lowery, delicately convincing her of the
importance of returning home at once. And I impressed upon her the
truth that it would not be absolutely necessary to her future
happiness that she mention to Hi the wonders or the fact of her visit
to the city that had swallowed up the unlucky George.
She said she had left her horse (unfortunate Rosinante) tied to a
tree near the railroad station. Tripp and I gave her instructions to
mount the patient steed as soon as she arrived and ride home as fast
as possible. There she was to recount the exciting adventure of a day
spent with Susie Adams. She could "fix" Susie—I was sure of that—
and all would be well.
And then, being susceptible to the barbed arrows of beauty, I
warmed to the adventure. The three of us hurried to the ferry, and
there I found the price of a ticket to Greenburg to be but a dollar
and eighty cents. I bought one, and a red, red rose with the twenty
cents for Miss Lowery. We saw her aboard her ferryboat, and stood
watching her wave her handkerchief at us until it was the tiniest
white patch imaginable. And then Tripp and I faced each other,
brought back to earth, left dry and desolate in the shade of the
sombre verities of life.
The spell wrought by beauty and romance was dwindling. I looked at
Tripp and almost sneered. He looked more careworn, contemptible, and
disreputable than ever. I fingered the two silver dollars remaining
in my pocket and looked at him with the half-closed eyelids of
contempt. He mustered up an imitation of resistance.
"Can't you get a story out of it?" he asked, huskily. "Some sort
of a story, even if you have to fake part of it?"
"Not a line," said I. "I can fancy the look on Grimes' face if I
should try to put over any slush like this. But we've helped the
little lady out, and that'll have to be our only reward."
"I'm sorry," said Tripp, almost inaudibly. "I'm sorry you're out
your money. Now, it seemed to me like a find of a big story, you
know— that is, a sort of thing that would write up pretty well."
"Let's try to forget it," said I, with a praiseworthy attempt at
gayety, "and take the next car 'cross town."
I steeled myself against his unexpressed but palpable desire. He
should not coax, cajole, or wring from me the dollar he craved. I had
had enough of that wild-goose chase.
Tripp feebly unbuttoned his coat of the faded pattern and glossy
seams to reach for something that had once been a handkerchief deep
down in some obscure and cavernous pocket. As he did so I caught the
shine of a cheap silver-plated watch-chain across his vest, and
something dangling from it caused me to stretch forth my hand and
seize it curiously. It was the half of a silver dime that had been
cut in halves with a chisel. "What!" I said, looking at him keenly.
"Oh yes," he responded, dully. "George Brown, alias Tripp. what's
Barring the W. C. T. U., I'd like to know if anybody disapproves
of my having produced promptly from my pocket Tripp's whiskey dollar
and unhesitatingly laying it in his hand.