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The Destroyer by William Merriam Rouse


he pencil in the hand of Allen Parker refused to obey his will. A strange unseen force pushed his will aside and took possession of the pencil point so that what he drew was not his own. It was the same when he turned from drawing board to typewriter. The sentences were not of his framing; the ideas were utterly foreign to him. This was the first hint he received of the fate that was drawing in like night upon him and his beautiful wife.

Slowly, insidiously, there stole over Allen Parker something uncanny. He could no longer control his hands—even his brain!

Parker, a young writer of growing reputation who illustrated his own work, was making a series of pencil sketches for a romance partly finished. The story was as joyous and elusive as sunlight, and until to-day his sketches had held the same quality. Now he could not tap the reservoir from which he had taken the wind-blown hair and smiling eyes of Madelon, his heroine.

When he drew or wrote he seemed to be submerged in the dark waters of a measureless evil pit. The face that mocked him from the paper was stamped with a world-old knowledge of forbidden things.

Parker dropped his pencil and leaned back, tortured. He and his wife, Betty, had taken this house in Pine Hills, a small and extremely quiet suburban village, solely for the purpose of concentration on the book which was to be the most important work he had done. He went to the door of the room that he used for a studio and called:

"Betty! Can you come here a moment, please?"


here was a patter of running feet on the stairs and then a girl of twenty, or thereabout, came into the room. Any man would have said she was a blessing. Her hair "was yellow like ripe corn," and her vivid blue eyes held depth and character and charm.

"Look!" exclaimed Parker. "What do you think of this stuff?"

For a moment there was silence. Then Allen Parker saw something he had never before seen in his wife's face for him or his work—a look of complete disgust.

"I wouldn't have believed you capable of doing anything so ... so horrid!" she said coldly. "How could you?"

"I don't know!" His arms, which had been ready to take her to him for comfort, dropped. "The work has been ... difficult, lately. As though something were pulling at my mind. But not like this! It isn't me!"

"It must be you, since it came out of you!" She turned away and moved restlessly to one of the windows.

"Through me!" muttered Parker. "Ideas come!"

"You'll have to do something!"

"But what? I don't know what to do!"

"Why not go to see that new doctor?" asked Betty, over her shoulder. "Dr. Friedrich von Stein?"

"Von Stein?" repeated Parker, vaguely. "Don't know him. Anyhow, I don't need a doctor. What in the world made you think of that?"


othing, except that I can see his house from here. He's taken what they call 'the old Reynolds place.' You know—opposite the church. We looked at it and thought it was too large for us. He's made a lot of alterations."

"Oh, yes!" Parker had placed the newcomer, more recent than himself. "I had an idea that he was a doctor of philosophy, not medicine."

"He has half a dozen degrees, they say. Certainly he's a stunning looking man. I saw him on the street."

"Maybe he doesn't practice." The artist was gazing, baffled and sick at heart, upon what he had wrought. "And what could he do, unless it's my liver?"

"He might be a psycho-analyst, or something like that," she replied, slowly.

"But why the wild interest in this particular doctor?" Parker roused himself and looked at her. He felt irritable, and was ashamed of it.

"Only for your work," said Betty. A faint pink touched her cheeks.

Allen Parker had a sudden feeling of certainty that his wife was lying to him. To one who knew the Parkers it would have been equally impossible to think of Betty as lying, or of her husband as believing such a thing. Parker was outraged by his own suspicion. He sprang up and began to pace the floor.

"All right, then!" he exploded. "My work is going to the dogs! Why, there's an appointment with Cartwright to-morrow to show him these sketches, and the last few chapters I've done! We'll go now! If this man can't do anything for me I'll try somebody else!"


n ten minutes they were walking up the quiet street toward the present home of Dr. Friedrich von Stein. Despite his self-absorption Parker could not help noticing that his wife had never looked more attractive than she did at this moment. Her color had deepened, little wisps of hair curled against her cheeks, and there was a sparkle in her eyes which he knew came only on very particular occasions.

Even from the outside it was apparent that many strange things had been done to the staid and dignified house of Reynolds. A mass of aerials hung above the roof. Some new windows had been cut at the second floor and filled with glass of a peculiar reddish-purple tinge. A residence had been turned into a laboratory, in sharp contrast to the charming houses up and down the street and the church of gray stone that stood opposite.

Beside the door, at the main entrance, a modest plate bore the legend: "Dr. Friedrich von Stein." Parker pressed the bell. Then he squared his broad shoulders and waited: a very miserable, very likeable young man, with a finely shaped head and a good set of muscles under his well cut clothes. He had brought his sketches, but he was uncomfortable with the portfolio under his arm. It seemed to contaminate him.


he door opened to reveal a blocky figure of a man in a workman's blouse and overalls. The fellow was pale of eye, towheaded; he appeared to be good natured but of little intelligence. The only remarkable thing about him was a livid welt that ran across one cheek, from nose to ear. Beside him a glossy-coated dachshund wagged furiously, after having barked once as a matter of duty.

"May we see Dr. von Stein?" asked Parker. "If he is in?"

"I will ask the Herr Doktor if he iss in," replied the man, stiffly.

"Dummkopf!" roared a voice from inside the house. An instant later man and dog shrank back along the hall and there appeared in their place one of the most striking personalities Allen Parker had ever seen.

Dr. Friedrich von Stein was inches more than six feet tall and he stood perfectly erect, with the unmistakable carriage of a well drilled soldier. He was big boned, but lean, and every movement was made with military precision. More than any other feature his eyes impressed Parker: they were steady, penetrating, and absolutely black. But for a thread of gray here and there his well-kept beard and hair were black. He might have been any age from forty to sixty, so deceptive was his appearance.

"Come in, if you please," he said, before Parker could speak. Von Stein's voice was rich and deep, but with a metallic quality which somehow corresponded with his mechanical smile. Except for the guttural r's there was hardly a hint of the foreigner in his speech. "It is Mr. and Mrs. Parker, I believe? I am Dr. von Stein."


e stood aside for them to pass into the hallway, and while they murmured their thanks he shot a volley of German at the man, whom he called Heinrich. The frightened servant vanished; and the Parkers were taken into a living room furnished carelessly, but in good enough taste. Betty took her place on a couch, to which the doctor led her with a bow. Parker sank into an overstuffed chair not far from a window.

"I learned your names because of the beauty of madame," said Von Stein, as he stood looming above the mantel. Again he bowed. "One could not see her without wishing to know how such a charming woman was called. You are my neighbors from down the street, I believe."

"Yes," replied Allen. He wanted to be agreeable, but found it difficult. "And I think Mrs. Parker has developed a great admiration for you. She persuaded me to come here to-day. Are you, by chance, a psycho-analyst? I don't even know that you are a doctor of medicine, but—"

"I know a very great deal about the human mind," interrupted Dr. von Stein calmly. "I know a great deal about many things. I am not going to practice medicine here in Pine Hills because I have research work to do, but I will help you if I can. What is your trouble?"


he question brought back to Parker the mood of half an hour ago. Almost savagely he snapped the portfolio open and spread out a few of his recent drawings, with some of the earlier ones for comparison.

"Look!" he cried. "These vicious things are what I am doing now! I can't help myself! The pencil does not obey me! Apparently I have no emotional control. It's as though my normal ideas were shouldered aside, like people in a crowd. And my writing to-day was as bad as these illustrations. I'm doing a book. Consider these things carefully, Doctor. They are not obscene, except by inference. They can't be censored. The book would go through the mails. Yet they are deadly! Look at my heroine in these two pictures. In one she is like—like violets! In the other she looks capable of any crime! What is she? A vampire, if there is such a thing? A witch? I can almost believe in demonology since I made these last drawings!"

Parker, in spite of his excitement, tried to read the face of Dr. Friedrich von Stein. He found nothing but the automatic smile upon that mask. Yet it seemed to the artist that this time there was a hint of real pleasure in the curve of the lips. Was it possible that anyone could like those drawings? Parker began to think that he was going insane.

"This is most unfortunate for you," rumbled the doctor. "I understand. But I trust that the condition can be remedied, if it persists. You, Mr. Parker, and you, Madame, do you understand something of physics, of psychology, of metaphysics?"

"I fear that I'm rather ignorant," answered Betty. "Certainly I am in comparison with a man of your attainments."


r. von Stein bowed. He turned his black eyes upon Parker.

"And you, sir? I must adjust my explanation to—what shall I say? To your knowledge of the higher reaches of scientific thought?"

"Why, I majored in philosophy in college," said Parker, hesitatingly. "But that's quite a time ago, Herr Doktor. Of course I've tried to keep up with the conclusions of science. But a writer or a painter doesn't have any too much opportunity. He has his own problems to concern him."

"Yes, indeed!" Dr. von Stein was thoughtful. "So, and especially for the benefit of madame, I shall speak in terms of the concrete."

"Please consider me stupid!" begged Betty. "But I want to understand!"

"Certainly, except that you are not stupid, Madame. I will proceed. Both of you, I assume, know something of the radio? Very good! You know that an etheric wave transmits the message, and that it is received and amplified so that it is within the range of the human ear. These waves were there when paleolithic man hunted his meat with a stone-tipped club. To use them it was necessary to invent the microphone, and a receiving instrument.

"What I have said you already know. But here is what may startle you. Human thought is an etheric wave of the same essential nature as the radio wave. They are both electrical currents external to man. Thoughts sweep across the human mind as sound currents sweep across the aerials of a radio—"

"I told you!" Allen Parker turned a triumphant face to his wife. "Pardon me, Herr Doktor! I have tried to convince Mrs. Parker that my idea came from outside!"


xactly!" Dr. von Stein took no offense. "And a difference between the mind and the radio set is that with the radio you tune in upon whatever you choose, and when you choose. The mind is not under such control, although it should be. It receives that to which it happens to be open. Or that thought which has been intensified and strengthened by having been received and entertained by other minds. In India they say: 'Five thousand died of the plague and fifty thousand died of fear.' Do you both follow me?"

It was unnecessary to ask. Betty sat on the edge of the couch, intent upon every word. Parker, although more restrained, was equally interested. Moreover he was delighted to have what he had felt instinctively confirmed, in a way, by a man of science.

"Herbert Spencer said," continued the doctor, "that no thought, no feeling, is ever manifested save as the result of a physical force. This principle will before long be a scientific commonplace. And Huxley predicted that we would arrive at a mechanical equivalent of consciousness. But I will not attempt to bolster my position with authorities. I know, and I can prove what I know.

"You, Mr. Parker, have been receiving some particularly annoying thoughts which have been intensified, it may be, by others, or another. Human will power can alter the rate of vibration of the line of force, or etheric wave. So-called good thoughts have a high rate of vibration, and those which are called bad ordinarily have a low rate. Have you, perhaps, an enemy?"

"Not that I know of," replied Parker, in a low voice.

"Then it would follow that this is accidental."


ood heavens! Do you mean to say that someone could do this to me maliciously?"

"So far my experiments leave something to be desired," said Dr. von Stein, without answering directly. "No doubt you are peculiarly susceptible to thoughts which bear in any way on your work."

"But isn't there any help for it?" asked Betty. She was regarding her husband with the eyes of a stranger.

"I believe I can do something for Mr. Parker."

There was a knock at the door. The doctor boomed an order to come in. Heinrich, with the dachshund at his heels, entered bearing a tray with a bottle of wine and some slices of heavy fruit cake. He drew out a table and placed the tray.

"Do not bring that dog in when I have guests," said Von Stein. He spoke with a gleam of white teeth. "You know what will happen, Heinrich?"

"Ja, Herr Doktor! I take Hans oudt!" The man was terrified. He gathered the dog into his arms and fairly fled from the room. Dr. von Stein turned with a smile.

"I have to discipline him," he explained. "He's a stupid fellow, but faithful. I can't have ordinary servants about. There are scientific men who would be willing to bribe them for a look at my laboratory."

"I did not know such things were done among scholars," said Betty, slowly.

"What I have accomplished means power, Madame!" exclaimed the doctor. "There are jackals in every walk of life. If an unscrupulous man of science got into my laboratory, a physicist for instance, he might ... find out things!"


r. von Stein turned to his duties as host. He filled their glasses, and watched with satisfaction Betty's obvious enjoyment of the cake. A box of mellow Havanas appeared from a cabinet: imported cigarettes from a smoking stand. But Parker, in spite of a liking for good wine and tobacco, was far too much concerned about his work to forget the errand that had brought him there.

"So you think," he said, when there was opportunity, "that you can help me, Dr. von Stein?"

"I can," replied von Stein, firmly; "but before attempting anything I'd like to wait a day or two. The attacking thoughts may become less violent, or your resistance greater, in either of which cases the condition will fade out. You will either get better or much worse. If you are worse come to see me again, and I promise you that I will do something!"

"I'll come, and thank you!" Parker felt better, and more cheerful than he had since the beginning of the disturbance. "Few things could make me suffer so much as trouble with my work."

"That is what I thought," agreed Dr. von Stein.


etty rose. Her husband caught the look in her eyes as they met the bright, black gaze of Dr. von Stein, and he went cold. That look had always been for him alone. Her feet seemed to linger on the way to the door.

"He's wonderful!" she breathed, as they started down the uneventful street. "Scientific things never interested me before. But he makes them vital, living!"

"And yet," said Parker, thoughtfully, "there's something uncanny about that man!"

"Nonsense!" exclaimed Betty. "It's because he's a genius! Don't be small, Allen!"

Parker gasped, and remained silent. He could not remember that his wife had ever spoken to him in quite that way. They finished the little journey home without speaking again and Parker went directly to studio. He sat down, with drooping shoulders, and considered the mess he had made of his book. Well, there was nothing to do but see Cartwright to-morrow and face the music!

Dinner that night was a mournful affair. The soft footsteps of the servant going in and out of the dining room, the ticking of the clock, were almost the only sounds. Betty was deep in her own thoughts; Parker was too miserable to talk. He went to bed early and lay staring into the darkness for what seemed like an eternity of slow moving hours.

The tall, deep voiced clock in the hall downstairs had just struck one when suddenly Parker's room was flooded with light. He sat up, blinking, and saw Betty standing near his bed. Her fingers twisted against each other; her face was drawn and white.

"Allen!" she whispered. "I'm afraid!"

Instantly he was on his feet; his arms went around her and the yellow head dropped wearily against his shoulder.

"Afraid of what?" he cried. "What is it, sweetheart?"

"I don't know!" All at once her body stiffened and she pulled away from him. Then she laughed—"What nonsense! I must have been having a bad dream ... it's nothing. Sorry I bothered you, Allen!"

She was gone before his could stop her. Bewildered, he did not know whether to follow. Better not, he thought. She would sleep now, and perhaps he would. But he was worried. Betty was becoming less and less like herself.


t last Parker did sleep, to awake shortly after daylight. He got a hasty breakfast and took an early train to New York. When John Cartwright, a shrewd and kindly man well advanced in years, arrived at his office Allen Parker was right there waiting for him.

Cartwright had shown a real affection for the younger man, a paternal interest. He beamed, as usual, until he sat down with the new drawings. Slowly the smile faded from his face. He went over them twice, three times, and then he looked up.

"My boy," he said, "did you do these?"


"Do you know that you are turning a delicate and beautiful romance into a lascivious libel on the human race?"

"It is being done," replied Parker, in a low voice. "And I—I can't help myself!"

"What do you mean by that?"

"I mean that when I start to draw Madelon my hand produces that woman of Babylon! The writing is just as bad. It's full of sneering hints, double meanings ... I shall destroy the stuff. I've been to see a psycho-analyst."

"Ah!" thoughtfully. "Perhaps you're tired, Allen. Why not take Betty for a sea trip? There'll still be time for fall publication."

"I'm going to try everything possible. I'd rather be dead than do work like this!"


hen Parker left his friend he was somewhat encouraged. After the first shock Cartwright had been inclined to make light of the difficulty, and by the time Allen Parker reached Pine Hills his stride had the usual swing and snap.

He ran up the steps of his house and burst into the living room with a smile. Betty was sitting by one of the windows, her hands lying relaxed in her lap. She turned a somber face toward her husband, and spoke before he had time to say a word of greeting.

"You knew that Cordelia Lyman died a short time ago, didn't you?"

"What's that?" exclaimed Parker, bewildered. "Lyman? Oh, the old lady down the street who left her money to found a home for aged spinsters? What about it?"

"But she didn't leave her money to found a home for aged spinsters, Allen. She had said she was going to, and everybody thought so. Her will was admitted to probate, or whatever they call it, yesterday. She left half a million, all she had, to Dr. Friedrich von Stein, to be used as he thinks best for the advancement of science!"

"Good heavens!" Parker stared. "Why, I didn't know she knew him. He'd only been here a week or so when she died."

"There isn't a flaw in the will, they say. You can imagine that Pine Hills is talking!"

"Well," said Parker philosophically, "he's lucky. I hope he does something with it."

"He will," replied Betty, with conviction. "He'll do a great many things!"


arker told her of his interview with Cartwright, but she seemed little interested. He did not try to work that day but, after he had put the offending drawings and manuscript out of sight, he wandered, read, smoked, and in the evening persuaded Betty to take a moonlight walk with him.

They passed the house of Dr. von Stein, from which came a faint humming that sounded like a dynamo. Across the street the church was alight for some service. Triumphant music drifted to them. The moon hung above the spire, with its cross outlined darkly against the brilliant sky. The windows were great jewels. Betty drew a deep breath.

"Sometimes, Allen," she said, "I feel like praying!"

"You are a beautiful prayer," whispered Parker.

She walked close to him, holding his arm, and repeated softly:

"Are not two prayers a perfect strength?
And shall I feel afraid?"

But that was the end of that mood. By the time they arrived home Betty was again the strange, aloof, cold, slightly hard woman of the past few days. Again depression settled upon Allen Parker.


he next morning he breakfasted alone and went directly to the studio, without seeing Betty. Sun streamed into the room; the pencil moved swiftly. For a brief time Parker thought that he was himself again, as Madelon grew upon the block of paper. But the end was terrible. The last few strokes made her grotesque. This time the woman he had drawn was not merely evil; she was a mocking parody of his heroine. He threw drawing and pencil across the room.

But no real artist can be discouraged short of death. He went to work again and labored until luncheon time. The results were no better, although they varied. Now it seemed that some malevolent power was playing with him, torturing him to the accompaniment of devilish laughter. He was haggard and actually stooped of body when he bathed his face and went down to the dining room. From across the table Betty regarded him curiously.

"Fleming Proctor shot himself last night," she announced, calmly. "This morning they found him dead in his office."

"Proctor? You don't mean the president of the Pine Hills National Bank?"

"Yes." The expression of Betty's face did not change. "There was a note saying that he was sorry. It seems he'd made a large loan without security to an unknown person, and the bank examiner was coming to-day. Proctor said he couldn't help what he did. The note was confused as though he were trying to tell something and couldn't. They think his mind must have given way, particularly as they can't trace the loan, although the money is undoubtedly gone."


hat kind of thing doesn't happen!" Parker was stunned. He had known Fleming Proctor, and liked him. They met often at the country club. "Proctor was honest, and a fine business man!"

"It did happen, Allen!"

"I'd like to know more about it. That would have been a case for Dr. von Stein to take in hand."

"Perhaps," said Betty, in a voice like ice. "But I'm more interested in finding out how soon you are going to return to normal. Frankly, I'm beginning to get bored."

Without a word Parker rose and left the room. Never before had his wife hurt him like this. Doubly sensitive just now, he was suffering alone in the studio when the telephone rang.

"Dr. von Stein speaking. Are you better, Mr. Parker?"

"Worse! Much worse!"

"Then come to my house this evening at nine. May I expect you? And alone?"

"Yes." There was much Parker wanted to say, but he choked the words back. "I'll be there, and alone."

"I shall be ready for you. Good-by."

Allen Parker hung up the receiver. He did not leave the studio again until evening.


s Parker approached the house of Dr. Friedrich von Stein he saw that the church was lighted as it had been the night before. In a clear sky the moon rode above the spire. He paused to let his glance sweep up along the beautiful line that ran from earth to the slender cross. That was how he felt. He wanted to rise, as that line rose, from cumbering earth to clarity and beauty.

He mounted the steps and rang. Dr. von Stein met him, with eyes and teeth agleam in the hall light. Wearily Parker stepped inside. His mood of the moment before was fading.

"Go upstairs to my laboratory, if you please," said the doctor. "It is best that I see you there, for it may be that you will need treatment."

"I need something," replied Parker as he went up a long flight of stairs. "I'm in a bad way."

Without answer von Stein led him down a short corridor and held open a door. Allen Parker stepped into a room that bewildered him with its strange contrasts.

At a glance he saw that nearly the whole upper floor of the building had been converted into one gigantic room. Near a big stone fireplace, where burning driftwood sent up its many tinted flames, Heinrich stood rigidly at attention. Hans, the dachshund, crouched at his feet. When the dog started to meet Parker a guttural command stopped him.

Here there were bearskins on the floor, huge stuffed chairs, footrests, little tables, humidors, pipe racks, all that one could desire for comfort. Two German duelling swords were crossed above the mantel.


ut beyond this corner everything was different. Parker saw the massed windows of reddish-purple glass; he saw apparatus for which he had no name, as well as some of the ordinary paraphernalia of the chemical laboratory. There was wiring everywhere, and a multitude of lighting fixtures. Utilitarian tables, desks and chairs were placed about with mathematical precision. There were plates and strips of metal set into the glass smooth flooring, which was broken by depressions and elevations of unusual form.

The most striking thing in the room was a huge copper bowl that hung inverted from the ceiling. In it, and extending down below the rim, was what seemed to be a thick and stationary mist. It looked as though the bowl had been filled with a silver gray mist and then turned bottom side up. But the cloud did not fall or float away.

"I can think and speak best from my desk," Von Stein was saying. "Please sit down facing me in the chair which Heinrich will place for you. Then we will talk."

Heinrich rolled one of the overstuffed chairs noiselessly to a position about six feet from the desk. Parker noticed a long metal strip in the floor between him and the doctor.

Just then Hans wriggled forward and the artist scratched his ears, to be rewarded by a grateful tongue. Again a command from Heinrich brought the dog to heel, but the voice was not so gruff this time. Together they returned to the fireplace.

Von Stein let his hands rest upon the desk top—a surface covered with levers, electric switches, push buttons, and contrivances the nature of which Parker could not guess. The doctor leaned forward. He threw over a switch. The lights in the room became less bright. He pressed a button. The Danse Macabre of Saint-Saens floated weirdly upon the air, as though the music came from afar off.

"Is that part of the treatment?" asked Parker, with a faint smile. "It's not cheering, exactly."

"Merely an idiosyncrasy of mine," answered Von Stein, showing his teeth. "Before anything is done I must, in order to aid the receptivity of your mind, go a little further with the explanation of certain things which I mentioned the other day. I promise not to bore you. More than that, Mr. Parker, I promise that you will be more interested than you have ever been in anything!"


t seemed to Parker that there was something sinister in the manner and speech of Dr. von Stein. The Dance of Death! Did that music have a meaning? Impossible! It was only his own sick mind that was allowing such thoughts to come to him.

"Anything that will help," he murmured.

"You have noticed that copper bowl?" Von Stein did not wait for a reply. "The misty appearance inside and underneath it is given by thousands upon thousands of minute platinum wires. When it is in use a slight electrical current is passed through it, varying in power according to the rate of vibration needed. That instrument, my dear sir, is a transmitter of thought. I may call it the microphone of the mind. I can tune in on any mind in the world, by experimenting up and down the vibration range to determine the susceptibility of the particular person. The human mind does not need an amplifier, as the radio receiving set does. Rather, it acts as its own amplifier, once having received the thought. I invented one, however, to prove that it could be done. I equipped Heinrich with it and in half an hour by suggestion reduced him to his present state of docile stupidity. I have, Mr. Parker, the means of moving people to do my bidding!"


on Stein stopped abruptly, as though for emphasis and to allow his astounding statements to take effect. Parker sat stunned, struggling to grasp all the implications of what he had just heard. Suddenly they became clear. He saw events in order, and in relation to each other.

"So that's how it was with Cordelia Lyman!" he cried hoarsely, leaning forward. "And it was you who had that money from Fleming Proctor!"

"You are not unintelligent," remarked Dr. von Stein. "Better that science should have the Lyman money than a few old women of no particular use. As for Proctor, he was a fool. I would have protected him."

"And my pictures ... my book...."

"I can cure you, Mr. Parker. If I will!"

"And anyone is at the mercy of this man!" groaned Parker.

"Not absolutely, I'm sorry to say," said the doctor. "The action of thought on the human consciousness is exactly like that of sound on the tuning fork. When the mind is tuned right, we'll say for illustration, the lower vibrations are not picked out of the ether. But as few minds are tuned right, and as all vary from time to time, I'm practically omnipotent."

"You have changed the nature of my wife!" Parker was getting hold of himself and he could speak with a degree of calmness. "That is a worse crime than the one you've committed against me directly!"

"Mr. Parker," said the doctor, impressively, "you are in a web. I am the spider. You are the fly. I don't particularly desire to hurt you, but I want your wife. This is the crux of the matter. She is the woman to share my triumphs. Already I have aroused her interest. Give her up and you will continue your work as before. Refuse, and you will lose her just as certainly as though you give her to me. For, my dear sir, you will be insane in less than a month from now. I promise you that!"


llen Parker was not one to indulge in melodrama. For a long moment he sat looking into the black eyes of Von Stein. Then he spoke carefully.

"If my wife of her own will loved you, and wanted freedom, I'd let her go. But this is a kind of hypnosis. It's diabolical!"

"Who but the devil was the father of magic?" asked the doctor, cheerfully. "Hypnosis is unconsciously based on a scientific principle which I have mastered. Repeated advertising of a tooth brush or a box of crackers is mild mental suggestion—hypnosis, if you will. My dear fellow, be sensible!"

"Sophistry!" growled Parker.

Von Stein laughed. He moved a lever upon a dial and a sheet of blue flame quivered between them. With another movement of the lever it vanished.

"I could destroy you instantly," he said, "and completely, and no one could prove a crime! I shall not do it. I have no time to be bothered with investigations. Think of the fate I have promised you. Think, and you will give her up!"

"I shall not!" Parker wiped cold drops from his forehead. The doctor frowned thoughtfully.

"I'll intensify her desire to come here to-night," he said. "She herself will persuade you."


arker set his fingers into the arms of his chair as Von Stein rose and walked to the copper bowl. He stood directly under it, and put on goggles with shields fitting close to his feet. At the pressure of his foot a tablelike affair rose from the floor in front of him. This, like the desk, was equipped with numerous dials, buttons and levers. Von Stein manipulated them. The great cap of copper descended until his head was enveloped by the mist of platinum wires. A faint humming grew in the room. A tiny bell tinkled.

"The connection is made," murmured Von Stein. He lifted a hand for silence: then his fingers leaped among the gadgets on the table. After that came a brief period, measured by seconds, of immobility. Then the table sank from view, the copper bowl lifted, and Dr. von Stein went back to his chair.

"She will be here shortly," he said. "If that does not change your mind...."

He shrugged. Parker knew what that shrug meant. He searched his mind for a plan and found none. Better die fighting than yield, or risk the vengeance of Friedrich von Stein. If he could get the doctor away from the desk where he controlled the blue-white flame there might be a chance to do something. Von Stein was by far the larger man, but Parker had been an athlete all his life. If....

"That mass of copper and platinum," he said, tentatively, "will make you master of the world!"

"My brain, my intelligence, has made me master of the world!" corrected Von Stein, proudly. He was touched in the right spot now. "You have not seen all!"


e sprang up and went to one of the tables. From his pocket he took a piece of paper and crumpled it into a ball while, with the other hand, he made some electrical connections to a plate of metal set into the surface of the table. Next he placed the wad of paper on the plate. Then, standing at arm's length from the apparatus, he pressed a button. Instantly the paper disappeared behind a screen of the colors of the spectrum, from red to violet. The banded colors were there for a minute fraction of a second. Then there was nothing where the paper had been on the plate. Von Stein smiled as he stepped away from the table.

"The electron is formed by the crossing of two lines of force," he said, "and the interaction of positive and negative polarity. The electron is a stress in the ether, nothing more, but it is the stuff of which all matter is made. Thought is vibration in one dimension; matter in two. You have just seen me untie the knot, dissociate the electrons, or what you will. In plain language I have caused matter to vanish utterly. That paper is not burned up. It no longer exists in any form. The earth upon which we stand, Parker, can be dissolved like mist before the sun!"

Appalled as he was at this man who boasted and made good his terrible boasts Allen Parker had not forgotten the purpose that was in him. Now was his chance, while Von Stein stood smiling triumphantly between table and desk.

Parker shot from his chair with the speed of utter desperation. He feinted, and drove a vicious uppercut to the jaw of Dr. Friedrich von Stein. The doctor reeled but he did not go down. His fists swung. Parker found him no boxer, and beat a tattoo upon his middle. Von Stein began to slump.

Then two thick muscled arms closed around the artist from behind and he was lifted clear of the floor. He kicked, and tried to turn, but it was useless. The doctor recovered himself. His eyes blazed fury.

"Put him in the chair, Heinrich!" he roared. "For this I will show you what I can do, Herr Parker!"


t that instant little Hans, who had been yelping on the edge of the battle, dashed in. He leaped for the throat of Von Stein. The doctor kicked him brutally.

The shriek of agony from Hans loosened the arms of Heinrich. Parker got his footing again. He saw the clumsy serving man spring forward and gather his dog up to his breast. Again Parker rushed for his enemy.

It was clear now that Von Stein was cut off from the controls he wanted, and without Heinrich he could not master Parker in a fight. For an instant he stood baffled. Then he retreated the length of the room, taking what blows he could not beat off. He staggered upon a plate of metal set into the floor, righted himself, and failed in an attempt to catch hold of Parker. Suddenly he bowed in the direction of the distant doorway.

Allen half turned. Betty was coming down the room, staring and breathless.

"Leben sie wohl!" cried Von Stein. "Farewell, Madame! I should like to take you with me!"

A great flash of the colors of the spectrum sent Parker reeling back. Dr. Friedrich von Stein had gone the way of the crumpled ball of paper.

There was a long moment of silence. Then Allen Parker found his wife in his arms, clinging to him.

"'Are not two prayers a perfect strength?'" she murmured, sobbing against his heart.



cientists bidding their families good-by in the morning to drop fifty or a hundred miles underground in high speed elevators, there to undertake researches not possible nearer to the earth's surface, may be realities of the next decade or two if some wealthy individual or institution accepts the recommendation of Dr. Harlow Shapley, distinguished astronomer of Harvard, in a talk recently before the American Geographical Society.

The earth's interior, Dr. Shapley said, is the "third dimension" of geography. Exploration of the planet's surface soon must cease from lack of places to explore. Even the upper air is coming to be reasonably well known scientifically, thanks to instruments sent up with balloons and to the radio and other investigators who have been uncovering secrets of upper-air electricity. But the interior of the earth is still one of the great mysteries. It is a paradox of astronomy that much more is known about the center of the sun or a star like Sirius than about the center of the earth.

Deep shafts of bore holes into the earth have been suggested often as sources of heat for human use. It is doubtful, however, whether such heat supplies could be obtained. For one thing, the supposed internal heat of the earth is still nothing but a guess. It may be that the relatively slight increases of heat found as one goes deeper in existing mines are due to radioactivity in the rocks instead of to outward seepage from the internal fires. Another difficulty about utilizing earth heat is that heat moves so slowly through substances like rock, as any housewife can prove by trying to fry an egg on a brick placed over a gas flame. As soon as the rock heat immediately at the bottom of a bore hole had been exhausted heat supply would stop until more could diffuse in from the sides.

Dr. Shapley's suggestion, in any event, is not to search for heat but for facts. Even in existing, relatively shallow mines, he believes, scientific laboratories at different depths under the surface might yield valuable data not now obtainable. Most scientific men will agree. Revolutionary as the idea may seem to those familiar only with the standardized laboratories of physics or chemistry, there are sound reasons why a half-dozen or so of the sciences should do precisely what Dr. Shapley suggests.

At least one underground laboratory has already been installed, for Prof. E. B. Babcock of the University of California has such a workroom in the Twin Peaks Tunnel, underneath the mountain that rises above the city of San Francisco. Natural radioactivity in the rocks thereabouts is greater than normal and Prof. Babcock finds that this apparently increases new species among fruit flies.

To dig out laboratory rooms a mile or so down in existing deep mines probably would cost far less than many enterprises already financed by philanthropists. Even to deepen these shafts for several miles would be much less difficult than most people imagine.

Increasing heat, if it is found that heat does increase, would not be difficult to overcome had the engineers sufficient money. Ventilation and transportation to and from the surface, while too costly for the business enterprise of winning metals from very deep mines, probably would present no serious difficulty were facts the chief object instead of profit. The only question to be decided before intending benefactors of science are urged to consider some such project is whether or not the facts likely to be won promise enough value to mankind.

An excellent case can be made out for answering yes. Dr. Shapley mentioned four chief lines of investigation suitable for such deep-mine laboratories: studies of gravity and of the variable length of the day, researches on the various kinds of earthquake waves, experiments on ether drift and tests of the biological effects of cosmic rays and of the rays from radium.

Astronomical theories indicate that the day ought to be growing slightly longer as the earth's rotation decreases a trifle from century to century because of friction from the tides. The actual length of the days seems, however, sometimes to be decreasing a tiny fraction of a second from year to year, as theory says that it should; sometimes to be increasing in a way for which no present theory provides. Observations underneath the earth, with a portion of the planet's crust and gravity overhead, might yield important clues to the cause of this mysterious wrong time kept by the terrestrial clock.